dream and reality‚ narration sets the pace and tone of the feature‚ with the audience being prompted by the omnipresent observations of the protagonist. Boyle’s efforts to elevate vocals to greater prominence is seen through Renton’s “Choose Life” monologue in Trainspotting (1996) or Richard’s expository interjections in The Beach‚ Damian’s saintly stories in
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A monologue of a broken heart. by ~Sazroy‚ Apr 23‚ 2006‚ 6:36:33 AM Literature / Prose / Non-Fiction / Biography & Memoir What becomes of the broken hearted? Nothing. You think you know love -- then that love turns out to be an egotistical self-involved bastard who’s no braver than the house mouse living in your walls waiting ’til you least expect it. I’ve made mistakes before. But nothing compares to the ones made with him. The ones made in his arms‚ his unloving false arms’ embrace that somehow
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“Monologue for an onion” by Suji Kwock Kim The poem “Monologue for an onion” by Suji Kwock Kim begins with the peeling of an onion that could very well describe her and her agony‚ but further reading reveals that the majority of the poem is directed at the person doing the peeling. The reader cannot help but sympathize with the peeled onion‚ whether the emotions stem from the hurt state of the onion or from the aggressive peeler. Clearly the poet’s attack of the peeler grabs the attention of
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Chioma Mogbo Lysistrata — Formal Essay Assignment “I don’t intentionally go: ’Ooh‚ what is provocative‚’ and try to do that. I just do stuff‚ and people go: ’Ooh‚ that’s provocative.’ Maybe because sometimes I’m super-ignorant — and sometimes they’re super-ignorant.” This quote by Mathangi "Maya" Arulpragasam conveys the same reaction that the reader feels as one reads Lysistrata. Lysistrata comes with many sexual innuendos. It also goes particularly beyond innuendo where numerous male characters
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Be aggressive out of your dive‚ think of every stroke as a reach toward to the wall‚ don’t pull yourself high on your turns‚ keep foot flexed and knees together for the kick… My inner monologue continues as I run every detail of my race through my head. Adrenaline pumps through my body‚ following the beat of the music pulsing in my ears. I had prepared for this moment all season… Scratch that‚ I didn’t even think I’d get here. I was just waiting and watching‚ dreading every second the clock brought
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Macbeth Monologue MACBETH: Is this a dagger which I see before me‚ The handle toward my hand? Come‚ let me clutch thee! I have thee not‚ and yet I see thee still. Art thou not‚ fatal vision‚ sensible To feeling as to sight? or art thou but A dagger of the mind‚ a false creation Proceeding from the heat-oppressèd brain? I see thee yet‚ in form as palpable As this which now I draw. Thou marshall’st me the way that I was going‚ And such an instrument I was to use. Mine eyes are made the
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Reaper Monologue Hey‚ how you doing? Been a couple of centuries eh? Five? Really? Not so long then eh? How are the family and Martha? That’s great. Yeah for me it’s been the same you know‚ just the usual. Rumors are rumors man. // Ok you really want to know? Well its not that bad as everyone’s making it. All right so you know how my job involves me taking the souls of them mortals and helping them cross. But you know it’s too much of a bother every time. I mean how many
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about a man that has questioned life and death even long before our time. This troubled man is named Hamlet. In this essay you will see why this young man has such deep and sad thoughts about death‚ an explanation on his famous soliloquy‚ and his monologue to another character. Hamlet is that has faced many struggles internally and externally. To start off his problems‚ Hamlet’s father has died and his mother has married his uncle soon after death. You see his grief in one of his soliloquies when he
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Lennie’s Monologue: It’s them sycamores I remember. An’ the river‚ runnin’ deep and green‚ tinkling jus’ like the way Aunt Clara’s house keys used to when she was out on the porch about to unlock the front door. I’d hide my mouse in my pocket whene’er I heard them jinglin’ keys‚ because Aunt Clara ne’er liked ’em rodents hangin’ around her house. I was a smart boy‚ I really was. I see the clearing an’ I know I’ve found it‚ I’ve found the safe spot. George’ll come get me here before the
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juxtaposed with the spectacular as she transcends time and memory in a dramatic representation of a domestic family relationship turned sour. There are many examples of how Pollock accomplishes this‚ specifically by incorporating dramatic units such as the monologue spoken by Bob in the second act. At this point in the play‚ it is clearly known that the family relationship is deteriorating and that Bob has a dependence on alcohol. This dramatic unit ties in with both of these facts as Bob contemplates how
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