GSL510: 12 Angry Men and Dead Poets Society Deconstruction April Romer Mountain State University GSL510 Art and Science of Leadership –Module 5 Gail Palmisano‚ Ph.D. January 26‚ 2011 12 Angry Men and Dead Poets Society movies display leadership and rhetoric skills throughout‚ offering insight into effective leadership and rhetoric styles that can apply to daily life. Both movies provide similar‚ yet different‚ examples of contingency‚ transformational‚ and authentic leadership;
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complex personalities knowing nothing of Freud’s theory. However‚ characters throughout all of Shakespeare’s works have strong affinities for their id‚ ego‚ or superego. From the psychoanalysis view‚ William Shakespeare’s dynamic characters in the play Othello can be derived using
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Identity is a very key‚ important thematic issue in William Shakespeare’s tragic drama‚ Othello. Identity‚ or what may be better explained as a character’s public perception‚ is highly valued in the Elizabethan Age in which Othello is set. There is a varying range between the characters in the extent that how they are perceived in public is not how they behave in private or how they really are‚ thus creating more than one identity per character. A character’s identity is the overall essence of
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demonstrated in Shakespeare’s play Othello‚ where trust is used as the main key to destroy a man’s reputation. Trust is the foundation in any relationship however‚ as the characters in Shakespeare’s play Othello discover‚ being too trusting can be deadly. Cassio‚ a lieutenant appointed by Othello‚ the General of Venice‚ is a worthy and diligent man‚ although Iago‚ a secret villain‚ believes otherwise. Iago feels he is more deserving of this position and Othello should of chosen him instead. Although
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Othello In the play Othello‚ William Shakespeare helps portray the idea that Othello’s temperament has lead to his own downfall. Othello‚ a Moorish general in the Venetian army‚ constantly shows how he is too trusting throughout the play. For example‚ he willingly states “My life upon her faith” (1.3‚ 335). Othello says this to Brabantio after he explains how Desdemona has deceived her own father‚ meaning it could happen to Othello as well. By declaring this‚ Othello is staking his life on Desdemona
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Othello OneNote notes: Act 1 Scene 1: The action of the first scene heightens the audience’s anticipations of Othello’s appearance - He is identified in terms of his rare/an outsider (’The Moor"‚ ’the thick-lip’‚ ’A Barbary horse’ exogamous marriage. Because of this we know what Iago is like‚ we feel sympathy of Othello especially with him as an outsider and Iago is pretending to be his friend. Very moment he should be at his happiest‚ they’re plotting to destroy it. Duplicity of Iago. Two extremes;
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Iago‚ in an attempt to stir up more drama‚ begins to persuade Othello into suspecting his wife‚ Desdemona‚ of cheating on him when it is all just a ruse to get the pair against each other. Iago explains that a man who doesn’t know that his wife his cheating on him and still loves her is bound to be in a very unhappy state‚ implying that Othello would thus be in the same position. Iago then “pleads to God” to keep his general from becoming devoured in
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Iago is a very interesting character in the play Othello‚ by William Shakespeare. Iago is the antagonist in the play and he uses many different techniques to deceive and manipulate his victims. The use of imagery and metaphors and Iagos’s use of language are his tools that he uses to manipulate and fool people. In this essay I will be talking about how Iago uses animal imagery to describe the relationship between Othello and his wife Desdemona and the image of poison and how he uses both of the
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Throughout the entire play of Shakespeare’s “Othello”‚ the character Iago manipulates many of the other characters by appearing a certain way then hiding the truth of what he really thinks about the characters. The characters‚ such as Othello‚ believe that Iago‚ his (ensign???) is very honest and will never tell a lie‚ they even refer to him as “honest Iago” (add the act and the scene to this) because they have great faith in his character. Little does shakespeare’s characters know‚ but Iago has
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Throughout act three of Shakespeare’s Othello‚ the conflict between opposing characters unfolds a complex set of emotions revealing the concept of the lesser “other” to the audience. Shakespeare does not explicitly state that Othello is an “other”‚ but references to his culture and ethnicity implies that Othello‚ while highly respected‚ is still of inferiority is some regards. The idea that Othello is inferior to his peers is rather ambiguous and can vary among interpretations. To kick start the
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