Monsters have proven to be more than just the fiendish appearance or the evil within such creatures – their monstrosity symbolizes‚ more or less‚ the characteristics that define mankind and/or our innermost fears. Prior to this Exploration of the Humanities course‚ I have interpreted monsters for what they are: heartless and destructive creatures that generate fear. However‚ I never bothered what the true cause of such fear is – only associating the gruesome presence with a psychological reaction
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the vampire Dracula in literature Every flirtation begins with the stare... So let’s take sight of our dear vampire. Here’s a picture: you’re in a bar and you see a few meters away from you a tall man‚ clean-shaven save for a long white mustache and clad in black from head to foot without a single speck of color around him anywhere. His mustache is thick and heavy‚ his skin pale and sullen. (Stoker‚ ) Behold‚ staring back at you is the most enduring vampire icon in history: Count Dracula. Raymond
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We currently live in a pop culture world that seems obsessed with vampires. From gothic vampire novels‚ to endless movies‚ television and art‚ the vampire archetype continues to grow in popularity and sophistication. What is behind this seeming obsession with vampires‚ in our western culture? Why does this archeype endure? What does the vampire have‚ or do‚ that makes him/her so attractive and compelling? When did the transformation occur‚ from foul miscreant to suave tragic hero? Who is the vampire
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the envelope. Many of the details King discusses in his book‚ such as a love for horror movies‚ I can relate to quite well. Dracula‚ werewolf‚ and haunting movies were great‚ however‚ as soon as the sun went down it didn’t take an expert to scare the wits out of me. My brother practiced on a daily basis at becoming an expert. Dracula films happened to be my favorites. Dracula only came out at night and could hypnotize even the most unwilling‚ capable of turning himself into a bat and flying away at
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Nosferatu was a silent film. In my opinion‚ the actors worked really well with using their body expressions in each scene. To watch F.W. Murnau’s ``Nosferatu’’ (1922) is to see the vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in clichés‚ jokes‚ TV skits‚ cartoons and more than 30 other films. The film is in awe of its material. It seems to really believe in vampires. Max Schreck‚ who plays the vampire‚ avoids most of the theatrical touches that
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comfort to them. She supports everyone like a mother would do to her child. “We men were all in tears now. There was no resisting them‚ and we wept openly” (Stoker‚ 287). Mina held everyone together during Lucy’s death and also just dealing with Dracula. She asked them to kill her before she becomes a vampire‚ which brought everyone into tears‚ which shows how much respect they all hold for her‚ because of just the amazing person she is. “ I would haves screamed out‚ only I was paralyzed… he spoke
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no fears‚ no dreads; to whom sleep is a blessing the comes nightly‚ and brings nothing but sweet dreams.” Bram Stoker‚ Taking a look of the life of a man with a mind to create the most infamous and famous story. The vampire with a taste for blood‚ Dracula. His parents abraham and Charlotte Matilda Blake were involved in getting things done. Abraham stoker was a civil servant‚ Charlotte stoker became a social activist He has no siblings to my knowledge nor does research. Born in 1847‚ In clontarf‚ Ireland
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EXTENDED ESSAY The vampire – From Dracula to Twilight. What defines the vampire? I got a C for this EE 05-09-2012 Word count: 3204 Abstract The novel “Twilight” is ‘in ’ at the moment therefore focuses this extended essay on vampires and the transformation from Bram Stoker’s “Dracula” to Stephenie Meyer’s “Twilight”. The essay focuses on if the vampire has stayed the same and over the century that is between these books focusing on the differences and
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Gothic novels often were set in Gothic-style castles and churches. Gothic fiction‚ which reached the height of its popularity in the late 18th to mid-19th centuries‚ was a genre of fiction that focused on the darker‚ irrational and more terrifying aspects of life. The Gothic novel was a reaction against the Enlightenment‚ which saw the world and humans as ordered and logical. Gothic conventions have remained popular and are still found in novels‚ music and film. 1. Conventions of Setting o "Gothic"
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literature is portrayed as an innocent‚ helpless maiden‚ passive‚ vulnerable‚ dependant and weak. However‚ a common theme in gothic novels is for this feeble female to feel sympathy for the villain‚ for example‚ Elizabeth in Frankesntein‚ Lucy in Dracula and Ophelia in Hamlet‚ sadly‚ this usually results in the innocent females tragic death such as Ophelia’s untimely suicide‚ which‚ similarly is seen in another of Shakespeare’s women‚ Lady Macbeth‚ although this female is certainly not fitting to
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