Discuss Wordsworth’s Theory of Poetry as advocated in the Preface to the Lyrical Ballads. It has been generally supposed that Wordsworth’s theory of poetic language is merely a reaction against‚ and a criticism of‚ ‘the Pseudo Classical’ theory of poetic diction. Such a view is partially true. His first impulse was less a revolt against Pseudo-classical diction‚ “than a desire to find a suitable language for the new territory of human life which he was conquering for poetic treatment”.
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Q: 1 How does Wordsworth describe the language as he claims to have selected for his poems? How does he describe the language used by many modern writers? Answer: The problem of poetic diction has been one of the most controversial issues in literary criticism. The most important part in the history of poetic diction is constituted by Wordsworth’s views on the language of poetry. These are two traditions in the history of poetic diction. One is that which pleads for a special language for poetry
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THE ‘PREFACE’ TO LYRICAL BALLADS AADED TO THE SECOND EDITION OF LB IN 1800 IN PUTS FORWARD WORDSWORTH’S THEORY OF POETIC DICTION Wordsworth’s purpose‚ as he tells in the Preface was‚ “to choose incidents and situations from common life”‚ and quite naturally‚ he also intended to use‚ “a selection of language‚ really used by men”. He was to deal with humble and rustic life and so he should also use the language of the rustics‚ farmers‚ shepherds who were to be the subjects of his poetry. The language
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Wordsworth theory of language of poetry and Coleridge’s criticism on it‚ is of great significance in the history of literary criticism. Wordsworth revolts against the poetic diction of eighteenth century. His theory has some merits and at the same time has certain demerits. Wordsworth rejects poetic diction by saying‚ “avoid poetic diction”. He says that neither there is nor could be any difference in the language of prose and that of metrical composition. Previous critics like Dr. Johnson were
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Aristotle’s Poetics defines the nature of tragic drama‚ discusses the six essential elements of drama‚ states his opinion on the best type of tragic plot‚ and suggests the most effective means to arouse essential emotions such as pity and fear. He presents here the elaborate structure of justice of virtue rewarded and villain punished‚ broadly speaking the poetic justice. Now since in the finest kind of tragedy the structure should be complex and not simple‚ and since it should also be a representation
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Wordsworth theory of language of poetry and Coleridge’s criticism on it‚ is of great significance in the history of literary criticism. Wordsworth revolts against the poetic diction of eighteenth century. His theory has some merits and at the same time has certain demerits. Rejection of Poetic Diction and Background of his theory Wordsworth rejects poetic diction by saying‚ “avoid poetic diction”. He says that neither there is nor could be any difference in the language of prose and that of metrical
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Aristotle’s Theory of Poetics Research Assignment Aristotle bases his theory of poetics on greek tragedy. He defines tragedy as "the imitation of an action that is serious and also as having magnitude‚ complete in itself." (Melani‚ 2009) He views that‚ "Tragedy is a form of drama exciting the emotions of pity and fear. Its action should be single and complete‚ presenting a reversal of fortune‚ involving persons renowned and of superior attainments‚and it should be written in poetry embellished
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However‚ there are many great poems to analyze such as Alfred Lord Tennyson’s‚ the Eagle. Therefore‚ some factors to consider when analyzing a poem are poetic diction‚ rhyme and meter‚ poetic devices‚ and figurative language and symbolism. One factor to consider when analyzing a poem is the poetic diction. When it comes to the poetic diction of the poem‚ the Eagle‚ the author uses words like wrinkled and crawls to describe the sea‚ thunderbolt to describe the eagle falling‚ and crooked to describe
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two poems‚ I will try to define Wordsworth and Emerson¡¯s respective conception of nature. The reason why they formed such conceptions of nature is‚ to the former‚ lies in his passiveness; and to the latter‚ in German philosophy and bold individualism. Key Words: conception of nature£»NATURE£»philosophical conception of nature£»common conception of nature£»passiveness£»individualism Outline I. Introduction II. Wordsworth¡¯s conception of nature III. Emerson¡¯s double conceptions of nature IV
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ticsTHE POETICS OF ARISTOTLE A TRANSLATION BY S. H. BUTCHER A Penn State Electronic Classics Series Publication THE POETICS OF ARISTOTLE trans. S. H. Butcher is a publication of the Pennsylvania State Univer- sity. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file‚ for any purpose‚ and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis‚ Faculty Editor‚ nor anyone associated
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