"Dracula 1931" Essays and Research Papers

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    1431- Vlad Dracula is born –father Vlad Dracul (Vlad the dragon) real mother Cneajna 1435- Vlads younger brother Radu the Handsome 1436-Vlad becomes Voivode (Prince) of Wallachia 1442-Vlad Dracul and his sons Radu and Vlad Dracula visit Gallipoli to pay tribute to the Ottoman Sultan Murad. And seize them and Vlads older brother Mircea rules in his father’s absence. 1444- Vlad Dracul participates in an anti Turk crusade with John Hunyadi‚ the Hungarian and the sultan allows Vlad and Radu

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    Title: Dracula: Stoker ’s Response to the New Woman Author(s): Carol A. Senf Publication Details: Victorian Studies 26.1 (Autumn 1982): p33-49. Source: Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 156. Detroit: Gale‚ 2006. From Literature Resource Center. Document Type: Critical essay Full Text: COPYRIGHT 2006 Gale‚ COPYRIGHT 2007 Gale‚ Cengage Learning Full Text:  [(essay date autumn 1982) In the following essay‚ Senf contends that‚ contrary

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    order to see where all the information came from and how helpful it is for the people to gain the correct knowledge about the Japanese invasion of Manchuria are Japanese War Crimes: the Search for Justice and Manchuria 1931. B. Summary of Evidence According to Manchuria 1931‚ Japan’s population was growing‚ and it wasn’t just growing at a slow rate‚ in fact it was growing at an amazing speed. This made the leaders of Japan start to look forward to conquering land in order for the population

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    clear in Dracula and fairly obvious in subsequent vampire stories‚ but a closer reading of less obvious texts will reveal sexual undertones in the acts of violence. This discussion will look at the presence of sexually-natured brutality in Dracula and “Vampires in the Lemon Grove‚” two very different vampire stories‚ the physical act of rape in “The Company of Wolves‚” and the underlying sexual innuendos present in the movie Aliens. One of the dominant themes in Bram Stoker’s Dracula is that

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    Gothic and Horror Fiction

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    scholars give about the woman of the nineteenth century. I will also exemplify the patriarchal fear of female sexuality by using two of the texts studied in the lectures; Dracula (1897) by Bram Stoker‚ and The Turn of the Screw (1898) by Henry James. I will especially focus on the characters of Mina and Lucy while dealing with Dracula‚ and the governess while dealing with The Turn of the Screw. Finally‚ I will finish this essay by summing up the content explained throughout the text. The end of the

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    The Evolution of Vampires

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    differences in the three films: 1931 Bela Lugosi film‚ Van Helsing‚ and Hotel Transylvania‚ all show how vampires have developed throughout the years. In the Bela Lugosi film of Dracula there are clearly many differences from the novel by Bram Stocker. For example‚ in the film‚ Dracula’s appearance is much different then that of the description in the novel. In the novel Dracula is described to appear old with pale skin and a white moustache. In the film however‚ Dracula is portrayed a young looking

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    “Compare and contrast the presentation of female protagonists in Gothic Literature‚ in order to determine the validity of Gothic as a serious genre rather than the merely macabre” The three texts; Bram Stoker’s Dracula‚ The Bloody Chamber by Angela Carter and Selected poems by John Keats project images of female characters in very different ways. Much of the portrayal of females is in correlation to the attitudes and position of women within society at the time of writing. The preconception

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    Shadow of the vampire essay Both Stoker’s Dracula and Mernau’s Nosferatu have been used to create a new text‚ with its own concerns‚ the new text being shadow of the vampire‚ and its concerns being that it needs to appeal to a postmodern audience. Shadow of the vampire is a new text representing new elements that resonate with a contemporary‚ post modern audience. Various elements of the gothic mode for example vampirism‚ immortality‚ sexuality‚ and the shadow motif have been appropriated‚ also

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    The Bloody Chamber

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    role of women in the gothic genre is as victims always subjected to male authority’‚ compare and contrast to which this interpretation is relevant to your three chosen texts. By Kristina Addis Within My Last Duchess‚ The Bloody Chamber and Dracula‚ there is evidence to suggest that women within the gothic genre as portrayed as victims of male authority‚ as well as evidence to disprove this argument‚ instead suggesting that it is the women within the Gothic genre which makes themselves victims

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    From Nightfall to Daybreak

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    the vampire Dracula in literature Every flirtation begins with the stare... So let’s take sight of our dear vampire. Here’s a picture: you’re in a bar and you see a few meters away from you a tall man‚ clean-shaven save for a long white mustache and clad in black from head to foot without a single speck of color around him anywhere. His mustache is thick and heavy‚ his skin pale and sullen. (Stoker‚ ) Behold‚ staring back at you is the most enduring vampire icon in history: Count Dracula. Raymond

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