The word “Aestheticism” has Greek roots‚ coming from the Greek meaning to perceive (with the senses). Aestheticism would later come to refer to the world’s appreciation of beauty‚ becoming the name of a 19th century concept prevalent in Victorian England‚ which placed utmost emphasis on beauty and pleasure in life. Aestheticism is also very prevalent in Oscar Wilde’s “The Picture of Dorian Gray”‚ centered around the life of Dorian Gray. Youth and everlasting beauty is a form of aesthetics that is
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Analysis of the archetype in O. Wilde’s novel "Portrait of Dorian Gray" The scale of the realization of ideas through the archetype of an animated portrait allows one to compare "Portrait of Dorian Gray" and Gogol’s "Portrait" as manifestoes of related epochs. In the first chapter‚ an analysis of the archetype in Gogol’s story was conducted‚ we will try to discover the archetype in Wilde’s novel by the same characteristics: • the inclusion of the archetype in ontological issues; • reflection of
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In The Picture of Dorian Gray‚ Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much‚ but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious
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of characters and situation to show that much of this book could be seen as immoral. The Picture of Dorian Gray presents many different aspects to it that could seen as immoral‚ such as‚ murder and hatred‚ Narcissism and Hedonism. Murder and hatred are two of the most reoccurring themes throughout the book. One of the main instances that portrays hate and murder involves Basil and Dorian. Dorian is unhappy with his self-imagine in the portrait and he blames Basil‚ the artist for this.
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Picture of Dorian Gray‚ Oscar Wilde demonstrates the many undesired effects when exposed to influential individuals. With the introduction of external negative influences‚ Dorian Gray becomes a tainted man within the norms of not only a Victorian‚ but also a modern society‚ producing a corrupted life of duplicity‚ betrayal and artificiality. Originally symbolizing a character of purity and untouched innocence‚ Dorian is soon to be molded by Lord Henry‚ Basil Hallward‚ the philosophy of aestheticism
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Dorian Gray Passage: Literary Analysis In this scene‚ Wilde creates a threatening atmosphere as he describes Dorian heading to the Opium House at night‚ a place that represents his sins. Dorian’s carriage “jerks” into a “dark” area‚ the sudden movement suggesting that the horse is instinctively nervous or scared. And the “low roofs and jagged chimney-stacks” that looked like “black masts” shrouded by a mist of “ghostly sails” paint a nightmarish image of hostility due to harsh words like jagged
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A Biblical Comparison to The Picture of Dorian Gray The Picture of Dorian Gray by Oscar Wilde is the story of a man who sells his soul to the devil in exchange for eternal youth. Dorian Gray is a young man of extraordinary beauty and innocence. Basil Hallward‚ a young talented artist‚ recognizes the purity and attractiveness of Dorian and he paints a portrait of him which captures all the life and loveliness of Dorian’s soul. Lord Henry Wotten‚ a member of the idle aristocracy of London‚ is
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In order to get to know the person we need to look to the inside into the soul. This is the place where the real beauty and ugliness are hidden. The notion of inner and outer beauty is perfectly presented in the novel The Picture of Dorian Gray’ by Oscar Wilde. The story described in this book shows how the external attractiveness influences people’s behavior and corrupts the inner beauty. The plot situated in the XIX England perfectly describes the higher class of this period. Shallow
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Picture of Dorian Grey – Passage Analysis Chapter 5 Wilde’s description of Sibyl Vane as a caged bird invokes the thought that Dorian’s love for Sibyl has trapped her. There are two instances where the imagery of her entrapment is brought up‚ “the joy of a caged bird in her voice” and “in her prison of passion” are both statements where the common entity is a sort of cell like set-up for Sibyl. The use of these metaphors is a representation of the confinement Sibyl is in in this relationship‚ where
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Dorian Gray Theme Revision Youth and Beauty “All the candour of youth was there‚ as well as youths passionate purity” “And beauty is a form of genius—is higher indeed that genius as it needs no explanation” “It has a divine right of sovereignty” “I am jealous of everything whose beauty does not die” “When one loses ones good looks‚ whatever they may be‚ one loses everything” “Youth is the only thing worth having. When I find that I am growing old I shall kill myself”
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