Philip Larkin was born in 1922 in Coventry‚ England. Like Thomas Hardy‚ he focused on intense personal emotion but strictly avoided sentimentality or self-pity. Deeply anti-social and a great lover (and published critic) of American jazz‚ Larkin never married and conducted an uneventful life as a librarian in the provincial city of Hull‚ where he died in 1985. This short poem touches on a favourite theme of Larkin’s - the distance between what we originally plan and what‚ in the end‚ we achieve
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Philip Larkin demonstrates the use of “piquant mixture of lyricism and discontent” through his poetic explorations in Here and The Whitsun Weddings. Both pieces were published in 1964 as a collection of poems collectively titled ‘The Whitsun Weddings’. In the poem Here you see both lyricism (expression of emotion in an imaginative and beautiful way) and discontent (dissatisfaction‚ typically with the prevailing social or political situation) though in The Whitsun Weddings you tend to see more lyricism
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sense of how he brushes it off‚ and he seems to be boastful of his selfishness. Into the next few lines‚ he presents a stereotypical image of marriage as entrapment‚ “married a woman to stop her getting away” and the ironic aside‚ ‘Now she’s there all day” as though his “less selfish” friend didn’t know what he was letting himself into. Notice how he refers to her as a mere “woman” – not a lover‚ and there seems to be‚ at least from the persona’s perspective‚ no love in the relationship. His negative
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of consumerism. Following the pattern of many other poems in this collection‚ ‘Here’ begins with physical ideas of ‘rich industrial images’‚ before becoming more abstract in the final stanza. By beginning the poem with the participle‚ ‘swerving’‚ Larkin immediately gives the reader a sense of the moment being suspended in the present‚ before an unpredictable‚ fast movement‚ which is not usually associated with travelling on a train. The word itself is sudden‚ describing an immediate action and repetition
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few similarities between ’Afternoons’‚ by Philip Larkin‚ and ’Churning Day’‚ by Seamus Heaney. These feature mainly in the structure of the two poems. They both use enjambment for the whole length of the poem‚ with just one end-stopped line present in each. Enjambment gives both poems a sense of continuous movement. This is appropriate in ’Churning Day’ as it represents the motion of the person churning the butter. It also makes the voice of ’Churning Day’ sound out of breath‚ as if they are breathing
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Love and Marriage with Philip Larkin and Eavan Boland Ashley Couch Houghton College It is strange how time changes relationships. When I first started dating the man who is now my fiancée‚ one of my biggest fears was of walking down the aisle on our wedding day‚ feeling unsure that I was making the right decision by marrying him. Now what I most often fear for our relationship is falling out of love‚ as so many couples do. This is something I brood on‚ discuss‚ and develop intricate strategies against
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‘HERE’ PHILIP LARKIN CRITICAL ANALYSIS ‘Here’ is a sprawling‚ moving and often majestic poem that takes the reader on a strikingly visual journey through the countryside and the town‚ before finally ending up on the coast. Larkin uses long‚ flowing sentences which add a sense of continual movement; these sentences are full of rich imagery and description which fully immerse the reader in the poem. The poem is titled ‘Here’‚ yet in the first three stanzas the poem takes in various locations and
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Larkin Poem Commentaries Here My feelings for ‘Here’ have much to do with the recent video prepared for the Larkin25 anniversary‚ which should be seen in conjunction with what I have to say here. Sir Tom Courtenay’s reading together with the images of Hull and its surrounding areas‚ leave me with the sense that while this is not just a hymn to Hull‚ although it is certainly that – and written when Larkin had first come the city – it is a place which is constantly surprising the poet by the interplay
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Analysing The Whitsun Weddings by Philip Larkin Esther Amankwah Juxtaposition is used in the third stanza through “sun destroys”‚ which is very effective as it suggests the sun‚ a nurturing element that provides life can be an intense and powerful thing‚ emphasising that the heat was very strong that its source forced the writer to look at the parts it highlighted as opposed to the shade. The metaphoric
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Philip Larkin - Wild OatsThe poem Wild Oats was written by a famous poet named Philip Larkin. The poem consists of three‚ eight line stanzas with each stanza describing a distinct period in his life. Philip Larkin used little sound effects and a minimal amount of rhyming to construct his poem. Rhyme‚ when it appears‚ is at the end of alternate lines such as‚ doubt and out‚ or snaps and perhaps. There is also no sign of alliteration‚ simile or use of a steady meter. The title Wild Oats was taken
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