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    trees “PARALYSIS by ANALYSIS” PESTLE ANALYSIS ODEON & UIC CINEMA Odeon & UIC Cinema operate in UK and major European countries 236 cinema and 2179 screens as of December 2012 The PESTLE Analysis below is mainly for the UK arm of the business Political * Government review of Film Policy was release Jan 2012 is positive news for the film industry‚ * Plans to bring film education to all schools and raise interest in the cinema world Economic * Interests rates remain low which should

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    Abstract The Indian Cinema has carved a special place for itself in its audiences across the globe. It is believed to be capable of raising issues and at times changing people’s perceptions. One of the major issues that are of concern in India today is the ongoing war between the state and those branded naxals. These naxals claim to be the indigenous of the state. Since Naxalbari the war has grown many folds and incidents like Dantewada has put every Indian to shame. Cinema too has tried to draw

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    was first told in the popular and influential 1917 Bengali novel by Saratchandra Chattopadhyay. The story has since become one of the touchstones of popular Indian cinema. This article is my attempt to compare the 3 Devdas films and the novel that inspired them and look at the elements that made this plot a popular theme in Indian Cinema – the association with Indian mythological tales; plot’s role in creating a self-destructive Indian protagonist; and the association the Indian audience places with

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    the rich history of Bollywood‚ the various pros & cons associated with the corporatisation of Hindi movies and whether it really is a game-changer or not. Corporatisation of Hindi Movies: Game Changer or Just Hype? The kaleidoscopic world of Indian cinema‚ with the Hindi film industry (Bollywood) at its cynosure‚ has continued to enthral its audiences across the globe for more than a hundred years and can undoubtedly be counted as the only bona fide passion sans cricket which binds every section of

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    After his wealthy family prohibits him from marrying the woman he is in love with‚ Devdas Mukherjee’s life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain. An epic love story set in the 1900s which reveals a portrait of love destroyed by class differences‚ family pressures‚ and character weaknesses. Devdas is the wealthy son of a high-caste landlord. His best friend growing up‚ whom he loved dearly‚ was Paro‚ the daughter of a low-caste family

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    [2] After being paid INR26 crore (US$4.0 million) for his role in Sivaji (2007)‚ he became the highest paid actor in Asia after Jackie Chan.[3][4][5][6] While working in other regional film industries of India‚ Rajinikanth has also appeared in the cinemas of other nations‚ including that of the United States. As of 2013‚ he has won six Tamil Nadu State Film Awards—four Best Actor Awards and two Special Awards for Best Actor—and a Filmfare Best Tamil Actor Award. Padma Bhushan‚ India’s third highest

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    spectacle to minimalist poetry‚ issues of gender‚ of politics‚ of poverty and plenty‚ India’s cinema encompasses them all. - Vasudev‚ Aruna (ed.) (1995)‚ Introduction‚ Frames of Mind: Reflections on Indian Cinema‚ New Delhi: UBSP- Ever since‚ Bollywood movies are always unique and full of art as well as moral lessons. Every movie clearly shows how diverse Indian culture is. Viewers and supporters of Indian cinema could never see a Bollywood movie without dancing and singing‚ it always has varieties of

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    (MBO) Cinema and Lotus Five Star (LFS) Cinema will be analysed in this section‚ which comprises of product‚ price‚ place and promotion (4Ps). a. Product MBO Cinema and LFS Cinema provides the facility of e-booking tickets. Customers are able to book their tickets in advance without having to wait for long queues at the ticket counter to save time. Besides selling tickets as their main business‚ both Cineplex also sell popcorns‚ soft drinks‚ other snacks‚ and exclusive products. Both MBO Cinema and

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    illiterate and living on one dollar a day‚ the benefits of globalization never come to you. – Jimmy Carter As described in Tom Zaniello’s book Cinema of Globalization‚ there is no shortage of films espousing anti-globalization messages. Whether railing against international corporations‚ big oil‚ United States foreign policies or Wal-Mart‚ world cinema filmmakers have no shortage of topics. In a refreshing change of pace‚ the film Slumdog Millionaire proudly demonstrates that through the benefits

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    Introduction This essay explores the popularity of Australian film‚ both locally and internationally and asks the question: Is there a crisis in the Australian Film Industry? This essay will go through the current issues the Australian Film Industry and will demonstrate examples of those problems. To understand why Australian movies are the way they are now‚ there must be a review of the history of the films produced in Australia‚ because through out time‚ the films have had successes as well

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