The chorus‚ in tragic plays of ancient Greece‚ is assumed to have developed out of Greek hymns and drama. It presented experience and also abstract information to help the audience pursue the performance‚ commented on main themes‚ and demonstrate how a model audience might respond to the tragedy as it was presented. Greek choirs also stood for the common public of any specific story. Most of the time they communicated in song form‚ but every now and then the messages were spoken. The chorus also
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OF THE CHORUS IN T.S.ELIOT’S "MURDER IN THE CATHEDRAL" ANKITA MANUJA Research Scholar‚ Department of English and Cultural Studies‚ Panjab University‚ Chandigarh‚ India ABSTRACT In this paper‚ I analyze the role of chorus in TS Eliot’s verse drama Murder in the Cathedral(1935). The chorus‚ which acts as a mouthpiece of Eliot‚ creates a distancing effect ‚ gives the spectators a lens through which they can find a reflection of themselves as a stranger ‚ a watcher and as a critic. The chorus which had
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“Hallelujah Chorus” by George F. Handel The Baroque era is a style or period of European music between the years of 1600 and 1750. The term Baroque was derived from a Portuguese word meaning “a pearl of irregular shape.” A well known piece during this period is the “Hallelujah Chorus” written by George F. Handel. This piece includes many elements such as the composer’s life and his accomplishments‚ composition‚ and personal reflection of the listener. A composer is a person who writes music in
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The Chorus of Antigone The chorus was not only a major part of Antigone‚ but also the most insightful portion of this play’s cast. The members of the chorus tell Creon and the audience very important truths about themselves. Throughout the play the chorus comments on Creon’s actions‚ and gives us all unbiased views on our hypocritical species. Without a chorus Creon’s epiphany may never have occurred and we wouldn’t have‚ as easily‚ seen our personal flaws. The chorus is included in a very
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The voice of the Chorus in Otello Even though he wanted to have an opera with no chorus‚ later on‚ Verdi himself considered this idea ‘crazy’. We would have not missed much of the plot without a chorus‚ but we would have definitely missed much of the artistic colour. There are four main Chorus parts in Otello‚ but there are also a few incidental entries. When writing the opera‚ Verdi had in mind the singers from La Scala‚ in Milan. The Chorus numbered 104 voices – 64 men and 40 women‚ to which
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A chorus in a Greek tragedy is fundamental however in modern plays it is no longer a crucial element. The chorus consists of a small group of people‚ usually between twelve and fifteen‚ who account the events of the play‚ and foreshadow its development. They are meant to act as a character but are positioned away from the main action. As a character‚ the chorus has many functions; it interacts with other characters‚ and gives its opinion on the situations without regard to the chance of their opinion
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impact that a certain structure of a tale can have. In Euripides’ Medea‚ the inclusion of the chorus in the structure of the play serves as an essential instrument designed for a vast array of uses. The chorus foreshadows imminent events‚ reveals cultural and contextual information‚ enlightens characters on foregoing events and provides commentary on Medea’s actions. The interaction amongst the chorus and the play’s primary characters reveals pivotal contextual information pertaining to the play’s
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Similar to the Chorus‚ the Nurse is also very compassionate with Medea and depicts the effect of Jason’s actions on her and her children. The wickedness and evilness of Jason is highlighted as his betrayal of Medea resulted in his misery. In the same time‚ they let the audience know of her internal conflict‚ as “this passion of hers is an irresistible flood.” (p. 23). As mentioned by the Chorus‚ Medea’s hate is not only for the broken oath but it is also for her loneliness‚ as they say to her: “a
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Oedipus Rex follows the clear nature of a tragedy‚ in that it encompasses the common conventions of a Greek Tragedy‚ with ones life being controlled by fate and the gods. The gods inflict ate on Oedipus which leads to serious characteristic flaws including hubris‚ and the tragedy ends with a nemesis worse than death. The tragic nature of the play and the themes are conveyed not only through these features‚ but also through the role of the chorus and dramatic techniques including irony. Oedipus is
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The Chorus in Greek drama was a large group of performers (suggested between 12 and 30) of people who sang or chanted songs and poems‚ and danced during plays. They are homogenized and non-individualized group in Greek drama. Despite the large size‚ they represented a collective consciousness‚ or a single body‚ often wearing masks to render sense of unification and anonymity. In Sophocles’s Oedipus Rex‚ the chorus is composed of senators‚ while in Sophocles’s Electra‚ the chorus is made up of the
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