Honor in marriage is a state of holding supreme levels of respect and self-respect for one self and one another. Honor is earned through esteemed behaviour‚ benevolent and just conduct‚ courage and integrity. In both “A Doll’s House” by Henrik Ibsen and Medea by Euripides‚ the author shows the significance of honor in marriage and how the lack of it jeopardizes a relationship. The positive and negative role of honor is similar in both pieces of literature which is depicted through Medea and Nora’s
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their future and their father. This makes the little rich girls “wild with joy.” After Aunt Beryl abuses the Kelvey girls‚ shooing “the little rats” from the dollhouse in the courtyard‚ she happily hums as she returns to the house‚ her bad mood dispersed. “The Doll’s House” is
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Victims of Male Dominance The trails and tribulations of life can cause a person to go down a road they could have never imagined. Some people are able to rise above the issues that come their way and while others become consumed by their problems. In a male dominated society‚ the issues of women are often pushed to the side and they are left to deal with them alone. Therefore‚ some women become abused by their thoughts and problems due to the fact that they do not have the ability to tackle them
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There is a common struggle between the call of duty and the desire to live one’s life in the two plays “A Doll’s House” by Henrik Ibsen and “The Glass Menagerie” by Tennessee Williams. Nora‚ from “A Doll’s House” didn’t realize her desire to live her own life until the end of the play and she dealt with the struggle by convincing herself that she was unfit to be a mother and a wife. Tom‚ from “The Glass Menagerie” always struggled between his responsibility to his family and his desire to be a
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Explore the presentation of Nora Helmer as a deceitful female character in “A doll’s house.” Compare and contrast your findings with the way Wilde presents his female protagonist Mrs. Arbuthnot in “A woman of no importance.” By Gheirey Mulliken Both “A doll’s house” by Henrik Ibsen and “A woman of no importance” by Oscar Wilde were about Nora Helmer and Rachel Arbuthnot (protagonists) and their role as; mothers‚ wives‚ and new women. They were written and performed in Victorian times‚ for a Victorian
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the community- their reputation is very important to them • Treat women like dolls-are playthings‚ decorative‚ add to the house with their beauty and charm. • Both patronize the women –use diminutives • Make all the decisions financial and otherwise for the family. • Males are dominant • Both regard their wives as intellectually inferior‚ don’t want a wife who is independent and free thinking • Needs of the male come first. • Men pursue their own destiny. Women: • Men and women have same
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David Rosenblatt English 12 Mr. Knapp 12 February 2015 Pampered or Pampers In the Victorian Era‚ there was a lack of respect for women‚ along with the reality that women did not work or contribute to the family’s funding. In Henrik Ibsen’s “A Doll House”‚ Nora displays acts of extreme immaturity and irresponsibility‚ comparable to that of a child. Nora clearly had no sense of the value of money‚ due to the fact that she was pampered by her father and husband; she never had to work a day in her life
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Irony in A Doll’s House Directions Work with your group to define the following terms. Use what we have learned in class but also feel free to look up information in your literature book and/or online. ** NOTE: You should make a copy of this‚ and EVERYONE in the group should fill it out individually. For Act II‚ you will work in groups. For Act III‚ you will work individually. The document will be turned in for a grade at the end of the play‚ and I will assess not only your group work
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In the play‚ A Doll House‚ Nora goes through a major character change. The play is set during Christmas time and New Year’s because these are both times of “rebirth” or “reawakening” and similar metaphors to what Nora goes through during the play. Nora is treated and acts like a doll living in a doll house during most of the play. Towards the end of the play‚ Nora realizes that being a “doll” is not her reality. The reality of her trials with her marriage wake her up from her imagination to the
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Men often entrap females into oppressive roles in society. In Henrik Ibsen’s A Doll House‚ Torvald Helmer treats his wife Nora as a doll; whereas in Ghosts‚ Pastor Manders believes Mrs. Alving should be a trophy wife and protect her dead husband’s reputation. Both Torvald and Manders brainwash Nora and Mrs. Alving‚ respectively‚ to behave according to what their own expectations. Because Nora and Mrs. Alving are afraid to cross the expectations of Torvald and Manders‚ they both hide their true feelings
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