Malayalam cinema Malayalam cinema is the Indian film industry based in kerala‚ India‚ dedicated to the production of motion pictures in the Malayalamlanguage. At first (beginning in the 1920s)‚ the Malayalam film industry was based in Trivandrum. Although the film industry started to develop and flourish only by the late-1940s. Later‚ the industry shifted to Chennai (formerly Madras)‚ which then was the capital of the South Indian film industry. By the end of 1980s‚ the Malayalam film industry
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In the early 1900s Italy was the first to start a new advangarde movement in the cinema production‚ thanks to the art movement Futurism. The Manifesto of Futuristic Cinematography dates back to as early as 1916 some sources even started earlier. To the futurists‚ the cinema was an ideal form of art for their "wonderful plays"‚ being the start of a new artistic medium. As film had with no past and able to be manipulated by editing and simple special effects it became a new creative and subversive
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Giuseppe Tornatore constructs the way in which the film Cinema Paradiso is seen on screen with care and thought‚ such that he reveals the main ideas to the audience in the best way possible. In doing so‚ Tornatore can manipulate and influence the way the audience views and interprets this highly emotive film. Giuseppe utilises film techniques‚ specifically differing camera angles‚ to establish and represent his views and ideas within the film Cinema Paradiso‚ assisting him in creating either a sense of
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INDIA’S LARGEST CINEMA CHAIN.. It all started as a dream in the year 1997‚ and within a decade‚ we have turned the same into a 70 mm reality. Like the credits of a movie‚ we would like to share with you our achievements... Setting up the very FIRST multiplex in the country - Setting up a movie haven for filmgoers in the form of the eleven screener: PVR Bangalore‚ India’s largest ever multiplex - Delighting not one‚ not two but more than 11 million patrons last year. We now have an unmatched
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Elderly Demographics Dana Laymance Due to the many advances in medicine and education over the last century‚ longevity has increased tremendously therefore increasing the aged community. Eight percent of the population of the world are over the age of 65. A large percent of this demographic group are choosing to live out their
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Influence of cinema Cinema is by far the most common and cheapest means of entertainment in cities in India. The maximum we Indians can look to cinema is as an exposition of art. In a country like ours‚ where most people are illiterate and so poor that they can ill afford any other recreation‚ Cinema has taken its toll. Poor‚ hard pressed and illiterate people find that the cinema is the only means by which they can break the monotony and drudgery or their routine mundane lives. The village or
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Elements of the cinema TIME * Since the images of moving pictures move in time‚ time is the most important element of the cinema. In the cinema it is subject to contraction‚ expansion‚ breaks or leaps through the manipulation of the director. The three aspects of the time 1. Physical time is the time taken by an action as it is being filmed and as it is being projected on the screen. A film may actually show what is happening in real life. * Physical time in the cinema can be distorted
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IMPACT AESTHETICS: BACK TO THE FUTURE IN DIGITAL CINEMA? Scott McQuire Millennial fantasies As anyone interested in film culture knows‚ the last decade has witnessed an explosion of pronouncements concerning the future of cinema. Many are fuelled by naked technological determinism‚ resulting in apocalyptic scenarios in which cinema either undergoes digital rebirth to emerge more powerful than ever in the new millennium‚ or is marginalised by a range of ‘new media’ which inevitably include some
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Litsa Mouka 1 I know very well‚ but all the same… A study of fetishism I know very well‚ but all the same... A study of fetishism in relation to cinema This dissertation is an exploration into the different ways cinema utilises processes of fetishisation to evoke desire and disavow lack. In all cases it will show how the basic notion of fetishism functions as a symbolic substitution for the lack and as such‚ how it imposes itself onto the structure of film and the experience of watching/looking
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movie to relieve us of the work-stress & to have some quality time with friends & family. Cinema has become an extension of our culture and it has taken a lot of perseverance & effort to elevate this medium to a level where it is today. In India‚ Cricket & Cinema have something in common. i.e‚ Even if you don’t follow Cricket or Cinema‚ you cannot remain untouched by its impact. Today‚ Indian Cinema is completing 100 years of an exhilarating journey. Let us flip pages of the past to dig out
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