Conflict is a primary theme within Romeo and Juliet and merchant of Venice‚ Shakespeare conveys this theme through the characters to reinforce and emphasis the conflict between the father and daughter. Linking this to the historical/ social context‚ there is a fear of non-acceptance within the community‚ and due to the hierarchy of the Capulet family‚ there is more of a requirement for Juliet to be more dominated from her father than the average Elizabethan family. As the extent of dominance towards
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friendship. In A Midsummer Night’s Dream and The Merchant of Venice‚ Shakespeare highlights the relationship between a father and his daughter. Both of these plays show examples of how common father and daughter relationships are. Also‚ it is not unusual for a comedy to have a father demanding that his daughter marry a certain person. The law of the father plays an important role in the stories of both A Midsummer Night’s Dream and The Merchant of Venice. In the play A Midsummer Night’s Dream‚ we are
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ANTONIO I honestly don’t know why I’m so sad . I’m tired of it‚ and so are you. But I have no idea why I have gotten so depressed and I can’t figure out what is even making me feel this way. I must not understand myself very well. SALARINO You’re worried about your ships. Your mind is getting tossed around in the ocean with them‚ but they’re fine. They’re like huge parade floats on the sea. They’re so big they look down on the smaller ships‚ which all have to bow and then get out of the way.
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Sympathy for Shylock in Michael Radford’s The Merchant of Venice William Shakespeare’s well-known play The Merchant of Venice was brought to the silver screen in 2004 in film adaption directed by Michael Radford. Adapting The Merchant of Venice to film helped make this classic English literature easily accessible to the public‚ while also making one of Shakespeare’s famous characters a bit more human. Decisions made while filming the adaption of this play changed the lens through which Shylock is
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In ’The Merchant of Venice’‚ there are three parent-child relationships; Shylock and Jessica‚ Portia and her deceased father‚ and Launcelot and Old Gobbo. There is an obvious contrast between these relationships. Although Portia’s father is deceased‚ they had a good relationship while he was alive. However‚ the relationship between Shylock and Jessica is repressive and conflictual and ends tragically. After Shakespeare’s song‚ Hamnet‚ died tragically in 1596‚ he began a theatrical study of parent-child
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1) The irony is that they don’t want to allow any other religion in the church‚ because it might influence their religion. 2) The witch hunt years provided an excellent opportunity to "get even". 3) Tituba- African American slave Abigail- craves John Proctor‚ young‚ beautiful Betty- Reverend Parris’s daughter‚ fainted in forest 4) Out of all the children she had only one survive; Ruth‚ who is afflicted. 5) He was mad because he wanted his brother in law to be the next minister. 6) Parris doesn’t
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Italian merchant traveler from the Republic of Venice[2][3] whose travels are recorded in Livres des merveilles du monde‚ a book which did much to introduce Europeans to Central Asia and China. He learned the mercantile trade from his father and uncle‚ Niccolò and Maffeo‚ who traveled through Asia‚ and apparently met Kublai Khan. In 1269‚ they returned to Venice to meet Marco for the first time. The three of them embarked on an epic journey to Asia‚ returning after 24 years to find Venice at war with
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What is Dramatic Irony? Dramatic Irony is when a situation of drama is understood by the audience‚ but not by the characters in the play. This impacts the play because then the audience can predict or realize who the bad person is‚ or what the conflict may be‚ where as the characters can not realize this until the real conflict begins. There are several examples of dramatic irony in the play “Much Ado About Nothing‚” three of them are Claudio shaming Hero‚ Benedick and Beatrice being in love‚ and
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ACT I - SCENE I : PLOT DEVELOPMENT The play opens in Venice. Where the title character‚ Antonio - the merchant of Venice‚ resides. He is a successful man‚ but is melancholy and weary for reasons he can’t explain‚ not even to his compatriots Salarnio and Salanio. They feel that his depression is from the stresses and worries that sprout from the shipping business‚ but his worries come not from these or love. The three are then met by Bassanio‚ Lorenzo‚ and Gratiano. Salarnio and Salanio
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In Shakespeare’s The Merchant of Venice‚ there are quite a few cases in which the non-Christian characters are marginalized and victimized of Christian prejudice and absolute racism. The Christian prejudice and racial discrimination transpires through the use of language and terms of reference. In sixteenth-century Europe‚ Jews were a despised and persecuted minority. England‚ in fact‚ went beyond mere persecution and harassment by banning Jews from the country altogether. In theory at least‚ there
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