The overall ending of Twelfth Night is subversive‚ from Malvolio’s uncomfortable promises of revenge to Viola still in her Cesario attire after the grand unveiling of her identity. Feste’s song highlights these ambiguities: it is the only epilogue song with the exception of Love’s Labours Lost which is not celebratory (the latter being overshadowed by death). Feste’s lyrics emphasise the uselessness of material possessions when faced with the onslaught of time‚ and comes directly after Orsino’s professed
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During the “willow cabin” passage in Twelfth Night‚ hyperbole and polysyndeton are used to exaggerate the tone of Viola’s irritation and desperation. The entire speech is an amplification of how Viola feels and what she would really do in this kind of situation. The speech speaks highly of the love that Viola has for Orsino and the extent of what she would do to get it. Not only is she desperate for his love‚ but he is gunning after Oliva‚ someone who will never want him back. Viola tells Olivia
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on genuine love‚ love of love‚ and false love. All there‚ becoming more and more evident throughout the play. Although a strange play; with cross-dressers‚ homoerotic attractions‚ and strange ambitions‚ his message became clear. Although “The Twelfth Night” creates an atmosphere of confusion and ambiguity
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The sub-plot of Twelfth Night‚ the gulling of Malvolio by Sir Toby Belch‚ Maria‚ Feste‚ and Aguecheek‚ is justly famous as one of Shakespeare’s funniest experiments in New Comedy‚ that is‚ in a style of comedy which is basically quite different from the pastoral romantic style of the main plot. The basis for the sub-plot is one of the oldest and most popular subjects for New Comedy - the unmasking of the hypocrite‚ a satiric exposure of apparent virtue so as to humiliate the hypocrite and make him
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Act 3 begins with an interesting conversation between Viola (Cesario) and Fool (Feste). In The Twelfth Night‚ Feste is portrayed as a clown who is skilled at wordplay. In the conversation‚ however‚ Viola figured out that Feste is not just a folly clown and his behavior is based on the deep wisdom. Viola says of him “This fellow’s wise enough to play the fool; And‚ to do that well‚ craves a kind of wit: He must observe their mood on whom he jests‚ The quality of persons‚ and the time; And‚ like the
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"She loved me for the dangers I had pass’d‚ and I loved her that she did pity them" (Othello‚ I.iii 166-167). William Shakespeare’s tragedy "Othello‚" is pervaded by a dominant theme‚ one of love. Othello‚ the Moor of Venice falls madly in love with a woman named Desdemona. They marry and are very happy together. Othello and Desdemona face many trials during the course of their nine-month marriage. The most notable one occurs when Barbanzio‚ Desdemona’s father accuses Othello
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The “dark side of life” that William Shakespeare exposes in his play‚ Twelfth Night‚ is the danger in the individual’s willingness to abandon the intrinsic self as a means to better realize a goal. The characters Viola‚ Feste‚ and Malvolio‚ in assuming new persona’s‚ engage in a metaphysical betrayal in which they deny the reality of their nature. Viola’s choice to serve Duke Orsino as a page in hopes of finding her brother is by no means unethical‚ and her efforts are ultimately successful‚ but
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In William Shakespeare’s play‚ Twelfth Night or What you Will‚ The characters in the play face a plot complete with love and trickery. William Shakespeare includes many examples of love and trickery throughout the play and it makes it very detailed and interesting. . Throughout the entire play‚ there are various scenes that include love being expressed from person to person. One of the main characters in Twelfth Night or What you Will‚ Duke Orsino‚ the Duke of Illyria‚ is in love. In Act 1‚ Scene
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reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2‚ 1602. A law student named John Manningham wrote in his diary about a feast he attended at the Middle Temple in London where he was a law student and where “we had a play called Twelfth Night; Or‚ What You Will." This was likely to have been an early performance since it is generally agreed that the play was probably written in 1601. In 1954 Sir Leslie Hotson’s book‚ The First Night of Twelfth Night‚ sought
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Twelfth Night: Lies and Deceit English 11-4 A woman disguised as a man‚ and a drunken idiot are a few of The Twelfth Night who provide much evidence of deceit and how easily it can overtake us. Viola‚ left alone without any remaining family after her brother dies in a shipwreck‚ is determined to hide her true identity in a foreign land until she is prepared to face reality once again‚ her deception in the Twelfth Night leads the plot while other characters such as Sir Toby
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