remain firmly within the genre. Discuss Stoker’s ‘Dracula’ and at least one of the films you have studied. FW Murnau’s 1921 film Nosferatu is an appropriation of Bram Stoker’s 1897 novel Dracula. Despite it being an appropriation‚ explicit gothic conventions remain evident‚ which explore societal fears and values. These fears and values differ from Dracula‚ due to distinct contextual influences of different time periods. Stoker’s novel Dracula‚ presents the fear of female promiscuity‚ for which
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2013 was get I was in line in a line to find out that my loved one was gone it is the hardest day of my life but enough of all of that let me get to my story it unheard but yet not boring‚ I a story of two people who were in love there name will be untold……. It was December 24 1997 Katty was 3 and he was 8 it was the 1st time they had met she was cute and cubby that was he liked about her and ever since that they there were like pb&j always together there were best friend and she will never forget
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alive on the big screen – at least in some way‚ shape‚ or form. Dracula lives on in various reincarnations‚ like in the tolerable animated Hotel Transylvania (Adam Sandler) series‚ and the recent live-action flick‚ Dracula Untold (Luke Wilson) Similarly‚ Frankenstein also continues to be the centerpiece of silver screen productions – for better or worse. He‚ like Dracula‚ stars in Hotel Transylvania (Kevin James) – and like Dracula Untold‚ also recently received the modern treatment in I‚ Frankenstein
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The play the “Shoe-Horn Sonata” written by John Misto and poem “Vergissmeinicht” composed by a British Tank Commander Keith Douglas use the distinctively visual to portray the idea of war and its consequences on people and their relationships. The use of lighting in the play and the poem help give the audience an idea of the mood that the protagonists are in‚ for example in the play The Shoe-Horn Sonata the use of dim light whilst on stage is used to great effect whenever Sheila or Bridie are
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A Review of “A Tapestry of History and Reimagination; Women’s Place in James Welch’s Fool’s Crow.” Barbara Cook. The American Indian Quarterly. Volume 24‚ Issue 3. Fall‚ 2000. Pages 441-453. “A Tapestry of History and Reimagination‚” by Barbara Cook‚ is a very interesting article to read. When reading it after Fool’s Crow‚ it allows for a new perspective to be brought to the table as well as to view the book in through a new lens. Welch is able to construct a story by presenting a type of history
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Bram Stoker Bram Stoker (1847-1912) is best known as the author of Dracula. Abraham Stoker was born in Clontarf‚ Ireland in 1847. He was a sickly child‚ bedridden for much of his boyhood. As a student at Trinity College‚ however‚ he excelled in athletics as well as academics‚ and graduated with honors in mathematics in 1870. He worked for ten years in the Irish Civil Service‚ and during this time contributed drama criticism to the Dublin Mail. Despite an active personal and professional life‚
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themselves‚ the sheer variety of personas displayed in Dracula allow for a textuality and completeness that Frankenstein lacks (Schaffrath 5). That being said however‚ Frankenstein utilizes its narrow perspective as a way to appeal to audiences with its added suspense‚ and does so whilst providing audiences with the mental accounts of the antagonist himself; an effective method of establishing character development of the antagonist which Dracula lacks greatly (Britton 2; Schaffrath 5). Though seen
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responder. This is achieved through the use of a number of different techniques and conventions. The fear of the unknown is expressed through dark‚ uncertain and mysterious circumstances cause responders to feel vulnerable and fearful. In Bram Stoker’s Dracula the overpowering force of the sublime‚ the prominence of religion‚ death and use of darkness accompanied by typical Gothic techniques evoke a fear of the unknown in responders. This common Gothic themes can also be observed in The Road by Cormac McCarthy
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Additionally‚ Carmilla feeds off of young women‚ just as Dracula does. She exerts an agency that is not socially permissible‚ since she‚ as a female‚ is the predator and not the prey. Carmilla’s physical appearance causes much anxiety‚ as she comes across as innocently as other women and therefore undetectable‚ just as new ideas were spread amongst women. She is even stronger than the men‚ which is explicitly stated in her encounter with the general‚ in which Carmilla’s hand is compared to a “vice
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representing this change. Three movies that exemplify the aspect of change within the two features are‚ Dracula (1931) directed by Tod Browning‚ Fright Night (1985) directed Tom Holland and Twilight (2008) directed by Katherine Hardwicke. These three movies represent the change in the genre and society itself. The film Dracula directed by Tod Browning is the story of legendary vampire Dracula. Dracula was the first ever vampire film and therefore the audience of 1931 was not desensitised to the idea
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