Question: As their conversation in Scene III breaks down‚ Haimon makes clear his opinion of Creon. What does Haimon think of his father and why does he think this? Haimon believes that his father is wrong in having Antigone killed‚ and he believes that his father is being unwise in that he will not consult with anyone else on the matter. He thinks these things because he believes that no crime was done in trying to bury someone‚ and because Creon will not talk to anyone else about the situation
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I turn left as quickly as i can‚ Finding myself down the nearest alleyway As the morning fog rolled across the docks‚ it’s tendrils curling around the lamp posts and mooring lines‚ a car‚ slick and black‚ its headlights piecing the darkness of the morning‚ slowly pulled into position alongside a line of shadowy trucks. Three men all dresses in long coats stepped from the car‚ they all had the same look about them‚ tall and strong‚ the driver moved to open the door for a fourth a shorter‚ stockier
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Morning Alarm clock blares in a messy room. The camera fisheyes over a teenager girl‚ unmistakably the same girl from the accident. She swings her arm over the alarm causing it to shut off. The covers swipe in front of the camera‚ transitioning the scene to her walking to her washroom. The camera follows her legs towards the sink. As she reaches her sink‚ the camera pans up her body until it levels with the mirror. She is hunched down over the sink washing her face. The sounds of the water can be
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A paragraph on a scene at a milk booth In big cities such as Delhi‚ milk is sold at milk booths. At these booths‚ there is always a queue for buying milk in the morning and in the evening. People stand in a queue and one by one they move on to the window. Each person pays the money for the milk according to requirement. He gets special counters. Then he moves on to the machine with a slot to insert the counter. Only one counter can be inserted at a time into the slot. Then half a liter of milk is
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Personal Mise-en-Scene Walking into my special room‚ one would notice in a corner a large brown square dog bed with puppy prints all over it. Next to the bed there is a brown rectangular wooden basket that contains all sorts of chew toys for a dog. From this section‚ a stranger would know that we have a large sized dog that is spoiled with tons of treats and toys to play with. The majority of the room is taken up by a tan microfiber couch‚ loveseat‚ and recliner. Each piece of furniture has
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Balibo must be included in the curriculum for a numerous amount of reasons. The film is great for analysis and teaches the students about camera angles. Also Balibo shows with confronting and realistic scenes‚ what happened during that time. This film makes students think while trying to understand why this occurred. Balibo has a range of techniques used within the film. The main camera angles used are close ups and over the shoulder shots‚ showing the emotion within each person and exposing the
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protagonist rat trap peddler until the old man and the blacksmith’s daughter infect the protagonist with their altruism. Thus‚ the peddler’s inner soul experiences a rapid transformation form an ugly duckling to a dazzling swan. Legerlof’s first scene of compassion is from the old man’s hospitality. Despite the fact that he did not know the peddler‚ the old man still opened his arms and acted charitable by providing food and shelter. This action is not typical in the today’s world; a majority of
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The play Edward II reaches its emotional climax in scene i‚ Act V. It is in this scene that the king’s image as an irresponsible and weak person undergoes a total transformation‚ and he emerges before the audience as a tragic figure in his understanding of the worthlessness of a king stripped of power just like the King in King Lear. Historically Edward II might not have shown this kind of tragic understanding of life. It is here that one has to look for the poet in the dramatist who expressed the
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Jordan Dorelus The Great Gatsby 11-13-12 “Then suddenly she threw down her napkin on the table and excused herself and went into the house.” “Tom! Tom! Where are you Tom! We’ve got Company on the table and you just get up from the discussion‚ for what‚ to answer a stupid phone call‚ and who might that be at the other end of the line.” “Honey‚ it’s an important call…‚” Tom began. Who could be so important that they call during Dinner time while we have a guest over and you
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The Missing Scene From Macbeth: Act III‚ Scene 4 Enter FLEANCE [FLEANCE walks in‚ clearly distraught‚ tired and grief written on his face.] FLEANCE Father was right! Macbeth is a traitor. He had my father killed for knowing too much Macbeth might have even killed Duncan. [FLEANCE stops‚ looking at his surroundings] Enter HECATE. [Appears out of nowhere to FLEANCE‚ puff of smoke where she enters.] HECATE It is not for you to wonder about things you would not understand‚ child of Banquo‚ heir to
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