[The lights are dim‚ slowly turning on. The polka is playing now‚ but out of tune and deflated. On the stage‚ we see Blanche‚ looking like a trapped animal sitting at Mitch’s spot at the poker table. A door opens from Stanley and Stella’s bedroom as we see Stella. The two look sullen as they exchange eye-contact] STELLA: If I had half a mind‚ little sister… BLANCHE: Oh indeed. Sometimes I even wonder if you have a mind at all! Or a heart! Maybe your brute of a husband has rubbed off on you? STELLA:
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The poem presents the distress of losing one’s dreams. It deals with the questions every person faces at least once in his or her life‚ when everything we have dreamed of disappears‚ and we do not know how to deal with that anxiety and with the abyss that opens in front of us after that. What to do when everything fails? What to do when you reach a moment in life you never thought about? They are a lesbian couple. Theresa seems to be more aware of how society sees the kind of relationship they have
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A Streetcar Named Desire by Tennessee Williams And so it was I entered the broken world To trace the visionary company of love‚ its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice "The Broken Tower" by Hart Crane SCENE ONE The exterior of a two-story corner building on a street in New Orleans which is named Elysian Fields and runs between the L & N tracks and the river. The section is poor but‚ unlike corresponding
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‘Desire is both liberating and imprisoning’. Compare and contrast the ways in which two of your chosen writers present relationships in the light of this comment Tennessee William’s ‘A Street Named Desire’ explores and contrasts two settings‚ the more accepting‚ and open minded society and the ‘Southern Belle’ in urban New Orleans 1940‚ while Ian McEwan’s ‘Enduring Love’ is about endurance‚ or survival‚ and sets love in its different forms‚ from unconditioned‚ romantic‚ idealised and obsessive.
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The fusion of Eros and Thanatos in A Streetcar Named Desire Death and desire have been linked closely together ever since Freud identified Eros (the instinct of life‚ love and sexuality) and Thanatos (the instinct of death and destruction) as two coinciding and conflicting drives within human being (Cranwell). In Tennesse Williams’ play A Streetcar Named Desire (1947) these fundamental drives of Eros and Thanatos dominate the story from the beginning to the end. This becomes particularly clear through
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Desire for Power In Lord of the Flies‚ Jack has a great desire for power. When the leader of the group is chosen‚ and he is not selected‚ he is furious. He has a great hunger for power and this desire shows up from the very start with his dictating of the choir boys. Throughout the book‚ his struggle goes back and forth until he loses himself to the power in the end. At the very start of the book‚ they boys decide on a leader for the group. They decide that it is wisest to have someone making
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Failure From Unrealistic Desire In Death of a Salesman‚ an unrealistic desire for success and materialistic goods only has a negative impact in attitude. Willy buys new modern devices in order to find happiness through luxury‚ but these new objects only incite anger from Willy because of payments he has to make. Willy has a false idea of how to become successful through charisma‚ and he is crestfallen to see that Biff is unable to live out Willy’s successful ideal. Even Biff and Happy‚ Willy’s sons
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A Streetcar Named Desire‚ written by Tennessee Williams‚ debuted in New York as a Broadway play on December 3‚ 1947. The success of this play established Williams among the most respected and influencing playwrights in modern theater. Only four years after its Broadway debut‚ Williams’ play was adapted into a film; Williams worked hands on with director Elia Kazan to create the 1951 film adaptation A Streetcar Named Desire. Though the two adaptations have similar literary elements‚ and Kazan worked
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Who would have thought that someone who wrote a play as irksome and uneventful as The Glass Menagerie‚ could also write something as interesting as A Streetcar Named Desire. However‚ both are written extremely well by Tennessee Williams. Despite the differences‚ there are many similarities in themes and patterns. Once each play is picked apart and analyzed‚ it is very obvious that they are both written by the same author. A major theme in both plays in the dependence on men. Throughout The Glass
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European history was influenced by four key desires‚ the desire to create‚ the desire to know‚ the desire to exist‚ and the desire to have power. I believe that through serious analysis of European history from The Middle Ages to the seventeenth century (476-1700’s) (lecture notes‚ The Middle Ages) that the want to have power has had much significance. The want to have power has dealt with three social classes‚ two religions‚ and many other countries along with‚ conquerors and explorers that have
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