Looking into Words An Analysis of the dialogues in The Picture of Dorian Gray [Preface] As we often see in fictions‚ dialogues play a significant role in characterizing heroes. Apart from speaking for the characters in novels‚ Oscar Wilde used dialogues to speak for himself. This is especially the case in The Picture of Dorian Gray in which he ‘hires’ three characters to represent his ideals‚ present situation and the conflict between them. The following passage will mainly focus on the strategic
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to present the object and aims of linguo-stylistic and to explore different stylistic devices in Oscar Wilde’s “The Picture of Dorian Gray”. The first chapter of the paper is devoted to the study of linguo-stylistics and to the different types of stylistics. The second chapter deals with expressive means and stylistic devices in Oscar Wilde’s “The Picture of Dorian Gray”. First‚ we will discuss the aims of linguo-stylistics‚ we’ll give the definitions of the word ‘style’. Second‚ we will present
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faces allegations of possible homosexuality. His novel The Picture of Dorian Gray causes scholars to speculate about his attraction to men. This novel is about beautiful‚ wealthy‚ and young Dorian Gray who wishes to remain young forever. He meets artist Basil Hallward who quickly becomes obsessed with Gray. Hallward’s portrait of Gray is what keeps him young. He then meets Lord Henry who pushes Gray live his life selfishly. Gray falls in love with actress Sibyl Vane who quits her acting career for
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In Oscar Wilde’s “The Picture of Dorian Gray‚” he defines masculinity in tangible terms such as age‚ attractiveness‚ profession‚ and philosophy instead of decency and sincerity. Harry‚ Basil‚ and Dorian are members of the upper-class society and the most qualified among those in their professions. However‚ their expertise causes the men to struggle with their masculinity and question the masculine social norms. The men are codependent and immature‚ but Lord Henry is portrayed as unlikely to learn
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Commonly deformity is symbolic… whether it represents the good and purity in someone or the corruption in their very soul is a different story. In the book‚ “Dorian Gray” by Oscar Wilde‚ deformity is used to symbolize the corruption and degradation of Dorian’s soul. Dorian’s own beauty could be considered a deformity and this deformity destroyed Dorian’s life. He has an unnatural‚ surreal beauty and it’s this beauty that causes him to become so evil and corrupted. It’s the reason behind his madness
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Should art be or do anything? There is a wide spectrum of opinions from critics and artists on what art should be or do. Oscar Wilde argues in his preface to “The Picture of Dorian Gray” that art is beauty or a symbol‚ but beneath that is left to the interpretation of the spectator. In Gustave Courbet’s essay “Realist Manifesto” art is knowledge to draw from to inspire his own individuality and to create living art. Although both essays bear some superficial similarities‚ the difference between Wilde’s
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concept of art are John Ruskin and Oscar Wilde. In his work From The Stones of Venice‚ John Ruskin exults and admires gothic architecture because its gives the artist the freedom of creativity and self-expression. In his preface to The Picture of Dorian Gray‚ Oscar Wilde alike Ruskin defends the concept that art is “useless” and that it must be admired for what it is‚ which is just simply art. The following goes into more detail on the ideas Ruskin and Wilde have on art. In From the Stones
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In the year of 1980‚ Oscar Wilde published his only novel‚ The Picture of Dorian Gray‚ before he reached his height of fame. The first edition of his book appeared in the summer edition of Lippincott’s Monthly Magazine. Although‚ many criticized the novel as being scandalous and immoral. Wilde‚ being disappointed with its outcome‚ revised the novel in 1891‚ adding a preface and six new chapters. One of the main themes throughout this book would be the purpose of art‚ Wilde believed art did not serve
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the downfall of its participants. This moment‚ in the grand scheme of the work itself‚
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The Conflict Between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray Oscar Wilde prefaces his novel‚ The Picture of Dorian Gray‚ with a reflection on art‚ the artist‚ and the utility of both. After careful scrutiny‚ he concludes: “All art is quite useless” (Wilde 4). In this one sentence‚ Wilde encapsulates the complete principles of the Aesthetic Movement popular in Victorian England. That is to say‚ real art takes no part in molding the social or moral identities
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