Central European Film Allegory‚ metaphor and surreal aspects in the film The Tin Drum In almost all of the studies about The Tin Drum‚ the fact that it is a filmical adaptation of Günter Grass novel is very much present to the extent that most of the theorical works aim to establish comparisons between the book and the movie. Developing a paper about The Tin Drum film without having read the book may seem like a big mistake‚ but the huge advantage of this approach is to conceive the movie as
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University of York Department of Electronics Third year Beng Preliminary Report 2012/13 The Development of Intelligent Drum Machines using Cartesian Genetic Programming Student ID (Y6385813) Work For: Julian Miller Due Monday 11th February 2013 Abstract Modern day electronic instruments often produce and perform unrealistic music lacking the subtleties introduced by a real life musician. Other than recording a musician or meticulously editing
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"Piano and Drums" is a poem that accurately explores the trying conflict of merging a traditional culture with a new‚ modern civilisation. The author Gabriel Okara‚ who also doubles as the narrator in the poem‚ responds to the drums as his tribal heritage and the simplicity of youth‚ while he sees the piano as the foreign customs irrelevant to the black society‚ with the complexity of experience. Throughout "Piano and Drums"‚ Okara’s choice of diction is used to show his response to the two kinds
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instrument originating in Trinidad‚ made out of an oil drum with one end beaten down and divided by grooves into sections to give different notes. Though steel pans (steel drums) were created on the Caribbean island of Trinidad in the 1930s‚ the steel pan history can be traced back to the enslaved Africans who were brought to the island during the 1700s. They carried with them elements of their African culture including the playing of hand drums. These drums became the main percussion instruments in the annual
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djembe drums with three rattles on each drum‚ a dundunba drum (largest)‚ a sangban drum (medium)‚ a kenkeni drum (smallest)‚ and a male lead vocalist (Baaba Maal). The kora is in the chordophone family and is a 21 string harp lute or bridge harp. The neck of the instrument is attached to a large resonating gourd with cowhide stretched over it. Traditionally‚ the instrument used twisted antelope hide for the strings‚ but they have been replaced by nylon fishing line. The djembe and the dunun drums are
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instruments DRUM SET The first drum sets were put together in the late 1800s sometime after the invention of the bass drum pedal. This invention made it possible for one person to play several percussion instruments (snare drum‚ bass drum‚ and cymbals) at one time Bass Drum This drum is the largest member of the set and is played by using a foot pedal attached to a beater which then strikes the drum head. This drum produces a low deep sound. Snare Drum This shallow‚ cylindrical drum produces
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Q1. |CALCULATION FOR NO DRUMS REQUIRED | |ONE GALLON= |3785.4CC | |ONE DRUM CAPACITY =64 GALON IN CC |242265.6 | |SALE PRICE OF ONE TABLET=
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1. The given margins of the two products as indicated in the reports submitted by the accounting department for the drums and mountain bike frames should not be used in the decision of which product to make. This is due to the following reasons: a. The product margins are lower than they should be‚ simply due to the fact of the presence of allocated common fixed costs that happen to be irrelevant in making this decision. b. Moreover‚ when the fixed costs are taken out of the equation‚ the profitability
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This is demonstrated in video ML 3475 .J88 1995 Vol. 4 : The Caribbean. One of the most prominent instruments within Caribbean music is the large array of drums‚ including Steel‚ Conga‚ Timbales and Bongo Drums. All these types of drums distribute very different kinds of sounds. The steel pan‚ also known as a steel drum‚ is made from oil drums heated and hammered into an instrument with multiple pitches played with
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connected with friends and took breaks‚ but I did not drum‚ dance‚ or engage in any of the myriad of crafts I’ve always loved dabbling in. At some point‚ things began to get a wee bit easier. I realized that while I wasn’t "ready‚" I still had to find a way to show up again for my creative self to stay sane. So when the kiddo was about six months old‚ I finally started going to drum circles again and playing my drum at home. Returning to my beloved drum felt like a huge effort at first‚ but overall the
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