Beyond language: the postmodern poetics of Ang Lee’s adaptation of Lust/ Caution Shaoyan Ding Abstract Based on Robert Stam’s notion of filmic adaptation as a cultural critique and through a detailed analysis of the postmodernist styles of intertextuality‚ dissolving the history‚ parodic representation‚ and the body narrative in the filmic text‚ this article argues that Ang Lee’s film Lust/Caution (2007) adapted from Eileen Chang’s fiction Lust‚ caution is a re-creation embedded with subtle
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Poetic Drama /Verse Drama of Modern age Poetic Drama Eliot’s plays attempt to revitalize verse drama and usually treat the same themes as in his poetry. They include Murder in the Cathedral (1935)‚ dealing with the final hours of Thomas à Becket; The Family Reunion (1939); The Cocktail Party (1950); The Confidential Clerk (1954); and The Elder Statesman (1959)..(1) Indeed‚ Eliot hoped that the study and critical reception of early modern verse drama would shape the production of modernist
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disdain for the doll is made evident through the drastic changes in tone throughout the piece‚ and the speaker’s use of sentences with many clauses to draw attention to key points. The tone of the piece‚ revealed through the connotations of abstract diction‚ mirrors the speaker’s thoughts towards the doll. The tone of the piece starts pleasant‚ containing words with positive connotations such as “special” and “loving”. This is immediately contrasted with the negative words “revolting” and “frightened”
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desires and express the potential they have hidden deep inside of them. Whether one uses these words to discriminate and disparage a certain race‚ or instead take the same words to heal‚ save‚ and to fight against justice‚ it all relies on the specific diction used. In many ways‚ the Holocaust was a war fought with words. It relied on mass communication to convey it’s message of hate and to mobilize a nation in it’s service. For example‚ Hitler did indeed understand "the true power of words‚" he knew exactly
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murky swamp‚ both equally beautiful but vastly different. John Muir and William Wordsworth have two very different way of describing things that are very similar to each other. Both are capable of portraying beautiful stories but in two completely opposite ways. Wordsworth uses intriguing syntax to portray his story while Muir uses profound connotation and diction. John Muir uses lots of profound connotation and diction to portray his connection with nature. An example of this is in the sentence‚ “The
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sweet murmur." (3-4). The gentle‚ quietness of the river Wye which Wordworth adored and the visual picture of the rolling of the water from the mountain springs give the reader a feeling of serenity. The tone of the poem is calm and mediative and Wordsworth describes the "landscape" and compares it to the "quiet" of the sky: "The landscape with the quiet of the sky."(8). The plots of land surrounding his dear land are lovingly described with the color‚ green. He gives the woods an almost human personality
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World War 1. Yeats was greatly affected by the events that took place during the war. He lived through a time where there was no faith in God. Yeats depicts a society that has lost its faith in God and is no longer stable. The author uses a dark diction to convey his theme throughout the poem. For example “The falcon cannot hear the falconer”(line 2) visualizes someone being lost. He uses falcon and falconer to symbolize god and his followers‚ and how they have lost faith in him. “The blood dimmed
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beyond adolescence‚ yet if too abrupt‚ unfamiliar‚ or undesired‚ these moments of awareness may be overwhelming and unsettling. This particular idea is excellently captured in Elizabeth Bishop’s poem “In the Waiting Room” through her use of ominous diction and
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Cockermouth in the heart of the Lakes District in England. William Wordsworth grew up in a rustic society and his beautiful and ageless poetry often reflect this. Wordsworth’s mother died in 1778 and in 1779 he was sent to grammar school in Hawkshead. Wordsworth’s father died in 1783‚ leaving his uncles as guardians. They tried to guide him towards a career in law or in the church and he was accepted into Cambridge in 1787. Wordsworth was uninspired to work towards a career he had little interest in
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Literature The Romantic Period‚ which included the years 1798-1832‚ was an era revolting against the 18th century literary style. The time period was filled with poets who dramatically poured their beliefs into their writings and poetry such as William Wordsworth‚ a very notable Romantic poet during this time period. In stark contrast‚ the Victorian Period was a time during which poets wrote about the environment that surrounded them‚ and tended to have a pessimistic view of life. Matthew Arnold‚ a Victorian
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