application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes‚ and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklace‚ because of the time required to bring a garment onto the market‚ must at times anticipate changing consumer tastes. Fashion designers attempt to design clothes which are functional as well as aesthetically
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FASHION FORECAST IN INDIAN RETAIL Key Words: Modern‚ Creative‚ Forecasting‚ Direction -------------------------------------------------------------------------------------------------------- Abstract This paper will attempt to throw light on the various perceptions of Fashion Forecast in India. It will also show methods used in India for developing new collections for different seasons‚ attempting to weave an international feel with Indian styles‚ colors and emotions. Under the background of traditional
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infrastructure being antiquated and the possibility that hardware vendors will upgrade their machines leaving them incompatible with DOS. Because Zara’s core business model is vertically integrated‚ it could specialize in speed and efficiency and the fast fashion trend. By assessing the pros and cons of the new IT infrastructure with Zara’s brand image‚ they determined that implementing the new POS networking system is beneficial for Zara because 1) it creates a more robust and scalable system that is more
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Fast Fashion: A Clothing Retailer’s Dream? By Sarah Stefanson March 8‚ 2010 You may have heard the term “fast fashion” being thrown around lately. For those of us without tons of disposable income‚ fast fashion is a trend that can allow us to don the latest looks walking the runways at a fraction of the cost of designer clothing. Clothing retailers such as Zara‚ H&M and Forever 21 are taking advantage of the fast fashion business model to get pieces similar to the ones presented by the world’s
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The Fashion Business This page intentionally left blank The Fashion Business Theory‚ Practice‚ Image Edited by Nicola White and Ian Griffiths Oxford • New York First published in 2000 by Berg Editorial offices: 150 Cowley Road‚ Oxford OX4 1JJ‚ UK 838 Broadway‚ Third Floor‚ New York‚ NY 10003-4812‚ USA © Nicola White and Ian Griffiths 2000 All rights reserved. No part of this publication may be reproduced in any form or by any means without the written permission
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My Favourite Canadian Fashion Designer I can easily say that my favorite Canadian fashion designer is Monica Mei. Her diligence with her work in becoming a fashion entrepreneur is truly an inspiration. Aime‚ the luxury clothing line that Monica began when she graduated from university‚ is a very creatively unique line that has captured my attention. It was through discovering Aime‚ that Monica Mei became my favorite Canadian fashion designer. The name Aime comes from the French word for love (Aime
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Roaring Fashion in 1920’s “It is unseen‚ unforgettable‚ ultimate accessory of fashion that heralds your arrival and prolongs your departure.” Clothing changed with womens changing roles in modern society‚ particularly with the idea of freedom for people worldwide. In the “Roaring Twenties”‚ fashion entered the modern era‚ impacted lives of kids‚ men‚ and women driving them to dress rebellious. Prior to WWI‚ kids still dressed more or less the way they had for a millennium‚ like young adults.
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Fur is not a Fashion Statement. Every year 50 million animals are violently killed for our own selfish needs to look high status in the fashion industry. Most of these helpless animals with just as much right as us are raised on fur farms in brutal conditions. Death is really their only escape from these dreadful prisons‚ which is mostly caused by stress‚ illness and pain. Sometimes animals are caught using a trap mechanisms and can be left there to die for up to 7 days. Animals often tend to
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retirement.” American tourists became fascinated with the old continent’s culture. Women began incorporating certain fashion trends (e.g. a jersey dress) into their own wardrobes. Women’s formal gowns during the first half of the 1920’s were characterized by ornamentation. There were not only evening events‚ when the taste of luxury was noticeable. Women also wore their most exquisite dresses to the afternoon parties. Because of the choice of fabric (silk‚ velvet‚ gold lame etc.) and the amount
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identity. In the 21st century‚ fashion as body adornment is still a universal part of a person’s everyday experience (Entwistle 2001: 41-43) yet‚ there is no one specific definition of fashion. Social scientists‚ philosophers and gender theorists present distinct understandings of the complexities of the fashion system. The modern definitions of fashion are derived from the foundational works of Bourdieu (1984)‚ Veblen (1899) and Simmel (1957)‚ who discussed fashion as a tool for social class distinction
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