FILM UNIT I’M NOT SCARED/IO NON HO PAURA (2003) DIRECTED BY GABRIELE SALVATORES An English teaching resource for year 12: Achievement Standard 2.5 REBECCA LAGAS & ZANITA THOMPSON UNIT OVERVIEW Unit Title: I’m Not Scared Either - An Introduction to a Sub-Titled Film. Strand: Visual Language (with links to Written and Oral Language) Levels: 6‚ 7 and 8 Function: Viewing (with links to Presenting‚ Listening/Speaking and Transactional Writing) Processes:
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coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words‚ much like one can look at a painting and tell if it is a Monet‚ a Renoir‚ or a Degas‚ if a film director is an auteur‚ one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films‚ the director is many times what brings an audience
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Film noir "Film Noir" is a term that was applied to a style of American cinema that was popular in the 1930’s and 40’s. The term translates to "Black Film‚" which refers to both the characteristic lighting and the dark subject matter. Noir films often depict different aspects of the criminal underworld‚ and are most commonly set in the ’mean streets’ of the city. Many of the most recognizable early noir films were mysteries involving a hard-boiled detective like Sam Spade (played by Humphrey Bogart)
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Synopsis of film Introduction The second wave feminism has brought about several new feminist film theories. Concepts such as the gaze and scopophilia were introduced in the analysis and study of films‚ notably from individuals such as Laura Mulvey‚ Gaylyn Studlar and Gilles Deluze. Laura Mulvey uses Freud’s psychoanalytic theories and concepts as “political weapons” to argue that cinematic spectatorship is influenced by patriarchal society (Mulvey‚ 746). Women in films are often used to depict
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Film Techniques Folio Defining what you need to know about film ______________________________________________________________ What do you know about film? ( How did they do that? ( Why did they put that in? ( What was the point of that? ( Why did that character do that? ( What’s this film really about? These are just some of the questions which might arouse you when you are viewing‚ or studying‚ a film. And‚ clearly‚ your
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photography‚ It is because of my admiration of classic Hollywood movies I have decided to recreate Film noir style images that will look like film stills‚ most of them staged‚ models performing and dressed as different characters as expected in Film noir style movies. I see Film noir as stylistic approach to photography‚ it is beautiful and inventive cinematography that is still highly popular within modern film industry. What draws my attention to it is black and white contrast photos with intense shadow
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HBS CASE: BMW FILMS 1. How fit is the BMW brand at the time of the case? Are there any reasons to anticipate undesirable financial performance in the future? Answer: Before the mid-1970s‚ BMW had been regarded by most Americans as a niche foreign car manufacturer. However‚ in the late-1970s‚ BMW had emerged as on of the hottest luxury brand in North America. BMW has many strong competitors and almost lose America market in 1992. BMW took many actions such as introduce new models‚ change
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Film Analysis Holly Cox Adam Deutsch English 225: Introduction to Film August 30‚ 2010 Film Analysis There is so much more to analyzing films than watching a movie. Film analysis is a very complex procedure. “Analysis generally‚ means breaking up the whole to discover the nature‚ function‚ and interrelationships of the parts” (Boggs‚ J. & Petrie‚ D.‚ 2008‚ p. 7). In analyzing a film‚ you must not only analyze the film as a whole‚ but you must also analyze each element that makes up the film
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The Blue Film An old proverb goes “The past will always come back to haunt you”. Which means‚ that no matter how much you try to hide something from your past it will somehow surface again. It is only a matter of time. This is a very fitting proverb when talking about the short story “The Blue Film”. “The blue film” is a short story about a single evening in the life of a middle aged Europe-an couple. It is a simple chronological story. The novel has a strong marriage and divorcement theme
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how the five main channels of information in film--visual image‚ print and other graphics‚ speech‚ music‚ noise (sound effects)--work together to communicate it. Note that not all films make use of all five channels (e.g.‚ print and graphics were common in the era of the silent film) and‚ further‚ that the intermittent suppression of one channel (e.g.‚ silence) can also communicate information. Of the five channels‚ the visual image is (in most films) the most important. It is certainly the most
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