In the light of Aristotle’s Poetics‚ we see the philosopher’s fundamentals regarding Greek drama‚ a structure or foundation that every tragedy needs for maximum expression and catharsis. It needs Plot‚ Character‚ Thought‚ Diction‚ Song and Spectacle – arranged in order of importance – so that it can be considered a Greek drama. In Plot‚ Aristotle explains how the drama is in the form of a tragedy‚ is efficiently maximized through the use of certain rules or laws called the Three Unities. Aristotle
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We live in a world where‚ without conflict‚ there is no entertainment. It is a convention of drama that there must be conflict between characters in order for it to be entertaining‚ and thus be successful. We can consider a text to be successful if the playwright is able to convey a view of a theme or issue to the audience that challenges our views as he or she originally intended. Through the conflicting views of characters‚ the audience is often exposed to attitudes and opinions different to their
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was born in Athens‚ Greece. Between 600 and 200 BC‚ the ancient Athenians created a theatre culture whose form‚ technique and terminology have lasted two millennia‚ and they created plays that are still considered among the greatest works of world drama. (Nardo 10) Their achievement is truly remarkable when one considers that there have been only two other periods in the history of theatre that could be said to approach the greatness of ancient Athens - Elizabethan England and‚ perhaps the Twentieth
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is without dispute. Contemporary performers have looked into the past finding resourceful techniques to further illustrate comedy to their peers. The first question is why use Commedia Dell’ Arte as a training tool for modern actors at all‚ since drama and the business of acting has hopefully moved on since the Italian comedians left Paris. The leading form of acting today both exists as the aspiring young actor’s performance role model and as a category of performance in itself. We are lucky in
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Philosophy paper of working in the world of theatre Theatre comes from ancient Greek drama; it has come to us through live performers which in ancient times presented either fictional events or real stories before a live audience in a specific place which was usually called a stage. The content can be divided into historical drama‚ tragedy‚ or comedy. The performers may communicate this experience to the audience through combinations of gesture‚ speech‚ song‚ music or dance. Modern Western theatre
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his readers a faithful mirror if manners and life.” According to Johnson‚ “Shakespeare always makes nature predominate over accident”. His blend of tragedy and comedy is also nearer and more natural to life‚ because the mingled drama approaches nearer to life :Mingled drama m demerits of Shakespeare like a true critic; and become very honest and sincere in his estimate of Shakespeare. Johnson tests Shakespeare by the fact and experience‚ by the test of time‚ nature and universality‚ his defense to
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EXAM 2 REVIEW (Performance Studies) The exam will include approximately 50 questions (multiple choice‚ matching‚ and true/false). You will need a large Scantron form and #2 pencils to record your answers. Introduction to Performance Studies (K. Filbel lecture and Schechner‚ ch. 1) What does it mean to say the field of perf. studies is wide open? Richard Schechner claims that human values are not from nature‚ so where do they come from? • Basic assumptions of Performance Studies
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Research Assignment Aristotle bases his theory of poetics on greek tragedy. He defines tragedy as "the imitation of an action that is serious and also as having magnitude‚ complete in itself." (Melani‚ 2009) He views that‚ "Tragedy is a form of drama exciting the emotions of pity and fear. Its action should be single and complete‚ presenting a reversal of fortune‚ involving persons renowned and of superior attainments‚and it should be written in poetry embellished with every kind of artistic expression
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Is Eddie Carbone a tragic hero? Firstly‚ before the decision is made on whether Eddie Carbone is classed as a tragic hero‚ I would like to outline what a tragic hero really means. ’Tragic’- a tragedy is a type of drama‚ therefore in the context of tragedy‚ the word ’hero’ means the protagonist‚ someone who we may admire or respect in a way‚ but who is imperfect‚ and has a main flaw‚ which seems to contribute on his own downfall. A hero doesn’t necesserily have to be perfect. It is important that
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has elements of both. It is an exhilarating play: a remarkable blend of delayed exposition and theatrical effect‚ of melodrama and circus‚ which has inspired huge ticket sales and adoring critical reviews. And it is that increasingly rare serious drama which capitalizes on lurid events while maintaining a devotion to ‘‘ideas.’’ Yet‚ in spite of its wide popular acclaim‚ Equus is difficult to sort out even when all the clues have been discovered. Why does Alan make his slightly sadomasochistic leap
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