LITS3304 Notes 12B 1 STUART HALL “CULTURAL IDENTITY AND DIASPORA” (1993) Hall‚ Stuart. “Cultural Identity and Diaspora.” Colonial Discourse and Post-colonial Theory: a Reader. Ed. Patrick Williams and Chrisman. London: Harvester Wheatsheaf‚ 1994. 392-401. In this essay‚ Hall considers the nature of the “black subject” (392) who is represented by “film and other forms of visual representation of the Afro-Caribbean (and Asian) ‘blacks’ of the diasporas of the West” (392). “Who is this emergent‚ new subject
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For my job shadow I attend Geisinger Hospital. During my job shadow I got to experience and witness some very interesting and amazing things. When we first got there we started at life flight and we got to hear from a life flight nurse and a life flight doctor. They then allowed us to look through the helicopters and ask any questions about anything we saw. I talked to the doctor for awhile about pediatric flights and how they transport littler kids. They then allowed us to go into the newest helicopter
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Why does Jun’ichirō Tanizaki label his compilation of essays as an appraisal of shadows? What influenced his writing choices and inspired his word choice? The title is originally 陰翳礼讃 which in Japanese translates to Shadow of Praise and in Chinese translates to Shine. However‚ when one explores into the anatomy of those original words in Chinese; 陰 translates to Yin which is a Chinese philosophy characterized as feminine‚ sustaining‚ earthly‚ dark‚ cold‚ and opposite to the Yang philosophy; 翳 translates
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Leading lines are present in the drawing as the drawing of the road is the first part of the drawing that catches the audience’s eyes due to it being smooth. It is smooth as contour lines aren’t present there‚ therefore the smooth surface contrasts against the rest of the parts of the drawing in the foreground and middle ground. Then through the long road‚ the audience’s eyes are directed towards the trees‚ then towards what appears to be a body of water. Then the leading line continues to the buildings
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Riordan‚ Rick 2013 The Serpent’s Shadow New York‚ New York Disney-Hyperion 464 pages 9781423142027 $9.99 Reviewed by: Smyan Kothapally The Serpent’s Shadow is the third book in the Kane Chronicles. The author‚ Rick Riordan‚ is a popular author of the Percy Jackson series‚ which is about heroes saving the world‚ where Greek influence is still around. However‚ in the Kane Chronicles‚ Rick Riordan’s stories are about Egyptian mythology. In the Serpent’s Shadow‚ Carter and Sadie‚ the protagonists
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The Shadow Throne The Shadow Throne‚ by Jennifer A. Nielsen‚ is the third and final book in the Ascendance trilogy. It is an action and adventure fantasy story about a young King. The story mainly takes place in a country called Carthya‚ in the middle ages when Kings and Queens ruled the land. King Jargon has many adventures while trying to protect his country‚ his people‚ and his friends in the fight for Carthya’s future. King Jargon is a young King‚ who has brown‚ rough-looking hair‚ green eyes
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Moon Shadow‚ a young chinese boy‚ is brainwashed by his mother and grandmother that all people in San Francisco in America are “Demons.” Moon Shadow’s father lives in America‚ but whenever he asks his mother or grandmother about him‚ they always find an excuse to try to not to talk about it. Moon Shadow then tells them that he wants to go to America to see his father. When Moon Shadow arrives to America‚ he is introduced to all of his father’s friends including his uncle. His father’s nickname is
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Reflecting Shadows The memoir by Uwe Timm is an interesting insight to life post WWII‚ with an emphasis on comparing two generations in Germany at that time. Uwe’s writing consist of his personal memories from childhood – the memories are unclear and seem to be nothing more than fragments of what he can recollect. The memories are in no chronological order‚ including the letters from his older brother Karl-Heinz‚ who was a member of the Waffen SS Death’s Head Division and away at war. Timm
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Indian Shadow Puppets Puppetry‚ which is a real challenge to the imagination and the creative ability of the individual‚ is one of the most ancient forms of entertainment. Besides entertainment‚ puppetry serves as an applied art‚ conveying meaningful messages. Of all art forms‚ it is probably the least restricted in form‚ design‚ colour and movement. It is also the least expensive of all animated visual art forms. Traditional Indian shadow puppets are two-dimensional and are made of animal skin
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that arose while reading the book. Specifically‚ I was intrigued by the questions regarding Japanese culture‚ as Japanese culture plays a fundamental role in Mikage’s life. Having finished both Kitchen and Jun’ichirō Tanizaki’s essay In Praise of Shadows‚ I completely understood why Tanizaki emphasized the importance of preserving traditional Japanese culture. As time progressed‚ modernized Western ideas began to integrate to Japan‚ causing Japan to alter from a traditional culture to a new modernized
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