For session eight I red Walker Pete the Cat I Love My White Shoes by Eric Litwin. On every page of the story I asked Walker what color he thought the shoes where going to turn. He really liked this story and it was good for him to interact with. I choose to work on the sounds of sh‚ ch‚ and th. I then asked Walker what animal tries to chase cats. He answered with the correct answer‚ a dog. I then told Walker that we were going to be working with three dogs named sh‚ th‚ and ch. I told him these dogs
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This scene is the intro to ‘the Departed’ directed by Martin Scorcese. It is a compression of time with narration by Costello that gives insight into some of the characters‚ mainly Costello himself and background information such as location. It effectively establishes the position of the main characters and the public’s reaction of them‚ letting us know what the movie is going to be about. I loved the camera work in this scene and the way Costello’s portrayed‚ he is later referred to as ‘the rockstar’
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Exploring the Dark Side: Contrasting Themes in "Blue Velvet" The subconscious psyche is one of the most fascinating and almost completely inexplicable aspects of human behavior. Even more intriguing than merely the subconscious is the notion of a darker‚ more repressed side that many individuals refuse to acknowledge exists within them. In David Lynch’s film "Blue Velvet‚" the director attempts to explore the psyche of a young man named Jeffrey Beaumont‚ most notably the clash between his darker
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The film Pleasantville directed by Gary Ross is about two modern teenagers‚ David and his sister Jennifer‚ somehow being transported into the television‚ ending up in Pleasantville‚ a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville‚ with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour‚ mise-en-scene‚ camera shots
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The biographical drama film 127 hours‚ composed by Danny Boyle‚ is the true story of canyoneer Aaron Ralston’s remarkable journey to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next 127 hours‚ Ralston examines his life and explores both a physical and inner journey when deciding whether he will die or fight for survival. The exploration of Ralston’s physical journey and the obstacles and challenges he must overcome are effectively
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Film Studies- ‘The sixth sense’ With a close up of the award‚ the clip begins with our view of the couple only in reflection of Malcolm’s recent award‚ which is made to seem meaningless as we can’t read the writing despite it being in centre of the frame. The award is in a red frame. This already seems to be warning to both Malcolm and Anna that danger could be heading their way‚ especially during the reflected close-up shot of the two. It also makes us wonder why this prop appears slanted on the
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By TBF Camera Work in Vertigo For essay option two‚ I will discuss Vertigo and two ways the camera is used in the film. Although Hitchcock uses the camera in additional ways‚ for this purpose of this essay‚ I will cover how camerawork helps initiate an underlying sense of danger in the opening sequence and how camerawork‚ in the famous dolly-zoom shots‚ communicates the vertigo experienced by Scotty. Part I will talk about the opening sequence‚ touching on the first use of the famous dolly-zoom
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Chris Higgins 12515433 I have chosen to analyse a scene from the film Rashomon by Akira Kurosawa. I will be discussing in particular the scene where the Woodcutter wanders through the woods and discovers the body of the samurai. This scene is vital as we are introduced to the scenario which will be the focus of the rest of the movie. Kurosawa utilizes a number of interesting techniques that contribute to the film’s experimental nature‚ which I will be discussing in this analysis. The establishing
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Adobe Photoshop Adobe Photoshop Instructor Kathleen H Mahoney Department Office: 516-678-5000 x6271 Home Phone: 516-887-3647 Email: kmahoney@molloy.edu kathleenhmahoney@gmail.com Molloy College Art Department Wilbur Hall 1000 Hempstead Avenue Rockville Centre‚ New York 11571 Course Description This course will start with an introduction to the computer lab and Macintosh computers. Course instruction will be an introduction to Adobe Photoshop using the Macintosh. We will be using the software
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All that we have been saying about the voice remind us that the history of altered voices in films differs profoundly from the history of altered bodies. If you examine cases in recent films‚ you notice that the most striking and memorable examples are not those in which someone invented a brand new vocal texture or timbre‚ but in which a strong correlation has been created between the voice and the body‚ the voice and face. This is the relationship through which the terrifying effect is achieved
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