naturalism‚ redefining ideal proportions and exploring new spatial possibilities. With sculptures such as Bronze Youth from Antikyther‚ gives an example of what the Greeks considered physical beauty (Kershaw‚ 217). The sculptures Discobolus and Doryphoros depict athletes’ muscular form at rest. Each of the sculptures represents a moderation of physical strength when applied to one aspect of human potential in regards to strength and beauty. Sculpture also reflected the Greek Civic value‚ which was
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Judgment of Hu-Nefer 25. Lammasu 26. Athenian agora 27. Anavysos Kouros 28. Peplos Kore 29. Sarcophagus of the Spouses 30. Audience Hall of Darius and Xerxes 31. Temple of Minerva and sculpture of Apollo 32. Tomb of Triclinium 33. Niobides Krater 34. Doryphoros 35. Acropolis 36. Grave Stele of Hegeso 37. Nike of Samothrace 38. Great Altar of Zeus and Athena at Pergamon 39. House of the Vettii 40. Alexander Mosaic 41. Seated Boxer 42. Head of a Roman Patrician 43. Augustus Prima Porta 44. Colosseum (Flavian
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Select the best answer. (5 points each) 1. Which of the following statements best describes the cultural impact on the style of artwork? a. Cultures each have their own‚ unique style that is not impacted by any outside culture. b. Cultures exchange ideas that impact the development of artistic styles. c. Artists create work based solely on their imaginations and are not impacted by culture. d. All of the above. 2. Like history‚ art history: a. is an objective‚ or factual‚ academic field
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Greek Art No matter how accomplished they might be‚ the works of art we have discussed so far seem alien to us. The ancient cultures that produced them were so different from our own that we find few references in those works to our time. Greek architecture‚ sculpture‚ and painting‚ however‚ are immediately recognizable as the ancestors of Western civilization‚ despite their debts to earlier art. A Greek temple reminds us of countless government buildings‚ banks‚ and college campuses; a Greek statue
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in her back shows a relaxed stance‚ along the presence of the contrapposto. Because of this sculptor’s knowledge with the contrapposto‚ this relief could have been made around 500-400 B.C.E. Sculptures like the Kritios Boy‚ the Riace Warrior‚ and Doryphoros all imply a time of great mastery of the contrapposto. These three sculptures were created in a time frame of ca. 480-440 B.C.E.‚ therefore‚ the Grave stele of a little girl was most likely created around that time also. The relief looks like it
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The precursor and codifier of Western culture as we know it today‚ the civilization of the Greek city-sates of the Peloponnese peninsula is renowned for its many pioneering works of art and architecture. From the Doryphoros to the famed Parthenon of Athens‚ the legacy that the ancient Greek civilization has left to Western culture and the world as a whole cannot be underestimated. Of particular interest are two pieces of art from an age before Alexander: a black-figure panel amphora made in the sixth
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4 Phases of Greek Art * Geometric 900-600 B.C.E * Archaic 600-480 B.C.E * Classical 980-323 B.C.E * Hellenistic 323-31 * Large funerary Vase * Known as Diphlon Vase or Krator * From the geometric era * Made from busted clay * Ceramics were used for storage * It also showed a lot of culture with images * The Greek buried their dead & practiced cremations Bronze Man & Centaur * Human body mixed with a horse like figure * Centaur from lefkand
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Ancient Greek Cultural Values (Fiero 76-136) rational explanations experiential extensions Pericles’ Funeral Speech (88-89) the Iliad (81-84) Aristotle’s Poetics (99) the Antigone (92-98) Plato’s Crito (102-104) Sappho’s poems (128) Plato’s Allegory of the Cave (104-107) Pindar’s Odes (128) Aristotle’s Nichomachean Ethics (109-110) Vitruvius on Symmetry (114-116) * * * * *
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How to Read a Roman Portrait SHELDON NODELMAN from E. D’Ambra‚ ed.‚ Roman Art in Context. NY: Prentice Hall. 1993 pp. 10‐20 Like all works of art. the portrait is a system of signs; it is often an ideogram of “public’ meanings condensed into the image of a human face. Roman portrait sculpture from the Republic through the late Empire-the second century BCE. to the sixth CE -constitutes what is surely the most remarkable body of portrait art ever created. Its shifting montage of abstractions from
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BCE) * Andokides Painter –Achilles and Ajax * Ergotimos –[and Kleitius] Fracois Vase * Euphronios –Death of Sarpedon * Exekias –Achilles and Ajax; Suicide of Ajax; Dionysis in a Boat * Polykleitos –Doryphoros * Classical (480-320 BCE) * Kalikrates –Temple of Athena Nike; [ and Iktinos] Parthenon * Lysippos -Apoxyomenos * Mnesikles –Propylaia‚ Erechtheion[Porch of the Maidens] * Myron –Diskobolos
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