STYLISTICS In Stylistics Richard Bradford provides a definitive introductory guide to modern critical ideas on literary style and stylistics. The book includes examples of poems‚ plays and novels from Shakespeare to the present day. This comprehensive and accessible guidebook for undergraduates explains the terminology of literary form‚ considers the role of stylistics in twentieth-century criticism‚ and shows‚ with worked examples‚ how literary style has evolved since the sixteenth century. This
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Topic 2. ‘There is nothing ironic about show choir!’ - Rachel Cohen Is Rachel’s assessment of the musical performances on Glee correct? Discuss the interplay of melodrama‚ irony and intertextuality in Glee. Your essay should contain detailed analysis of at least two scenes from Glee’s 1st season. Your essay should also make reference to your core course readings on television and postmodernism. Due 14 September their true voice; and this one was‚ to me‚ ultimately about the series demonstrating
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Samuel Johnson (18 September 1709 [O.S. 7 September] – 13 December 1784)‚ often referred to as Dr Johnson‚ was an English writer who made lasting contributions to English literature as a poet‚ essayist‚ moralist‚ literary critic‚ biographer‚ editor and lexicographer. Johnson was a devout Anglican and committed Tory‚ and has been described as "arguably the most distinguished man of letters in English history."[1] He is also the subject of "the most famous single work of biographical art in the whole
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Manfred Jahn Narratology: A Guide to the Theory of Narrative Full reference: Jahn‚ Manfred. 2005. Narratology: A Guide to the Theory of Narrative. English Department‚ University of Cologne. Version: 1.8. New in this version: Some modified definitions in N1; set of analytical question in N1.33; recent narratological literature (N2.1); hypothetical focalization and empty centers (N3.2.5); story grammars (N4.5); revised references and bibliography. Date: 28 May 2005 This page: http://www.uni-koeln
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http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you‚ provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only‚ and you may not make them available to any other person. Authors control the copyright
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TOMORROW IS FOREVER: EXAMINING NARRATIVE STRUCTURE AND CULTURAL ARCHETYPES IN THREE MEXICAN TELENOVELAS CONTENTS ABSTRACT ................................................................................................ ii DEDICATION ........................................................................................... iv ACKNOWLEDGMENTS ...........................................................................v LIST OF TABLES .........................................................
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Why Study Literature? Thursday in one of my Introduction to Literature courses‚ one of my students said‚ "Ma ’am‚ I have a question. No disrespect‚ but...." We all know the feeling that comes with any question or remark that begins that way. I thought‚ "Oh boy. Here it comes." "...Why do we need to learn this? Is my commander going to send me a poem and ask me to explicate it?" This question always flummoxes me--not because I have no answer‚ but because the answers are so obvious to me
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Naffative as a Foffnal System Principles of Narrative Construction Stories surround us. In childhood‚ we learn fairy tales and myths. As we grow up‚ we read short stories‚ novels‚ history‚ and biography. Religion‚ philosophy‚ and science often present their doctrines through parables and tales. Plays tell stories‚ &S do films‚ television shows‚ comic books‚ paintings‚ dance‚ and many other cultural phenomena. Much of our conversation is taken up with telling tales-recalling a past event or telling
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Film Art The Significance of Form in Film -in films‚ a pattern exists; an internal system governs the relations among parts and engages your interest. This system of relationships among parts we shall call form -we can analyze how a film’s parts relate to one another to create the spectator’s overall experience -our experience of artworks is patterned and structured. The human mind craves form. For this reason‚ form is of central importance in any artwork‚ regardless of its medium. This
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At one point‚ the characters of Silent Hill effectively end up questioning both the nature and presence of the monsters. Upon Harry’s arrival at the examination room of the Alchemilla Hospital in SH1‚ Dr. Michael Kaufman wonders about the Flying Reptile that had made its way inside and that he has just killed. He says: “Something’s gone seriously wrong. Did you see those monsters? Have you ever seen such aberrations? Ever even heard of such things? You and I both know‚ creatures like that don’t exist
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