Emmanuel Roberts English 112 Spring 2010 Research Paper Antigone Introduction Greek playwright Sophocles wrote the last play in the Theban Trilogy‚ Antigone‚ around 442n B.C. The Theban Trilogy consists of Oedipus Rex (Oedipus the king); Oedipus at Colonus‚ and Antigone‚ but the play considered the last of the three was‚ ironically‚ written first. Only seven of Sophocles’ one hundred twenty three tragedies have survived to the modern era with the trilogy surviving the ages intact
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Dramatic Monologues: According to M.H. Abrahms‚ dramatic monologue is a poetic form‚ "a lengthy speech by a single person"‚ addressing a silent listener‚ intended to convey his or her inner thoughts and emotions. It can be rewritten in jargonised terms as ’a cross or hybrid of the genres of drama and lyric’. A lyric poem is ‘any fairly short poem‚ consisting of the utterance by a single speaker‚ who expresses a state of mind or a process of perception‚ thought‚ and feeling’. Though
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“blameless and upright man” (Job 1.8). As the book unfolds‚ God and Satan make a bet to determine whether Job will remain loyal to God when catastrophes unfold. Irony manifests itself as dramatic and situational irony throughout the entire text. Dramatic irony plays a fundamental role throughout the Book of Job. Dramatic irony is the irony that occurs when a situation’s implications are understood by the audience but not by the characters. In the first chapter‚ Satan tells God‚ “Have you not put a fence
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Nia Washington Marxism In Antigone by Sophocles‚ there are a lot of social class struggles that go on throughout the play. The conflict between the higher class and the lower class shows periodically and develops problems. The main character‚ Antigone‚ goes through a series of problems dealing with social class. Antigone does not want to marry the prince and live the life of luxury. The Sentry and King Creon go through some conflict with the way Creon is talking to the Sentry. Every character
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device that causes surprise and amusement for the audience also a helper to the author to make their writing more fluid. Types of irony in stories are dramatic‚ situational and verbal. In the short stories “The Censors” by Luisa Valenzuela‚ “The Necklace” by Guy de Maupassant and “Lamb to the Slaughter” by Roald Dahl‚ there is situational and dramatic irony. The ironies affect the main characters carrying their stories out interestingly. In the short story “The Censors” there is situational
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Self’s perception of other people; whether or not love is a strong enough reason to trust one another. Two excerpts centred on different themes will be analysed. This analysis will bring to light certain dramatic elements and viewpoints of time‚ body and space that Berthold has used to enhance the dramatic meaning of this production. Cosi is set in Melbourne during the early 1970s. The play is about a young university student‚ Lewis (Benjamin Schostakowski) who is asked to direct a play for a mental
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Why the Dramatic Monologue is Perfect The Reluctant Fundamentalist‚ is written in the form of a dramatic monologue. A dramatic monologue is a style of writing where only one person is talking‚ even if there is another person on the other end of the conversation‚ the reader or listener only hears the voice of the person delivering the dramatic monologue. Although the speaker may refer to the listener‚ you will never hear the actual voice or direct opinion of the person who is being talked to.
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A Few Thoughts on the Dramatic Monologue A dramatic monologue is a poem written in the voice of a specific‚ definite character who is not the poet: the speaker is a persona‚ a mask. It’s a monologue because it has only one speaker‚ though there is sometimes (as in Browning’s “My Last Duchess”) a silent interlocutor whose unheard (or unread) responses help shape the speaker’s discourse and the meaning of the poem. (In such poems addressed to a specific listener‚ though only one person speaks‚ both
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Capital Structure and Debt Structure* Joshua D. Rauh Kellogg School of Management and NBER Amir Sufi University of Chicago Booth School of Business and NBER February 2010 *We thank Doug Diamond‚ Anil Kashyap‚ Gordon Phillips‚ Michael Roberts‚ Toni Whited‚ Luigi Zingales‚ and seminar participants at Emory University‚ Georgetown University‚ Maastricht University‚ Rice University‚ Tilburg University‚ the University of California-Berkeley‚ the University of Chicago‚ the University of Colorado
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the essays had been chosen for us‚ and there were three installments to be turned in‚ one for each six week grading period. Along with that assignment‚ we were also given three separate book reports to write along with an in-class performance of Antigone by Sophicles. It was around this point that I began to lose my motivation to do any class work whatsoever‚ and my grade suffered for it. One day‚ Mr. Brown held me after class and told me that I had the lowest grade out of any of his students that
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