Introduction In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body‚ the first part is a simple review of the film City of God‚ I will try to use the review to show the film structure and some different new points from this‚ show the how did the ¡®Shocking‚ frightening‚ thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts;
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City of God: Editing and Mise-en-scene The first scene in City of God starts with an extreme close-up of someone sharpening a knife on a black rock. The camera “flickers” or cuts back and forth from a black screen to the knife repeatedly. This makes it hard to see the knife but easier to hear the diegetic sound of the blade running across the rock. At this point (30 seconds into the film) the audience does not know why the blade is being sharpened. As the scene develops further‚ cross-cutting and
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For my study on deviance‚ I will consult the fictional motion picture "Instinct". Using Labeling Theory as my central perspective‚ I plan to identify just what is defined as deviant about the film ’s main character‚ Dr. Ethan Powell (played by Anthony Hopkins)‚ as well as how the individual ’s society controls and perpetuates this perceived deviance. Finally‚ I plan to discuss the overtly presented cause of deviance in Dr. Powell ’s unique case‚ which is ultimately unearthed by his psychologist‚
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Christians would be interrogated to confess Christian beliefs and would be threatened with death. If they didn’t give up the beliefs then they would be executed. Pliny then details the practices of the Christians saying they’d sing hymns to Christ as god. They all blind themselves by oath. Romans would use torture in interrogations of slaves Nero- Corrupt emperor with lavish parties with prostitutes. Had one crazy party Fire set in Rome‚ and many people had thought that Nero set the fire
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WJEC A Level Film Studies Essay City of God has been highly praised for raising awareness whilst also criticised for exploiting suffering. Where do you stand on this debate? Fernando Meirelles’ ‘City of God’ remains an energetic and vivid depiction of crime‚ violence‚ and death in the poverty-stricken areas of Rio de Janeiro. The complex tales of stolen adolescence and threatened innocence have long maintained an overwhelming effect on audiences; through explicit confrontation of such disconcerting
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SOCIOLOGY OF DEVIANT BEHAVIOUR. PAPER TITLE : THE RAIDER AND THE PROSTITUTE. It is very common to see films offering apologues which illustrate conflicts between a movie character and society. In these cases‚ the character refuses to conform to societal norms and values and is therefore liable to appropriate sanctions. Persons of such mannerism are referred to as deviants in society. Deviance
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City of God (Meirelles 2002) was an eye opening film about the life of the people living in favelas in Rio de Janeiro. It depicts the gruesome details of growing up in a slum and the choices youths must make in order to survive their reality. In an article by Joanne Laurier called “Sincere‚ but avoiding difficult questions”‚ Laurier attacks director Fernando Meirelles on his artistic choices when creating his film City of God (Meirelles 2002). However‚ Laurier completely misses what Meirelles brought
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City Of God The film that I chose to watch and analyze is the Brazilian film City of God. The movie takes place in one of Rio de Janeiro’s 500 favelas‚ a favela known as the City of God. The name of the city is disturbingly ironic‚ as most of the activities that take place in the slum are decidedly ungodly. The movie‚ spanning three decades‚ chronicles the lives of some of the residents‚ most adolescent‚ from their pre-pubescent years to their upbringing into the criminal underworld. This movie
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In the film City of God‚ director Fernando Meirelles and Kàtia Lund utilize subtle yet effective cimatography techniques to call attention to the inequality that lies within the favelas of Brazil. City of God‚ released on January 17‚ 2003‚ focuses on the lives of two black boys‚ Lil Zé and Rocket‚ from the City of God. Rocket is the ambitious‚ kind‚ and charming photographer while Lil Zé is the as the callous‚ sinister‚ and selfish drug lord. Meirelles and Lund utilize this film in order to expose
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Film Review: City of God By the middle of the twentieth century‚ “favelas” or slums had grown to astronomical sizes‚ containing mass amounts of impoverished people. These favelas were overrun by hunger‚ filth‚ drugs‚ and disorder‚ making them extremely unsuitable places to live. While the police and government do not get involved with the issues of the slums‚ security is provided by the community and‚ more often than not‚ drug gangs keeping control over crime. Life in a slum of Brazil is certainly
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