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    and able to defy these boundaries. It is because of what we can see before us that we are limited in our language and create these boundaries we wish to destroy. Through the use of songs in Disney’s “Mulan” and the language from Shakespeare’s ‘Twelfth Night’‚ the audience is able to see the stereotypes of the time and how those stereotypes have limited the characters in their views depending on the gender of the characters. Disney’s ‘Mulan’ was set somewhere between

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    value of women and how the relative devaluing of women shaped sexual desire and normal gender roles. In this paper‚ I will attempt to illuminate several features of Shakespeare’s Twelfth Night that have bearing on human desire. Before identifying significant features of Shakespeare’s plays in general and Twelfth Night in particular that have bearing on the question of gender roles and the shaping of desire‚ it will important to remind ourselves about the cultural limitations for women of sixteenth

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    Shakespeare wrote “Twelfth Night” around the middle of his career‚ probably in the year 1601. It was first published in the first Folio in 1623‚ where it is placed next to the last of the comedies. Most critics consider

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    plays have been in rotation for centuries. Versatile material will keep viewers for long periods of time because it draws attention from many different cultures. In this essay I am speaking critically about the gender roles within Shakespeare’s Twelfth Night. This play is relevant because it tugs on the heart strings and your funny bone when presenting: Life‚ Death and Love. Whenever I was a high school student‚ I remember wondering why it was important for us to learn Shakespeare. I mean Shakespeare

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    Twelfth Night: Theme of Love In the play "Twelfth Night‚" Shakespeare explores and illustrates the emotion of love with precise detail. According to "Webster’s New World Dictionary‚" love is defined as "a strong affection or liking for someone." Throughout the play Shakespeare examines three different types of love: true love‚ self love and friendship. "Twelfth Night" consists of many love triangles‚ however many of the characters who are tangled up in the web of love are blind to see that their

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    Devin McGowan 06/05/13 Honors English: Research Paper- Twelfth Night Period 8/9 Apples and Oranges A Comparison of Olivia and Viola in Shakespeare ’s Twelfth Night When comparing two drastically different people‚ situations‚ or objects‚ they often refer to the old saying “It ’s like comparing apples and oranges”. In reference to Shakespeare ’s Twelfth Night‚ many would say the same thing of the characters Viola and Olivia. But‚ is that observation completely true

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    Several of the characters in Twelfth Night display egotism throughout the play. Three characters that demonstrate self-absorption are Malvolio‚ Olivia‚ and Duke Orsino. In the play‚ when Malvolio finds the letter in the garden‚ he quickly jumps to the conclusion that the letter is for him because of what is says inside. Malvolio said "if this fall into thy hand‚ revolve. In my stars I am above thee‚ but be not afraid of greatness (Shakespeare‚ 84)." In other words‚ the letter stated many good characteristics

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    The comedies Twelfth Night and Some Like It Hot both use deception through appearance as a comedic device. Through this theme of deceit the film Some Like It Hot directed by Billy Wilder is shown to be a natural descendant to Shakespeare’s Twelfth Night. In both works deception through appearance is shown multiple ways in both the main stories and the subplots. The most obvious case of deception through appearance is the cross dressing that happens in both stories. Vilola dresses up as a man in

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    Brie Adelstein Honors English Mr. McNulty 2 November 2016 Feminism in Twelfth Night Shakespeare’s Twelfth Night drastically changed the way people viewed men and women in the Elizabethan age. For decades‚ women have been perceived as “emotional (irrational)‚ weak‚ nurturing‚ and submissive” while men have been viewed as “rational‚ strong‚ protective‚ and decisive” (Feminist 84). In contrast‚ Viola‚ Lady Olivia‚ and Maria are powerful characters in the play who challenge the era’s scientific

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    his love for Cesario. When the truth was revealed‚ the labels were switched; although‚ Lady Olivia had already moved on to Sebastian. Charles further proves the different sexualities by stating‚ “The representation of homoerotic attraction in Twelfth Night functions rather as a means of dramatizing the socially constructed basis of a sexuality that is determined by gender identity” (122). Neither Orisno‚ nor Lady Olivia knew the truth until the end so their feelings can only be fit into a category

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