Distinctively Visual The distinctively visual is a prominent characteristic in which the composer shapes a unique visual perspective for the responder to interpret. Using a variety of techniques and languages‚ the composer is distinctively able to create vibrant and lively visualisations within their work. The poetry of Douglas Stewart‚ in particular ‘Lady feeding the cats’ and ‘Nesting time’ and the image of ‘’Firefighters at twin towers attack’’ photographed by Todd Maisel are particularly effective
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REBECCA GRECH The distinctively visual techniques created by Henry Lawson in his short stories‚ differ in techniques but relate in ideas and concepts to those created in Baz Luhrmann’s film “Australia” Both Henry Lawson and Baz Luhrmann use distinctively visual techniques in their portrayals of life in the Australian Bush. Their stereotypical views of bush society in the outback are shown through their chosen median with techniques of “chronological listing” ‘film montage’ ‘colloquial language’
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Everyone has experiences some form of suffering or heartbreak in their life. However‚ soldiers in World War I‚ one of the bloodiest and deadliest wars in history‚ suffering was magnified. In the poem‚ “Dulce et Decorum Est”‚ Wilfred Owen expresses his pain and suffering as a soldier. The poem speaks of war and the traumatizing events that occur during battle. It concludes with informing the reader that war is not as glorious as ancestors or propaganda make it out to be‚ instead it is horrid and brutal
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for your country” they said. War was made to look as a good thing in which men gave up their lives every day in petrifying and unimaginable ways. Families torn apart and men stripped of their innocence all in a few hours and days. In the poem “Dulce Et Decorum Est” Owen shows us that war is not what it is said to be - how the countries use their men. We see the truth uncovered through the eyes of a fellow soldier. In the very first line Owen uses a simile – “Bend double‚ like old beggars under sacks”
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War is by no means a pleasant experience‚ it is an experience that will leave you scarred mentally and physically. In Wilfred Owen’s poem‚ “Dulce Et Decorum Est‚” Wilfred tells a story of war‚ the bloody and dirty version‚ the version that will make men run from war not want to enlist and fight for their country. Wilfred explains that dying for one’s country was not as sweet as people say is it‚ war leaves people broken‚ lost‚ or dead. It is not worth the grand sacrifice of a person’s life to experience
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In what ways are people and their experiences brought to life through the distinctively visual? Make detailed reference to your prescribed text and at least ONE other related text. The distinctive quality of the visual relies on its potential to provoke some sort of emotion from the responders. Naturally‚ powerful visuals evoke emotions of fascination‚ sadness‚ anger‚ or will inspire an audience. Visual images‚ like all texts are produced for specific purposes and audiences and can therefore be
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Wilfred Owen’s "Dulce Et Decorum Est" conveys in a bitter‚ sardonic tone the true macabre and dolorous reality of a popularly romanticized view of war. The simplicity of diction and rhythm provide a sense of verisimilitude‚ while paralleled by mimicry of the highly romanticized poetic form of the sonnet communicates a harsh‚ dramatic anti-war sentiment while mocking the opposition to his outlook. The natural rhythm of iambic pentameter and frequent caesura creates a lull that imitates the surrealism
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Through diction and repetition‚ “Dulce et Decorum Est” by Wilfred Owen presents a harsh reality of war that challenges the ideal of militarism by mocking the assumed glory in the military. In this piece‚ the poet scorns militarism-created perceptions of war. In the midst of a bombing‚ he describes preparing for the gas as “… [a]n ecstasy of fumbling / Fitting the clumsy helmets just in time” (9-10). The words ecstasy and fumbling contradict each other in their connotations as ecstasy is related to
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of descriptive language the short stories of Lawson and poetry of Mackellar show that it is true that distinctively visual texts allow the reader to vividly imagine and gain insights into the characters‚ relationships and settings. Lonely drover’s wives‚ Bushmen and fettlers‚ as well as the setting of a sunburnt Australian landscape are brought to life and into unique relationship‚ in the visual imagery of Henry Lawson and Dorothea Mackellar’s compositions. Henry Lawson created a strong image of
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