TANUSRI R.P SAMY VISUAL CULTURE INTERMEDIATE PROJECT Perception and Composition. The painting I have chosen represents the formal elements that reflect on a new modern art movement pre and post independent India. The artist is Jamini Roy and the painting is named: "Drummers” Shri Jamini Roy
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years ago. Instead of focusing on worldly riches and possessions‚ Rama instead “cannot swerve from the path of dharma”‚ shunning worldly desires such as greed and lust. Like Gilgamesh who is “two-thirds” god and “one-third”‚ he is also a god‚ but a much higher one‚ the “imperishable cosmic being” Visnu (Foster: Tablet I: 50)‚ (Venkatesananda: Yuddha 120). Since he is characterized by dharma‚ he is a god that lives very righteously and upright. He is “the Creator‚ the Preserver‚ and the Reedeemer”‚
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DANCE ELEMENTS RELATED WITH MYTHOLOGICAL STORIES INTRODUCTION OF KATHAK The word ‘Kathak’ comes from the root katha‚ which means story- telling. Literal meaning of the word kathak is related to katha‚ the art of story-telling‚ “Katha Kahe So Kathaka Kahave”‚ which means “one who tells a story is a story-teller”. According to M. Monier Williams‚ Katha denotes conversation‚ story‚ speech‚ tale or fable. Katha also means to ‘ sing in praise’‚ ‘to say or inform something’. Thus‚ kathakars were originally
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| Patience‚ forgiveness‚ self-control‚ non-stealing‚ cleanliness and purity‚ restraint over the senses‚ Wisdom‚ knowledge‚ truth and calmness- the ten attributes of Dharma If you will adhere and respect these principles of Dharma‚ they will protect you If you choose to show disrespect to these and not follow them‚ you will become the cause of your own destruction (An extract from the Holy Scripture ‘MANUSMRITI’) Centuries before
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“So‚ you want to marry my daughter?” The Caste System: An Overview A summary of the first lecture in the IK Foundation Lecture Series‚ ‘Indian Culture in the Modern World’. 23rd October 2002‚ London First speaker: Prof. M Narasimhachary‚ Senior Associate Fellow‚ Oxford Centre for Vaishnava and Hindu Studies Preamble The phenomenon of Caste has aroused more controversy than any other aspect of Indian life and thought. Some see India’s caste system as the defining feature of Indian culture and some
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According to the epic Mahābhārata‚ Bareilly region (Panchala) is said to be birth place of Draupadi‚ who was also referred to as ’Panchali’ (one from the kingdom of Panchāla) by Kṛṣṇā (Lord Krishna). When Yudhisthira becomes the king of Hastinapura at the end of the Mahābhārata‚ Draupadi becomes his queen. The folklore says that Gautama Buddha had once visited the ancient fortress city of Ahicchattra in Bareilly.[1] The Jain tirthamkara Parshvanath is said to have attained Kaivalya at Ahichhatra
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Emptiness paper Buddhism is an orthopraxy where identity comes from implementing “correct” behavior‚ rather than orthodoxy where identity is found through “correct” beliefs. Mahayana Buddhism‚ termed “the Great Way” is essentially a vision of what Buddhism is really about. Although the permeation of Mahayana was harmless‚ the status of the sutras was constantly disputed. From the very onset of Buddhism‚ the concepts of Self/not-Self and dependent arising were prominent and fundamental
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the Hindu religion and through influential sacred texts such as the Dharma‚ the Vedas‚ and the Ramayana‚ the meaning of innocence in Hinduism can be explored and can help in the comprehension of the relevance of purity in the religion. Purity must begin with the explanation of the two important
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“Santayana Dharma” or Universal Truth or Way. One of “Hinduism’s” greatest strengths is its ability to unite the diverse beliefs and practices of its people in ways that are absolutely necessary for India to continue as it historically has. This is one
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IHow Dalai Lama came into contact with Shugden The following is an excerpt from the first volume of Dalai Lama´s book on Shugden. " I‚ the 14th Dalai Lama‚ committed the first mistake of coming in contact with Shugden. I did not follow the path shown by the previous Dalai Lamas. It was my mistake. Well‚ the political situation in Tibet was at the most critical stage in 1951. We were staying at Dungkhar monastery in Dromo region. Within my entourage‚ some who advised me to leave for India‚ while
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