I. Dance has always been something that fascinates me. Ever since I was a little girl‚ my dream was to become a prima ballerina. The way the dancers carried themselves with such grace and finesse in every movement was something I aspired to achieve someday. I began taking up dance when I was four years old at Hudson Valley Conservatory. There‚ I studied three different types of dance: tap‚ jazz‚ and ballet. Ballet‚ of course‚ being my favorite‚ was the one style I focused on the most but my performance
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Dance Facilitation Essay Discuss the meanings of authoritarianism and anti-authoritarianism in practices of dance teaching. Make specific reference to examples from practice and from the literature. Discuss ways of working that might be appropriate to working with a group of GCSE students and prepare a lesson plan for a specific session with GCSE students. On an online dictionary the definition for authoritarianism is; "Characterized by or favoring absolute obedience to authority‚ as against
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organizations within my school‚ but you can simply see that on my resume. These clubs have an enormous impact on the community and have definitely contributed to helping me become a leader‚ but‚ again‚ you can see that on my resume. What you can not see on my resume is the profound impact dance has had on not only me as a leader but my life as a whole. I started dancing when I was 3 years old and 14 years later I’m still dancing. Spending 12 of those years at the same dance studio‚ Dancentre South
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THE MOST FAVOURITE LEADER OF TURKISH PEOPLE “MUSTAFA KEMAL ATATÜRK” İntroduction: Mustafa Kemal Atatürk was the first President of the Republic of Turkey and the anti-imperialist leader of Turkey until his death in 1938. Mustafa Kemal was born on‚May 19‚1881. His birth place was Salonika. He was given the name Atatürk (Father of All Turks) later. His father’s name was Ali Rıza Efendi. His mother’s name was Zübeyde Hanım. He also had a sister whose name was Makbule (Atadan). When the Ottoman
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P.1 November 4‚ 2012 Music14 Music Concert essay Extra-Credit Dance Theater Music Art On the 3 November 2012‚ my classmates and I were to attend a music dance concert in the Feddersen Recital Hall in Mount San Antonio College. we were being seat in the circle‚ where I can observed most things from the floor above. The hall is quite a small grand but in simple and elegant way‚ and with simple lighting. I love it although it is not as large-scale as others performance at Los Angeles downtown
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This year‚ I had the privilege to be in the Dance Experience. I quit dancing five years ago‚ because I never really liked those in my classes‚ yet I always found myself moving around and doing all the movements for fun. During my PFO dance experience‚ I got to build better relationships with people in my experience‚ rediscover my love for dance (not necessarily my talent)‚ and learn more about myself in the process. Our final dress rehearsal was the day of our performance. During our run of the
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Sailing. Eoin Brennan. The class from the school to the dart staion where we waited for Mr. Tansey to arrive at the dart station. While we waited we talked about what we had all done voer the summer‚ and what tha plans would be for results night. As the dart arrived at the station we al got ready to get on and sit down on our way to Salthill. To our dissapointement‚ there were no available seats so we were forced to stand! The few that were left standing‚
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SUMMARY The Wedding Dance by Amador T. Daguio is about Awiyao and Lumnay‚ a long married couple from the Mountain tribes. Awiyao is going to marry another woman‚ Madulimay‚ because Lumnay was not able to give him a child. Awiyao went back home to see Lumnay because he didn’t find her among the dancers at his wedding. He wanted Lumnay to dance at his wedding for the last time but she cannot. On their moment‚ there are many flashbacks about how Lumnay did her best to have a child‚ through offering
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Saakumu Dance Troupe On Friday February the 26th at 8pm. I attended a life changing performance at Houston Community College in Houston Texas. When I arrived to the Performance Art Center Theater 1.There is a panel discussion on three performances that will be taken place. Along with the meaning behind each chorographer. I was drawn to Saakumu Dance Troupe‚ whom performed African dances from Ghana. The traditional meaning behind Saakumu displayed‚ truth‚ originality‚ while staying true to the traditional
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Expression Carrie Noland Dance Research Journal‚ Volume 42‚ Number 1‚ Summer 2010‚ pp. 46-60 (Article) Published by University of Illinois Press DOI: 10.1353/drj.0.0063 For additional information about this article http://muse.jhu.edu/journals/drj/summary/v042/42.1.noland.html Access Provided by University of Manchester at 07/08/10 10:18PM GMT Photo 1. Merce Cunningham in his Sixteen Dances for Soloist and Company of Three (1952). Photographer: Gerda Peterich. 46 Dance Research Journal
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