Does Desdemona do the right thing by marring Othello behind her father’s back? Desdemona does what she feels is right‚ therefore it doesn’t make her a terrible person. Everyone does things behind their parent’s backs. Plus‚ Desdemona is often treated like an object‚ as if she wasn’t capable of making her own choices. Instead of referring to Desdemona as a young adult which is what she is; people objectify her‚ and treat her like she isn’t capable of making her own decisions. People often speak about
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Iago views women as subordinate and the inferior sex; they are nothing more than objects to him. When he talks to Emilia and Desdemona and insists that women are manipulative and lustful. First he describes them in different situations and implies how manipulative they are. When they are out in public or at home‚ he claims they are “pictures out of doors/Bells in your parlours‚ wild-cats in you kitchens” (109-110). He is saying that they are beautiful and pretty as pictures in public; they have
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most cunning plays‚ Othello explores a Moor’s struggle against the manipulative devices and forces of nature set against him‚ internally and externally. However despite the motifs that the play relies heavily on such as racism and deception‚ the patriarchy of manhood and its struggle with the nobility of honor stands as the overriding major theme in the play and is thus explored and epitomized by Iago through his soliloquy by the inequity of the gender counterparts through the rigid duty of marriage
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murder of Desdemona was an honor killing. Othello thought that Desdemona brought him dishonor and gave him a bad reputation. While Othello was manipulated into murdering Desdemona‚ he was the one that had the physical choice. Iago constantly agreed with Othello‚ saying that Othello should kill Desdemona. This influenced Othello’s decision‚ but it was ultimately Othello that chose why he should or shouldn’t kill Desdemona. His choice was based off of his own reputation. He loved Desdemona‚ but
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Othello Dramatis Personae • • • • • • • Duke of Venice Othello: Moor‚ married to Desdoma Iago: Solider in Othello’s army Cassio: Lieutenant in Othello’s army Desdemona: Othello’s wife Emilia: Iago’s wife Rodreigo: Solider‚ love Desdemona Act I Scene 1 • Read I.1.113-114 • Othello begins in the city of Venice‚ at night • Roderigo is having a discussion with Iago‚ who is bitter at being passed up as Othello’s lieutenant. • Though Iago had greater practice in battle and in military matters‚ Cassio
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This play presents several opposing views of love and marriage. What are these views and who expresses them? Iago is really jealous of Othello because he has Desdemona. However‚ Iago does not want Desdemona‚ he just envies Othello for the sake of it. Iago is jealous of Cassio too because Cassio got the promotion that Iago wanted. Desdemona is faithful to Othello no matter what‚ even when Othello accuses her repeatedly of just the opposite‚ and even when Othello is suffocating her‚ she still stays
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her situation; however‚ this essay focuses on two characters-Tambu and Nyasha whose response to the male power is very different. While Tambu escapes from the environment of inequality in order to seek her liberation‚ Nyasha chooses to resist the patriarchy but her rebellion against her father ends up tragically as she suffers from the nervous conditions. The theme of female struggle against male dominancy is presented throughout the novel and the narrator‚ Tambu‚ categorizes the women right at the
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In addition to age‚ gender is one of the universal dimensions on which status differences are based. Unlike sex‚ which is a biological concept‚ gender is a social construct specifying the socially and culturally prescribed roles that men and women are to follow. Women have always had lower status than men‚ but the extent of the gap between the sexes varies across cultures and time. <br> <br>Images of women‚ mostly figurines of the same type as the "Venus" of Willendorf*‚ Lespugue** and Laussel***
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Brabantio says to Desdemona “I had rather to adopt a child than get it”‚ expressing his sentiment towards the matter of her marriage and affection to Othello. His harsh words convey his acrimony because he says that he would rather a non-related child than his daughter‚ which at that time was considered one of the worst insults. This highlights the connection between Desdemona and Brabantio is parallel to the one of Juliet and Capulet because of
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The play reveals Desdemona to be weak because as Othello continues to accuse her of being unfaithful‚ she fails to strongly oppose his accusations. Near the end of the play‚ as Othello informs Desdemona he is going to murder her‚ she says‚ “Ay-but not yet to die!” (VI.i.59). It almost seems as if she is encouraging him to kill her‚ making her ultimately look weaker for wasting the last moments of her life taunting her husband of not being dead‚ instead of proving her innocence to justify the truth
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