A documentary film is one that aims to record real events or ideas in order to inform the viewer‚ present an opinion and generate public interest in a topics. There are many types of documentaries including: science‚ historical and social‚ nature and investigative. Documentaries in the past were strictly science or nature related. However in modern day documentaries are seen to be more for social interest and they engage the audience more‚ they are also seen to be more investigative as well. Historically
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The documentary Through These Eyes is an exploration of the forgotten U.S. educational program implemented in the Kennedy-era. Leading intellectual‚ educational‚ and ethnography experts at the time‚ were charged with the task of devising an educational program which would invoke peace in the adults of the future. To do so‚ they came up with Man: A Course of Study or MACOS‚ a film based‚ year-long social sciences course for 5th grade students. Despite the program being created in good faith and containing
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What strategies to Film‚ TV or Radio documentary-makers use to convey to viewers or listeners the ‘truthfulness’ of their work? What might be the problem with these strategies? Oxford Dictionary’s definition of documentaries is as follows “A film or television or radio programme that provides a factual report in a particular subject.” Documentaries are made to help inform and educate its audience‚ usually revealing new information on the chosen subject. Documentary-makers present factual information
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Documentary Style: 4 Little Girls vs. Bowling for Columbine Two documentaries that use two different styles of portraying bombings are 4 Little Girls and Bowling for Columbine.4 Little Girls by Spike Lee is a documentary on the 1963 Birmingham bombing of the Sixteenth Street Baptist Church. This bombing is infamous for the killing of 4 innocent little black girls. Spike Lee uses his style to portray the feelings of the families of these girls as well as influential leaders during this time. Bowling
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The key points in this question is when watching a documentary is our awareness as spectators a greater awareness than of a fiction film. When I first viewed ‘Senna’‚ I was made to go with what the film maker had put and my response was a visceral response feeling compassion with his parents. I was less critically aware of what I was watching as I was lead to believe what I was watching. However‚ on the second viewing I thought more about and questioned what I was watching and hearing on the screen
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‘Babies’ is a documentary film which chronicles the first year of life of four babies spanning the globe. Documentarian Thomas Balmès fans out to the grasslands of Namibia‚ the plains of Mongolia‚ the high rises of Tokyo and the busy streets of San Francisco in a study of culture‚ societal structure‚ geography and tradition‚ along with parental love and the impact all these elements have on child rearing. In the hunting and gathering society of Namibia and pastoral Mongolia‚ Balmès follows Ponijao
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"Gasland" and "Fracknation" are two documentary films based off hydraulic fracturing. Hydraulic fracturing as indicated by dictionary.com is the forcing open of fissures in subterranean rocks by introducing liquid at high pressure‚ especially to extract oil or gas. Hydraulic fracturing started as a trial in 1947. It is a technique where a high weight of liquid (more often than not chemicals suspended in water) is infused into a wellbore to make splits in the profound rock arrangements through which
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primary school in the Auvergne‚ a predominantly rural part of France. It is a documentary film‚ primarily operating through a fly-on-the-wall mode‚ that is to say without any discernable interference from the film maker. The camera appears quite simply to sit alongside the children and observe them as they go about their daily business in the classroom. What I want to do in the lecture today is discuss the ways in which the film both conforms to this idea of simply offering a window on the world‚ and
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We all watch films‚ and documentaries. Generally‚ we learn some things from them‚ but can we be sure what we learned is true‚ and objective? If the films compare and analyze the context (religion‚ language‚ etc.) well‚ we call these kinds of films as ‘ethnographic’ films. A simple question can be appeared in our minds: which films are the ethnographic films? We will try to find an answer to this question with discussing the intentions‚ the wholeness and the ethics of ethnographic film-making.
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the use of landmines in his documentary‚ Landmines a love story. The director reveals the views of the Afghani people towards the weapon through many uses of obvious and also subliminal techniques. Usually undetected by an audience‚ the music plays a major part in how the audience is shown the issue of landmines. Jumping between scenes that seem to contradict each other‚ O’Rourke sends his message home with juxtaposition. The irrelevant scenes throughout the documentary appear to show two sides of
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