waltz unfolds. at 0:35 Light‚ possessing minor harmonies pulsating with the energy and feigned happiness of major tone‚ the trumpet isn’t alone anymore. The same solemn theme accompanied by the mandolin‚ accordion and a doleful clarinet becomes the doorway to a complex character. This become more obvious at 1:15. Just like Tchaikovsky could juxtapose
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Irene looked back making sure no one was close enough to get hit with the flogger when she swung back. She lifted the flogger and smacked down whipping her diagonally then quickly whipped in the other direction making an X over and over. Her sub scream and moaned. She stopped and gave a couple rubs on her angery ass giving her sub time to breath. Irene continued whipping her. Each time the flogger hit John could faintly feel its many leather tongues licking and his ass as it did the subs. He shook
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their rhetorical structure is far from comparable. Fisher uses more of a discursive structure‚ in which she is very frank and sarcastic. She casually speaks of "undesirables throng[ing] the narrow alleys‚ and sisters of scarlet sit[ting] in the doorways" (Fisher 23) which gives her passage the effect of being an overly sarcastic fabliau which can be found in any editorial page of a newspaper. However‚ Angelou took a more dramatic approach to her writing‚ and described everything down to the smell
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Cat in the Rain Hemingway “Avanti‚” George said. He looked up from his book. In the doorway stood the maid. She held a big tortoise-shell cat pressed tight against her and swung down against her body. “Excuse me‚” she said‚ “the padrone asked me to bring this for the Signora.” “Look honey‚” George said while he looked at the maid‚ “they brought you a cat.” She examined the cat and walked towards the maid. “Thank you. I mean gracias” she said and quickly closed the door. George had started
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The mathematical attributes of shapes are necessary to the design of any standing structure. Arch The Romans first used arches around 273 B.C. Arches served as entrances for large‚ outdoor public spaces. Today‚ arches are found on porches‚ doorways and windows. The shape of the arch allows more weight to be placed on top of it‚ thus creating larger openings to the outside. The connected wedges that form an arch takes away the vertical pressure and gives it lateral pressure‚ allowing it to be
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My entire life I have dedicated to education and the investment of my well-being for myself and others. By enriching the quality of my life‚ I can equate it’s quality to the extent of my assistance to others. My resolve is to mature into a luminary role model who can inspire‚ educate‚ and support others who seek insight or a helping hand. In my ephemeral life‚ I desire and readily volunteer my services to others. I relish in the involvement of challenges with‚ or without merit. A challenge’s conquest
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to press print‚ i did not notice how much paper is going to be printed. It began to spit out millions of papers. Everyone was yelling and screaming‚ creating chaos. I hear the door slowly creak open ‚ seeing Mrs. Lewis poke her head in through the doorway ”everything ok”.
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represents. Ibsen uses non-verbal elements such as screen directions and setting descriptions to symbolize aspects of characters and their relationships to each other and the larger themes. The imagery of the stove and the furniture‚ the lighting and the doorway‚ the costume and the doll all aid the audience to appreciate the importance of appearances and self-identity. The furniture‚ specifically the stove‚ and decorations are key images that aid the in depth and understanding of the novel. The stove is
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nodding to the music‚ he went another mile or so and pretended that he was not already slowing down‚ that he was not going to turn back‚ that he would be able to drive on like this alone‚ and have the right answer when his wife stood before him in the doorway of his home and asked‚ Where is he? Where is your brother?(Wolff 269) What is the measure of a rich man? Is it his material possessions‚ the extent of his spirituality‚ or is it how he chooses to share his wealth with others‚ whether it is material
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Madonna in a Church is a small oil panel on oak by Flemish painter Jan van Eyck. Madonna in a church was made between c. 1438-1440. Van Eyck has been traditionally credited with the invention of painting in oils‚ and‚ although this is incorrect‚ there is no doubt that he was the real master of the technique. The use of oil paints is very significant in this artworkʼs luminescent quality and presentation of space. The artist creates a new relationship between the viewer and the picture. There is an
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