Summer Reading Assignment English Language AP Dialectical Journals Passage/Quotes from Text Page #/¶ Response 1. "The priest was blessed with a long‚ incriminating finger‚ which he used to point out sinners in public‚ and tongue schooled in arousing emotions." Pg 2 /¶2 (C) As I continued reading on how the priest was to spot the sins his fellow community has committed‚ it kind of surprised me. My priest could probably tell the people who sin from the guilt that appears in their face but the
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Humanities English II -4 21 February 2011 Dialectical Journals: The Merchant of Venice Source | Quotation | Analysis | Act 1. Sc.1 Pg.17Ln. 147-151‚ 153-159 | “In my school-days‚ when I had lost one shaft‚ I shot his fellow of the self-same flight. The self-same way with more advised watch‚ to find the other forth‚ and by adventuring both‚ I oft found both.” “I owe you much‚ and‚ like a willful youth‚ that which I owe is lost; but if you please to shoot another arrow that self-way which you
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Dialectical journal: Scarlet letter 1."But on one side of the portal… was a wild rose-bush… which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in…” (Chapter 1‚ pg.41) The rose bush in this excerpt at the beginning of the book signifies the one thing that seems to bloom despite the harsh rules and restrictions that the Puritan society bestow upon all who reside there. Much like the rose bush‚ Hester Prynne
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Tamara Haddad Wilhite P.5 Scarlet Letter Dialectical Journal “Like anything that pertains to crime‚ it seemed never to have a youthful era… a wild rose-bush‚ in this month of June‚ with delicate gems‚ which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in” (Hawthorne 45). Hawthorne describes the door of the jail‚ as well as the rose bush to the side of it. I feel as if this is supposed to represent what Hester is about the experience: the harsh
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What an Anti-Hero is from Joseph Heller’s perspective in Catch-22 The word hero is used a lot during this day and age. The problem is people do not understand what that word means anymore. Sometimes most people in life are closer to an anti-hero than a hero. There are degrees of anti-heroes in the world. One of them is the good anti-hero. There are many examples in the world‚ but most of them come from television. According to Alston‚ Nathan Ford from the TV show Leverage is considered an anti-hero
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Spikes | 1 Spikes | 2 Alias Grace Margaret Atwood Dialectical Journal Date Text 7/21/14 p. 5 “Out of the gravel there are peonies growing. They come up through the loose grey pebbles‚ their buds testing the air like snails’ eyes‚ then swelling and opening‚ huge dark-red flowers all shining and glossy like satin. Then they burst and fall to the ground.” 7/21/1 4 p. 5 “It’s 1851. I’ll be twenty-four years old next birthday. I’ve been shut up in here since the age of sixteen. I am a
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Thomas Li Ms. Cannon English III 22 September 2014 Catch-22 It is often said that absolute power corrupts absolutely. While this statement may be a little extreme‚ the basic concept that power corrupts those it is given to is shown and satirized in Joseph Heller’s Catch-22. Heller emphasizes the incompetence‚ pettiness‚ and corruption rampant within the ranks. The officers are often blindly selfish‚ heartless‚ and wildly ambitious. They would do anything to simply gain more power‚ and use their
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Thanatophobia grasps and controls every aspect of one’s life. The main characters in Joseph Heller’s Catch-22 and Ray Bradbury’s “The Veldt” fall victim to this fear of dying and the anxiety controls parts of their life. Because Catch-22 takes place during World War II‚ death makes an appearance quite often. Heller concentrates on Yossarian’s struggle to stay alive in his battle against Catch-22. Catch-22 symbolizes death in that it
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Joseph Heller and Kurt Vonnegut utilize structure and imagery to convey their antiwar viewpoints; however‚ Heller incorporates irony while Vonnegut adds motif. It is through the stories of Billy Pilgrim in Slaughterhouse-five and Yossarian in Catch-22 that the reader learns how war negatively affects the soldiers involved (Wallin.) Joseph Heller and Kurt Vonnegut use a non-chronological structure in their novels. At first‚ the novels skip from episode to episode in a nonspecific order that forms
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The Structure and Meaning of ’Catch-22’ Robert Merrill The critical reputation of Joseph Heller’s Catch-22 (1961) is a curiosity. The book is often praised‚ even celebrated‚ yet most critics are still puzzled by such basic matters as the structure of the novel. Friends and foes alike tend to agree that the novel is hilarious but also that it is repetitious and essentially formless. Norman Mailer [see excerpt above] speaks for all those who share this view when he says like yard goods‚ one could
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