Both Paul Baumer of Erich Maria Remarque’s All Quiet on the Western Front and Brutus of Shakespeare’s The Tragedy of Julius Caesar are innocent and trusting when introduced to the reader‚ but after experiencing indescribable pain‚ both become realistic stoics without hope for a better life. Both characters’ naiveté leads them to make a fatal error. Because of their mistakes‚ Paul and Brutus suffer horrifying experiences and must do things that they later regret. The trauma that they must live through
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Passage-based essay 2. The moment in which Elizabeth tells a lie in order to save her husband’s life‚ indicates dramatic irony. The playwright makes this happen when first John Proctor calls Abigail’s a whore and‚ in spite of the humiliation he felt‚ revealed his affair with her. As Danforth cannot believe the seventeen year-old girl is actually a “whore”‚ he asks Goody Proctor to come up to test the truth of this charge. Before she enters the court‚ John swears Elizabeth is an extremely honest
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A.J. Skiba Dr. Boler English 1341 D 28 October 2011 The Blind Truth Dramatic irony is strewn throughout Oedipus‚ stemming from Oedipus’ vehement quest to find out Lauis’s murderer‚ and his fate that is foreseen by the seer Tiresias. In addition‚ Oedipus’s constant search for the truth‚ and his unwavering to ability to not heed to the warnings constantly given to him by Tiresias and Creon. Oedipus’ supposed “sight” in the play and his coexisting “blindness” are both inherent to the development
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Tragedy of Julius Caesar Act I Study Guide John Shaw Act I Important Lines in the Play: 1.1.37-39: A tribune is speaking to the commoners saying that they are lazy‚ stupid‚ and useless because they do not know about what happened to Pompey (Caesar killed Pompey but it was not shown in the play). They also say this because the commoners are not working and instead celebrating Caesar’s rule‚ making the tribunes angrier because the tribunes favor Pompey’s rule. 1.1.50-54: The tribune
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2012 When Despair Turns Into Unity Throughout history‚ many unjust and corrupt events have taken place‚ but along with this fact‚ many times‚ people come together and unite in such situations‚ despite their class or social stratum. In The Tragedy of Julius Caesar written by William Shakespeare‚ this universal truth is shown by Antony‚ a man who is thought to be nothing close to a threat‚ and the commoners of Rome‚ whose ruler has just been wrongfully murdered. While making an important speech at Caesar’s
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In the play‚ “The Tragedy of Julius Caesar‚” by William Shakespeare‚ two very dear friends of Caesar give speeches at Caesar’s funeral‚ Brutus and Mark Antony. Brutus‚ who killed Caesar tries to excuse himself and the conspirators for murdering Caesar. Antony desires to rile up the common people to revolt against Brutus and his accomplices. While both speeches seem to be compelling‚ Mark Antony’s speech worked the best at persuading the audience through his use of rhetorical devices such as logical
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"(1.2.68-70) This quote is referring to act 1 where Cassius brings Brutus into the room and starts to talk about Caesar. When Cassius suggests to kill Mark Antony alone with Caesar‚ Brutus says‚ "Our plan will seem too bloody‚ Caius Cassius. We cut off the head and then hack the limbs‚ seem to kill Caesar in anger and then vent malice on his friends‚ for Antony is only a branch of Caesar."(2.1.169-172) Brutus doesn’t want to just kill everyone‚ and be know as a killer‚ he just wants to do what he thinks
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those years she was his ‘puppet’. A supplementary illustration of dramatic irony is when Torvald says that he will willingly sacrifice his happiness and dignity if some danger were to threaten
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others’ eyes. In William Shakespeare’s play Julius Caesar‚ two main characters‚ Julius Caesar and Marcus Brutus‚ present different personas- one being each characters actual self-characterizations‚ which we learn through their discussions with others‚ and another is how they are actually perceived in the eyes of others. Their inability to project their true motives in performing certain actions eventually brings about their tragic downfalls. Julius Caesar believed that people needed one strong ruler
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it was institutionalised as part of a festival called the Dionysia‚ which honoured the god Dionysus. Tragedy (late 6th century BC)‚ comedy (486 BC)‚ and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies and allies in order to promote a common cultural identity. Etymology The word τραγῳδία (tragoidia)‚ from which the word "tragedy" is derived‚ is a compound of two Greek words: τράγος (tragos) or "goat" and ᾠδή (ode) meaning "song"
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