How does Shakespeare present the character of Richard in Act 1 of Richard III ? Richard III is a tale of the rise and fall of tyrannical power. Shakespeare uses many classical references and adopts the five act pattern from Roman comedy. What makes Richard a fascinating character is his skill as an actor. Like Falstaff and Hamlet‚ he is constantly playing a part and enjoying it. In Richard III‚ Richard’s soliloquies show his true vindictive nature-whereas when he is interacting with other characters
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to appeal to their audience. However‚ the values presented by Shakespeare in his tragedy‚ written in the 15th century‚ Richard III (RIII) transcend Shakespeare’s contextual world and coincide with the values we hold today. The continuing relevance of the play RIII is fuelled by our contemporary societies desire to re-evaluate the role of women‚ characterisation of villains (Richard) and the role of materialism in modern day contexts. This desire is depicted through the 1998
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realities f power politics: what individual and social life is like under a despotic and brutal king ruling a deeply corrupt state. Exploiting the divisions cause by feuding political factions‚ and manipulating individuals and the system the cakculating Richard seizes the opportunity to make himself king. He is a Machiavellian figure who will stop at nothing to gain and maintain power. Richard’s extraordinary facility with words enable him to manipulate‚ confuse‚control and corrupt those around him → Woows
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Th ink sw ap Do cu me nt Question: In what ways does a comparative study accentuate the distinctive contexts of King Richard III and Looking For Richard? Question 2: To what extent have the connections you have made between the two texts shown how particular concerns‚ although timeless‚ impact differently on individuals in different contexts.
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The comparative analysis of Shakespeare’s “Richard III” circa 1591 and Al Pacino’s 1996 docudrama “Looking for Richard” (LFR) reveals the capacity of these texts to transcend their timeframes due to their exploration of ideas perennially relevant to human nature. As humans‚ there is an innate desire of us to exert our ideals and beliefs on others as well as an underlying ambition for power‚ hence these texts explore the way in which art can be used to shape and reshape historical perceptions as well
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values in texts. How does Pacino’s film “Looking for Richard”‚ reveal his response to the values explored in Shakespeare’s play‚ “King Richard III”? Through changes in context and form a fresh perspective can be offered on the values in texts. Pacino’s film “Looking for Richard” [LFR] reveals his response to values such as; the allure of evil‚ conscience and the artistry of language‚ that are explored in Shakespeare’s play‚ “King Richard III” [KRIII]. The change in context often offers a fresh perspective
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The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it‚ as a central plot driver and an assumed part of the human condition. However‚ each presents a different perspective as to the nature of power; its origins and morality. Discuss this statement with close‚ detailed reference to both texts set for study. Power is defined as the possession of control or command over people and events. In Shakespeare’s play ‘King Richard III’‚ the centrality
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Shakespeare’s ‘Richard III’ and Pacino’s ‘Looking for Richard’ ground the evil of Richard differently in their respective texts. Shakespeare’s Richard is not merely an ambitious villain‚ but the personification of a metaphysical evil – a Machiavellian prince whose vice-like character is derived from the medieval morality play. Broad contextual shifts have resulted in Pacino recreating a villain for our times‚ emphasising mainly the political characteristics of a tyrant-king rendered recognisable
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had a hard time finding peace. During those two hundred years‚ personal ambition of kings and nobles was the most disruptive to English society‚ which was exacerbated by the religious break instituted by Henry VIII in 1534. In The Deposition of Richard II‚ it is obvious that the English king was disliked by all. A list of his grievances was drawn up‚ citing all of his poor choices as king and the reasons why he should be dethroned. The number one cause of the hatred of him was “his evil rule‚ that
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Shakespeare’s 1592 play ‘King Richard III’ and Pacino’s 1996 docudrama‚ ‘Looking for Richard’. Despite the different contexts of the Elizabethan Era and the post-modern world respectively‚ the texts share the universal themes of Richard’s pursuit of power and the effect of political power on one’s morality which broadens our understanding of the adverse effect of power. “The ends justifying the means” is a principle in ‘King Richard III’ where the protagonist Richard‚ a Machiavellian leader‚ lusts
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