"Donatello biography" Essays and Research Papers

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    cutting his head off with Goliath’s own sword. Donatello was the first artist that created a nude life-sized sculpture since antiquity. His bronze sculpture of David indicates that he completely mastered the classical tradition of art. Particularly his sculpture reflects the style of Polykleitos who was one of the best-known Greek sculptors of classical antiquity and one of his famous works of Doryphoros had a big influence on Donatello’s David. Donatello represents David as a

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    Renaissance: Compare the two David’s: one by Donatello and the other by Michelangelo. Consider formal and contextual elements (FORMAL: viewpoint‚ materials‚ volume‚ texture; CONTEXTUAL: artist‚ patron‚ viewers‚ original location‚ political/religious/social messages- narrative moment‚ facial features/expressions). Donatello was an artist in the early Renaissance. His interpretation of David is the earliest known life-size bronze nude European art (Stokstad and Cothren 321). The sculpture stands

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    influenced by the culture in which it was produced. As the three versions of David make evident‚ one person or object will be represented in different ways depending on the environment of its portrayer. In examining the sculptures of David created by Donatello‚ Michelangelo‚ and Bernini I can see that art is not only influenced by an artist’s surroundings‚ but because of popular styles of the era. Donatello’s and Michelangelo’s David are similar in many ways. Both sculptures being from the Renaissance

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    Florence Price

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    Florence Price‚ Composer The purpose of a biography is to enhance the reader’s knowledge about a particular person’s life‚ in this case‚ Florence Beatrice Price‚ and offer a sort of historical background focusing on significant events‚ accomplishments‚ and personal aspects of that particular individual’s life. Ideally‚ the writer molds complex biographical facts—birth and death‚ education‚ ambition‚ conflict‚ milieu‚ work‚ relationship‚ accident—into a book [or article] that has the independent

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    CheckPoint: Comparison of Three Sculptures Brianna Setzer Art/101 June 20‚ 2014 Kristy Yau CheckPoint: Comparison of Three Sculptures Learning that there were actually different versions of David came as a surprise to me. I am not a fan of art and never expected to be interested in learning about sculpture. The three artists featured in this checkpoint all have a different styles for this same sculpture. I will cover each in an order that seems more logical because in a sense‚ I believe that

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    in the men of Israel. David unexpectedly offered to fight Goliath and actually killed him using only his sling shot and a pouch full of stones. Three artists depicted this biblical story in the Renaissance and those artists were Michael Angelo‚ Donatello‚ and Bernini. Donatello’s depiction of David best illustrates the story of David. Michael Angelo’s David was reminiscent of Greek classical sculpture. His David has a look of contemplation‚ almost like he was in deep though about to contemplate

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    Element Of Nonfiction

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    always written using first-person point of view. A autobiography is usually book length because it covers a long period of writer’s life. However‚ there are shorter types of autobiographical writing such as journals‚ diaries‚ and memoirs. 2. Biography: A biography is the true story of a person’s life told by someone else. The writer‚ or biographer‚ interviews the subject if possible and also reaches the person’s life by reading letters‚ books‚ diaries‚ and any other information he or she can find.

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    his version is over an extra head tall‚ whereas Bernini’s is scaled back to a life sized version‚ making him more relatable. Both sculptures do share the same medium‚ which is marble. If we add into the comparison the sculpture of David done by Donatello we see some similarities to both Michelangelo’s version and to Bernini’s version and we also notice differences from both other sculptures‚ as well. The first and foremost major difference of Donatello’s David as

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    rules of that game. In his title‚ however‚ Barthes plays with Lejeune’s requirement of identity between author‚ narrator‚ and protagonist in suggesting that his book is a biography written by its subject: One does not expect autobiographies to be titled with the autobiographer’s name‚ but we are not surprised when biographies are titled with the subject’s name.

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    Italian Renaissance Artist

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    GHIBERTI 1378-1455 ITALIAN RENAISSANCE ARTIST Lorenzo Ghiberti was born in 1378 c.‚ in Pelago‚ Italy and died Dec. 1‚ 1455 in Florence. Ghiberti was an important early Italian Renaissance sculptor‚ whose doors (Gates of Paradise 1425-52) for the Baptistery of the cathedral of Florence are considered one of the greatest masterpieces of Italian art in the Quattrocento. Other works include three bronze statues for Or San Michele (1416–25) and the reliefs for Siena cathedral (1417–27). Ghiberti

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