novels Dracula and The League of Extraordinary Gentlemen. The essential characters of famous Steampunk
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Societies are always changing with the ideas and experiences lived by people. Dracula was written in a period where cultures were mixing‚ bringing new ideas into London. New ideas can bring the best or worst of people‚ which is why changes is either embraced or fought against. In this Victorian time‚ the roles of women and men are well defined by the expectations society has for them. Woman were expected to stay within certain boundaries; stepping out of this constriction would be consider improper
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The vampire myth came from a Dracula character in a movie. The guy that acted like Dracula was Romanian Prince Vlad Tepes. He was born in 1431 ‚ he died in 1476. He modeled some aspects of the Dracula character. In Romania‚ Tepes is viewed not as blood-drinking sadist‚ but as a national hero who defended his empire from the Ottoman Turks. Holy water and sunlight are supposed to kill some vampires. Some Gothic people dress up as vampires. They decorate their home in a dark Victorian gloom. They even
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Dracula and The Metamorphosis give us two characters that constitute the head of household. Each character serves as a fatherly figure that takes charge when the situation arises. However‚ the difference between the two is striking. Dracula’s Van Helsing is a man that takes his place among strangers and brings them together. In The Metamorphosis‚ Gregor’s father holds a title of honor‚ yet his contentment with the work being done by his son makes the reader lose respect for him. When faced with unimaginable
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Amanda R. Wright Religion 101 12/12/04 Prof. Nichols Final Paper Many people are familiar with the novel Dracula‚ by Bram Stoker. It is typically referred to as a horror story sure to give a good scare. However‚ Bram Stoker was not merely out to give his Victorian audience a thrill ride. Many symbols and themes‚ particularly those of the main antagonist Dracula‚ were brought into the novel to teach a lesson. Oddly enough‚ Dracula resembles other forces of evil in other religions as well. A
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often being articulated upon that very struggle‚ [they] cannot be understood in isolation from it.” (‘Fantasy: the Literature of Subversion’) Discuss this view in relation to ALL the following texts: Arthur Conan Doyle’s story‚ Frankenstein‚ and Dracula. Gothic‚ science fiction and detective fictions are characterised as being subversive. Rowland (Margery Allingham’s Gothic: Genre as Cultural Criticism‚ 2004) labels the gothic as a “literature of transgression‚” its purpose to challenge boundaries
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Dracula is about the defeat of a blood-thirsty‚ devilish vampire‚ but his demise could not have been accomplished without the use of the Christian religion. The team uses a variety of symbols from Christianity that killed Dracula and protects them from being harmed. Dracula is this Satanic being that in the end is defeated by the power of God. In Dracula‚ Bram Stoker uses various Christian symbols in the fight against Dracula‚ the satanic being‚ to illustrate the good of Christian religion and the
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some of our main characters‚ Jon‚ Van Helsing and Dracula all depict one of the two‚ or both. Stoker does not make a point that religion is more important than science‚ and vice versa. I personally believe that he tries to portray that both science and religion are important to the novel. Through the series of events that partake within the duration of the novel there are many things that one can explain but not the other. But‚ both science and religion cannot explain everything just themselves. Three
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Bram Stoker’s novel Dracula will forever stand as one of the masterpieces of Gothic literature. The despicable villain Count Dracula and and his Transylvanian castle have become synonymous with horror and vampires‚ to the point that the modern image of the vampire is almost entirely derived from Dracula. However‚ one of this story’s most effective elements is Stoker’s masterful control over the mood of the novel. Stoker primarily influences the mood of Dracula by his use of spooky or wild settings
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blood-sucking Transylvanian man‚ upon diving deeper into Bram Stoker’s novel Dracula‚ one can find issues of female sexuality‚ homoeroticism‚ and gender roles. Many read Dracula as an entertaining story full of scary castles‚ seductive vampires‚ and mysterious forces‚ yet at the same time‚ they are being bombarded with descriptions of sex‚ images of rape‚ and homosexual relationships. In Francis Coppola’s Bram Stoker’s Dracula‚ Stoker’s presentation of homoeroticism is taken‚ reworked‚ and presented
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