Personal Mise-en-Scene Walking into my special room‚ one would notice in a corner a large brown square dog bed with puppy prints all over it. Next to the bed there is a brown rectangular wooden basket that contains all sorts of chew toys for a dog. From this section‚ a stranger would know that we have a large sized dog that is spoiled with tons of treats and toys to play with. The majority of the room is taken up by a tan microfiber couch‚ loveseat‚ and recliner. Each piece of furniture has
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Balibo must be included in the curriculum for a numerous amount of reasons. The film is great for analysis and teaches the students about camera angles. Also Balibo shows with confronting and realistic scenes‚ what happened during that time. This film makes students think while trying to understand why this occurred. Balibo has a range of techniques used within the film. The main camera angles used are close ups and over the shoulder shots‚ showing the emotion within each person and exposing the
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protagonist rat trap peddler until the old man and the blacksmith’s daughter infect the protagonist with their altruism. Thus‚ the peddler’s inner soul experiences a rapid transformation form an ugly duckling to a dazzling swan. Legerlof’s first scene of compassion is from the old man’s hospitality. Despite the fact that he did not know the peddler‚ the old man still opened his arms and acted charitable by providing food and shelter. This action is not typical in the today’s world; a majority of
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The play Edward II reaches its emotional climax in scene i‚ Act V. It is in this scene that the king’s image as an irresponsible and weak person undergoes a total transformation‚ and he emerges before the audience as a tragic figure in his understanding of the worthlessness of a king stripped of power just like the King in King Lear. Historically Edward II might not have shown this kind of tragic understanding of life. It is here that one has to look for the poet in the dramatist who expressed the
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Jordan Dorelus The Great Gatsby 11-13-12 “Then suddenly she threw down her napkin on the table and excused herself and went into the house.” “Tom! Tom! Where are you Tom! We’ve got Company on the table and you just get up from the discussion‚ for what‚ to answer a stupid phone call‚ and who might that be at the other end of the line.” “Honey‚ it’s an important call…‚” Tom began. Who could be so important that they call during Dinner time while we have a guest over and you
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The Missing Scene From Macbeth: Act III‚ Scene 4 Enter FLEANCE [FLEANCE walks in‚ clearly distraught‚ tired and grief written on his face.] FLEANCE Father was right! Macbeth is a traitor. He had my father killed for knowing too much Macbeth might have even killed Duncan. [FLEANCE stops‚ looking at his surroundings] Enter HECATE. [Appears out of nowhere to FLEANCE‚ puff of smoke where she enters.] HECATE It is not for you to wonder about things you would not understand‚ child of Banquo‚ heir to
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the song is very mixed and a little confusing like Hamlet was during that entire seen of the play. Also‚ the background singers are very crucial because it reminded me of the thoughts going through one’s head. The lyrics at also very fitting for the scene too. This song is supposed to represent the moments before Hamlet sees the ghost of his father and what he was thinking as he is going to see him. Trapt- Stand Up Why don’t you let me be Leave me alone You start a fire inside that I could never
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Psycho Maxwell Schweiger 2. Analyze all of the sound effect from the Famous “shower scene” A. visuals: Describe each visual as Marion steps into the shower until she hit the floor. B. Vocals: Describe the sound Marion makes from the time she steps into the shower until she falls‚ slides the shower wall. C. Sound effects: Describe the sound effects from the minute Marion enters the shower until the end of the scene. D. Music: Discuss the corresponding visuals from the minute the music begins; the
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uses figurative language to more fully explain the thoughts and actions of his characters. This helps the reader‚ who is now able to obtain a much greater understanding of Shakespeare’s characters because of the use of figurative language. In Act II‚ scene two‚ lines 33 – 60 of Macbeth‚ he uses a great amount of figurative language. Although Macbeth has just purposefully murdered Duncan‚ he feels incredible guilt over his actions because he believed Duncan was a good king. Macbeth only murdered Duncan
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but Erik punches him in the face. In that scene‚ Paul is in his backyard. Almost all of the backyard scenes have been negative. There haven’t been any good memories there that Erik hasn’t tainted. All the time Paul listens to Erik and Arthur “kicking a football into a net in the backyard.” Paul describes it as a “short violent sound” which shows how violent he knows Erik is‚ just like he saw when Erik punched Tino. Another negative backyard scene was when Paul had Joey come over in the beginning
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