Narrator: Ah‚ Goo Lagoon. A stinky mud puddle to you and me. But to the inhabitants of Bikini Bottom‚ a wonderful stinky mud puddle. SpongeBob: What a great day. (SpongeBob rushes off scene for a bit) Hey‚ Sandy! Look! I’m Sandy! (SpongeBob looks like a sand castle. Next he dresses up like Squidward) Hey‚ Sandy? Who am I? (Sandy laughs as SpongeBob picks up a sandy phone and imitates Squidward) Hello‚ SpongeBob. Could you try and keep it down. I’m trying to be boring. Sandy: (laughs) SpongeBob
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Addictions Addiction is a very touchy subject. Millions upon millions of people in the world today are addicted to various things‚ be it: drugs‚ alcohol‚ sex‚ money‚ pain‚ and numerous other things‚ and the scary thing is‚ is that they don’t even know it. People go their whole loves without ever realizing that they have lived their whole life for that one thing. Addiction can be harmless in some cases‚ but in others it can ruin friendships‚ wreck families and breakup marriages‚ and lead to
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In basic terms‚ dialogue tags attribute written dialogue to characters. Dialogue tags don’t need to be fancy‚ splashy‚ or self-conscious. Their purpose is to show which characters speak and when. The greater the number of characters involved in a scene‚ the more important the frequency and positioning of tags becomes. Many people do not know the proper rules of using dialogue tags‚ they ’remember’ what they have read in novels and rely on grammar suggestions from microsoft word and end up making
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Relations between the Spanish and the Indigenous peoples Spanish colonization started in 1492 when Cristoforo Colombo‚ Christopher Columbus‚ arrived in the West Indies .1 Even though Columbus was on route to find a easier‚ quicker route to India‚ he stumbled upon an unknown land full of exotic new people‚ plants‚ and animals. Columbus was the first Spanish American to come to America‚ but many more Spanish explorers would follow after him; including Cortes‚ Aguirre‚ and Pizarro. The Spanish seemed
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him . The y jumpe d him . Other s joine d in . Whe n the y withdrew ‚ ther e wer e tw o dea d bodie s nex t t o me ‚ th e fathe r an d th e son . I wa s sixteen . IN OU R WAGON ‚ ther e wa s a frien d o f m y father’s ‚ Mei r Katz . H e ha d worke d a s a gardene r i n Bun a an d fro m tim e t o tim e ha d brough t u s som e gree n vegetables . Les s undernourishe d tha n th e res
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Gyro GYRO: My dear Socrates‚ what has come to pass to make you leave your abode in the delicatessen district‚ to delve about here at the king-boulanger’s high court? Certainly you are not prosecuting anyone such as I? SOCRATES: No indeed. I am troubled to say that I have been summoned to the courts by someone of the name Meletus‚ a young man unknown to me. GYRO: On what grounds does he bring this charge against you? SOCRATES: He says that I corrupt the young men through my teachings;
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Analysis of dialogues in Oliver Twist Book Review 北京大学 光华管理学院 00928015 翟静媛 联系方式：134-3987-9195 2010-12-25 Analysis of dialogues in Oliver Twist 00928015 翟静媛 Book review: Analysis of the dialogues in Oliver twist Summary: As the most popular English novelist of the Victorian era‚ Charles Dickens has his own composing features‚ one of which is to utilize distinctive language as a salient method to form different characters. He forms very new and striking expressions out of rather special
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understanding and determination to make it work. Not knowing what your partner is doing at all times requires a lot of trust. One of the easiest ways to destroy a good relationship is with jealousy. Your partner will keep going on in life‚ meeting new people and having social interactions. Life does not pause because you’re in a relationship. Avoid temptation and being controlling. If you do not trust your partner the relationship will never work. Even though you do not see your partner every day‚
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Good People What does it mean to be a good person? How can one respect oneself without hurting others? Are we able to judge whether a decision is wrong or right? Do we really know what love is? ... Questions like these have always existed‚ but what happens when an author tries to comprehend the complexity of being ‘good people’? Is it possible to write about an issue like this? In David Foster Wallace’s short story “Good People” from 2007 we experience an attempt to do so. In the short story
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As I woke up the first rays of light and warmth were rising out of the darkness and lighting up the countryside. A thick fog hung in the air; it was so thick I could barely see twenty metres in front of my eyes. It was almost like the fog was choking the sky. The birds were still chirping and chattering as the wind blew through the leaves on the tree. The ground was extremely barren and rugged except for one lonely tree. There were corpses scattered and spread all over the ground‚ it looked like
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