Saint Joseph‚ Foster Father of Jesus Saint Joseph: Husband of Mary‚ Foster Father of Jesus‚ Feast Day: March 19‚ May 1 Patron of: the Universal Church‚ Belgium‚ Canada‚ fathers‚ the poor and craftsmen. Symbol of: Infant Jesus‚ monstrance‚ chalice‚cross‚ lamb‚ Bible‚ ladder‚ tools‚ dove‚ lily‚ rod‚ plane‚carpenter’s square Saint Joseph was chosen by God to be Jesus’s father on earth. God knew that Jesus would need a foster father to raise him and teach him. The Bible tells us that he was a
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amount of details as well. The heavy drapery that is around her body helps add to the movement and drama of the piece. Artists during this time were very detailed and were sculpted to show movement within the scene. The angel that is hovering over Theresa appears as though he is prepared to
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beliefs. Some artists during this period‚ however‚ retain a more classical style. Works to identify and know in depth: Artist Title Date Bernini David 1600s (19-7) [pic] Bernini Ecstasy of Saint Theresa 1600s (19-1‚ 19-8) [pic] Bernini Saint Peter’s‚ Vatican City‚ Rome 1600s (19-4‚ 19-5) Caravaggio Conversion of Saint Paul 1600s (19-17) [pic] Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20) [pic] Velázquez Surrender of Breda 1600s (19-29) [pic] Velázquez Las Meninas (The Maids
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represented by Borromini in architecture‚ by Bernini in sculpture‚ and by the Dutch artist Rembrandt in painting (Wikipedia Contributors). Three art facts composed in Rome during this realistic era include the San Carlo alle Quattro Fontane‚ St. Theresa in Ecstasy‚ and the Resurrection of Christ. The artist Francesco Borromini was a prominent and influential Baroque architect. Borromini was born in Bissone‚ Switzerland during a time of constant conflict between Catholic and Protestant states which
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Gian Lorenzo Bernini “Ecstasy of Saint Teresa” I chose Ecstasy of Saint Teresa by Bernini because it is an impressive multi-media installation that helps me understand the intense experience of Saint Theresa’s visions. Four black marble columns frame the scene of Saint Theresa floating as if on a cloud as a playful angel is about to plunge an arrow repeatedly into her. Her face portrays a feeling of intense pain and pleasure as she accepts the glory and light of her lord. Heavenly light is shining
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Baroque one big misshapen pearl STYLE ARTISTS and IMAGES VOCAB HISTORICAL NOTE Baroque art falls into the period of Counter-Reformation led by the Catholic church against the Protestants. Much of the Baroque art‚ especially in Italy‚ reflects reaction to Mannerism‚ but also the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear‚ intelligible subject realistically interpreted in order to stimulate piety. This was part of the reason
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3. The Catholic Counter Reformation had a vast impact on the arts. Art now‚ instead of focusing on the content of the picture‚ it became important to focus on the style in which the subject was painted. You now have sculptures like “The Ecstasy of Saint Theresa”‚ which vies on the cusp of sensuality‚ something not allowed in the Catholic Church at that time. 4. It was very important in the African and Native American cultures to maintain a balance between likeness and resemblance in a figure because
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Nudes. The study of the human body reached its epitome in Western culture during the Renaissance. Such fascination with the human body developed both in a religious and erotic/secular sense. Throughout the Italian Renaissance period‚ nude characters reached a gradual progression in the incorporation of public and esteemed art‚ as before they were primarily hidden in private rooms or secretly shared as pornography. Eventually‚ with the shift of religious influence during the Renaissance‚ nude works
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HISTORY OF ART FOLLOWING THE COUNCIL OF TRENT (1543 - 63)‚ THE COUNTER REFORMATION CHURCH REQUIRED THAT ART SHOULD PROVIDE AN EMOTIONAL STIMULUS TO PIETY AND INVOLVE THE SPECTATOR. WITH THIS IN MIND‚ HOW DID GIANLORENZO BERNINI (1598-1680) FIND NEW WAYS OF REINVENTING STATUES OF CHRISTIAN FEELING? Quod non fecerunt barbari Fecerunt Barberini Anonimous[1] Gianlorenzo Bernini (1598-1680) is considered to be “the artist who most profoundly shaped the public
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will ask you to call to mind the artist‚ or the title‚ or the date‚ or the period. You should memorize all of the information provided. * 1. Bemini. Baldacchino. St. Peter’s‚ Rome. 1624-1633. Italian Baroqu6. pg.673. 2.Bemini. Ecstasy of St. Theresa. Comaro Chapel. 1645-1652. ItalianBaroque. pg. 675. 3. Caravaggio. Conversionof St. Paul. c. 1601. ItalianBaroque. pg. 683. {e 4. caravaggio. calling of St. Matthew. c.1597-1601. Italian Baroque. pg. 681. {( + * 5. Artemesia Gentileschi
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