Oedipus’ destruction‚ portraying Oedipus as a helpless pawn of fate. The most prominent literary device is dramatic irony‚ primarily of the spoken word‚ through which--especially in the Prologue--Sophocles captures audience attention‚ illuminates Oedipus’ arrogant personality‚ and foreshadows the events of the final scenes. It is not difficult to understand why Sophocles resorts to dramatic irony in the construction of his play. He is working with much the same problem a modern-day playwright would
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OTHELLO ESSAY “O‚ beware‚ my lord‚ of jealousy! / It is the green-eyed monster‚ which doth mock/ The meat it feeds on” (Shakespeare III. iii. 195-197). Everyone has the capacity for jealousy. It can change how people think as well as how they act. In the play Othello by William Shakespeare‚ jealousy is nurtured within the minds of multiple characters‚ and this jealousy is what ignites the want to make multiple misconceptions arise in order to create havoc and inflict suffering upon others and
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appear to be‚ few really know who you are.” To put this quote in context‚ Machiavelli was instructing a prince to appear to be a trustworthy and merciful guy and then to be prepared to act in a manner contrary to the appearance. Iago from the play Othello‚ employs this exact strategy--appearing to be an honest man only to use this good reputation to get what he wants. Throughout the play‚ Iago capitalizes on the gullibleness of others and his reputation as a righteous individual. Whether it be a poor
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Othello begins on a street in Venice‚ in the midst of an argument between Roderigo‚ a rich man‚ and Iago. Roderigo has been paying Iago to help him in his suit to Desdemona. But Roderigo has just learned that Desdemona has married Othello‚ a general whom Iago begrudgingly serves as ensign. Iago says he hates Othello‚ who recently passed him over for the position of lieutenant in favor of the inexperienced soldier Michael Cassio. Unseen‚ Iago and Roderigo cry out to Brabanzio that his daughter
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happened to Othello are due to him giving into gossip and being gullible. Othello was a commendable military leader which made it surprising that such a strong military leader would let gossip without validity become his downfall. The events which prompted Othello’s collapse stemmed from Iago. He had deep rooted hatred towards Othello and wanted to destroy him. The villain Iago came up with an evil scheme to reveal to Othello that his wife Desdemona had an affair on him. Iago knew that Othello was
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The 12 Dramatic Elements These twelve dramatic elements are at the core of all drama. These elements are typically taught at professional acting classes. They can be used in isolation or simultaneously and are manipulated by the performer for dramatic effect. 1. Focus Focus is often used interchangeably with the terms concentration and engagement‚ assisting the performer in the portrayal of believable characters. This also implies memorisation of text (including word‚ moves and gestures). Furthermore
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types of irony such as basic irony which is the use of word to convey a meaning that is opposite of its literal meaning. Situational irony which is the moment a characters actions have the opposite of their intended effect. Finally there is dramatic irony which occurs when there is a contrast between the readers knowledge and the knowledge of the characters in the work. However situational irony is what mostly transpires in Kate Chopin short story "The Story of an Hour" Situational irony is used
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In Shakespeares Othello the characters are as much a victim of their own weakness as they are of Iagos plotting. Do power dynamics in Othello support this? Iago‚ whos charisma and intellect make him more powerful than Othello and Desdemona‚ proves that powerplay amongst the characters supports the fact that characters‚ specifically Othello and Desdemona‚ are equally victims of their own weakness as they are of Iagos plottings. Othello and Desdemonas weaknesses are race and gender respectively which
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Could one ordinary woman be more intelligent than several highly skilled male warriors? In William Shakespeare’s Othello‚ although Emilia plays a small role‚ she makes a powerful impact. Her omnipotent bravado brings us to the conclusion that she is the reincarnation of Esther from the Bible and that she is a mirror image of today’s risk taking woman. Emilia’s insight brings perspective to not only what is righteous but also to the darkness of bestiality portrayed throughout the play. Although
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Shakespeare’s Othello and Oscar Wilde’s Lady Windermere’s Fan are two plays which males dominate and control. Gender discrimination was strongly evident throughout both the Jacobean and Victorian era in which both were written. Women were generally considered the ‘inferior’ gender with little purpose other than their domesticated role. Males were seen as more powerful with a harsh attitude towards females. Marilyn French examines that it’s a females “cultures dictum to be obedient to males‚” however
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