leaders need to practise and execute dialogue‚ and to me‚ this was what Brad and Simon were doing: showing their authentic leadership through dialogue. I thought this may have been purely for our benefit‚ but after four hours‚ beginning with introductory meetings and followed by interviews and a shop floor tour‚ it became apparent that management was striving to develop a learning culture. I began to understand that management is about creating an environment to communicate through different mediums:
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“How are you?” “Honestly? I feel like I’m dying.” “That’s never good.” “Tell me about it.” “I doubt I could if I tried.” “Do you think that—?” “Hold up! You have an ant on your cheek.” “Get it off!” “Alright‚ alright‚ relax!” “I can’t believe I didn’t feel it…” “Shit!” “What?” “I killed it.” “Kain!” “Sorry!” “It only wanted to be on my cheek!” “Why would it want to be there? I probably put it out of its misery.” “That’s not funny! It liked me because I smell good.” “Apparently died
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Horrified‚ Billy murmured‚ “What in God’s name have we stumbled into?” “Danger‚ great danger. This is the work of the Witches goblins‚ the Clawbraw.” In a panic‚ Billy turned and looked in all directions‚ “What in heaven’s name are you talking about?” “They are ghostly beings in search of flesh and souls to devour. But don’t worry if you
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more than 1‚000 words‚ analyse this passage‚ discussing how narrative voice and dialogue are important elements in the creation of meaning in the passage. Throughout the passage from Jane Austen’s Pride and Prejudice‚ the author provides many ways to establish the creation of meaning through the use of dialogue and narrative voice. Austen allows the reader insight into the nature of the characters by us of dialogue‚ in which we see how the characters interact with each other. Austen also uses
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Judge: If you don’t confess to being a witch then you will get hanged. Proctor: I will confess‚ and let it be known on the walls that i am a witch so I can live free with my wife Elizabeth. Judge: Okay you can live ‚ but you need to name out anymore witches that you know‚ if not you will be sent to jail‚ also if we find that it isn’t true you will be sentenced to jail as well. Proctor: I will not name any names. Judge: Now are you sure this is all true? If you don’t name any names it seems a little
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Dialogue is the conversations and words spoken aloud by characters in a novel‚ a film‚ or a play. Dialogue in a play is not just words put together to form a sentence; but they are words that promote feelings to the audience whether it be direct or indirect. William Shakespeare is famous for the way he wrote his plays‚ he wrote his plays in iambic pentameter‚ which is having five pairs of syllables on a line of dialogue that do not rhyme. He also wrote lines of dialogue that rhymed but were not in
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Analysis of dialogues in Oliver Twist Book Review 北京大学 光华管理学院 00928015 翟静媛 联系方式：134-3987-9195 2010-12-25 Analysis of dialogues in Oliver Twist 00928015 翟静媛 Book review: Analysis of the dialogues in Oliver twist Summary: As the most popular English novelist of the Victorian era‚ Charles Dickens has his own composing features‚ one of which is to utilize distinctive language as a salient method to form different characters. He forms very new and striking expressions out of rather special
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thank you. L: Me too. What about you? S: I’m in the green! You know I’ve changed my life in some ways according to an article. Oh‚ have you read this article? O: Which one do you mean? L: Oh‚ probably I’ve understood what Sveta is talking about. You mean the article in our university newspaper about a healthy lifestyle. Am I right? S: Absolutely. So have you read it? O: Yes‚ I saw something last week. L: Yeah‚ me too. Some time ago. S: So what’s your opinion about it? O: I’ve found rather
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Welcome to our travel agency. How can I help you? S – Hi! Oh! I’m so excited! We have our wedding in four weeks. I can’t help thinking of our living together. I assure you John‚ you’ll have the best wife in the world. O – Honey‚ I have no doubts about it‚ but let’s proceed to the main question. Mrs..? L – Not Mrs.‚ Miss. Miss Andrews. So I guess you are here because of your forthcoming honeymoon. Am I right? O – Yes‚ Miss Andrews. We have thought over all sorts of holidays. But anyway we can’t choose
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Narrator: Ah‚ Goo Lagoon. A stinky mud puddle to you and me. But to the inhabitants of Bikini Bottom‚ a wonderful stinky mud puddle. SpongeBob: What a great day. (SpongeBob rushes off scene for a bit) Hey‚ Sandy! Look! I’m Sandy! (SpongeBob looks like a sand castle. Next he dresses up like Squidward) Hey‚ Sandy? Who am I? (Sandy laughs as SpongeBob picks up a sandy phone and imitates Squidward) Hello‚ SpongeBob. Could you try and keep it down. I’m trying to be boring. Sandy: (laughs) SpongeBob
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