Steadicam / framing or reframing / establishing shot/master shot / extreme long shot / extreme close-up / close-up / medium shot / deep-focus cinematography / slow motion or fast motion / chiaroscuro / high-key lighting / low-key lighting / continuity editing or cutting on action / shot/reverse shot /
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D. W. Griffith and His Transformation in Narrative Film Linna Wang Film 106A Professor J. Kuntz TA Michael Potterton Section 1J Jan 26 2013 In both his narrative film style and his artistic skills in film editing techniques‚ D. W. Griffith offered new perspectives on filmmaking method. Rather than following the cinematic principles and using cameras merely as a recording machine‚ he boldly ran to aesthetic innovation on different aspects of filmmaking. We can call him the inventor of the
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to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see. While photographing subjects do not intentionally contribute to‚ alter‚ or seek to alter or influence events. Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects. Do not pay sources or subjects or reward them materially for
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Úrbez Abadía Grupo 1: mañana‚ Clase 501 2º Estudios Ingleses SE7EN DEVILS SINS ARE ALL AROUND YOU Having seen the selected clip of the film Seven (David Fincher‚ 1995) and taking into account editing aspects I state that both parallel editing or cross-cutting and eye-line match reveal a contrast‚ that is‚ Detective Somerset’s experience versus Detective Mill’s inexperience. Once Detective Somerset discovers that there is a parallelism between the deaths‚ the seven deadly sins; he goes to
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take even an otherwise boring event and present it as epic. Filmmaking has the ability to broaden perspective — exponentially. In an essential scene in Saving Private Ryan‚ the film maker manages the elements of cinematography‚ sound‚ setting and editing to grab the audience’s attention and put them on edge for what will be coming next. Released to theaters on July 24‚ 1998‚ and the winner of five Academy Awards including a Best Director Oscar for Steven Spielberg‚ Saving Private Ryan quickly became
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Some of the editing techniques used in Gladiator were editing sequence action and reaction for example‚ after the camera focused on the action of son killing the father then camera turn its attention to the reaction of the son after he murdered his father. When the final fight came to a conclusion slow motion effectively convey Maximus ’ physical fatigue. As stated in the book‚ The Art of Watching Film "His fall and time-consuming effort of getting to his feet are exaggerated by slow motion.? ’ (Boggs
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ENGLISH YEARLY EXAM STUDY NOTES 2014 Dead Poets Society Plot Summary Set in 1959 in Walton Academy‚ an exclusive private school‚ dead poet’s society tells the story of English teacher john Keating‚ and his influence on the lives of his students. Keating encourages the boys to “seize the day” and “to suck out all the marrow of life”. He tells them to resist conformity and express their individuality. The reform the dead poets society and explore their owns hopes and dreams. Eventually though‚ there
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mother as humanity is being destroyed and made into an inferior race. Spielberg made the change to modern times for the modern audience and decided to change the protagonist so the viewer may be more attached to the story. Through the use of sound and editing Spielberg translates the theme of mankind as a lesser species to the silver screen and to the audience in his rendition of War of the Worlds . In the scene where the Tripod comes out of the ground Spielberg uses the sounds of the Alien to demonstrate
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Kracauer‚ Siegfried. “Basic Concepts.” Film Theory and Criticism. Braudy‚ Leo and Cohen‚ Marshall. New York: Oxford‚ 2009. 147-158. Lee‚ Spike‚ and Henry Louis Gates‚ Jr. "Final Cut." Transition 52 (1991): 176-204. Print. Pudovkin‚ Vsevolod. “[On Editing].” Film Theory and Criticism. Braudy‚ Leo and Cohen Marshall. New York: Oxford‚ 2009. 7-12. Stam‚ Robert and Spence‚ Louise. “Colonialism‚ Racism‚ and Representation.” Film Theory and Criticism. Braudy‚ Leo and Cohen‚ Marshall. New York: Oxford‚
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states that putting a series of connected images together allows for ideas to be shed about what is happening in the images but when they are strung together‚ it allows the film to truly express its intellectual or ideological properties. So the editing of a series of shots‚ rather than the images themselves‚ constitutes the effect of the film. This style of filmmaking shows reality without adding anything to it‚ the artistic standards are in the shots themselves. To evoke emotion in Montage‚ they
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