Organizational Research Methods http://orm.sagepub.com/ Complementary Use of Qualitative and Quantitative Cultural Assessment Methods Charlene A. Yauch and Harold J. Steudel Organizational Research Methods 2003 6: 465 DOI: 10.1177/1094428103257362 The online version of this article can be found at: http://orm.sagepub.com/content/6/4/465 Published by: http://www.sagepublications.com On behalf of: The Research Methods Division of The Academy of Management Additional services and information for
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writer and a civil rights activist‚ during the Harlem Renaissance. Poetry served as a powerful way for African Americans to express their experiences‚ struggles‚ and aspirations during a period of racial discrimination. In James Weldon Johnson’s “Sonnet”‚ the poet encourages his heart to stay strong through his brave‚ encouraging‚ and guiding attitude‚ suggesting that despite the challenges of life‚ his heart needs to resist despair and reach for hope. The speaker’s direct appeal to his heart in
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Edmund Emil Kemper III was born on December 13‚ 1948 in Burbank‚ CA. He was born to the union of Edmund E. Kemper Jr. and Clarnell Strandberg. After his parents divorced‚ Clarnell took Kemper along with his two sisters to live by her very high standards and abusive ways. She berated Kemper mentally by having him sleep in a windowless basement because she feared of the harm he may cause to his sisters. In turn‚ this caused the hatred that he had for her to fester and turn into hatred against all women
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distant–or is not believed in‚ people try to fill this ache through other means‚ namely each other. What is then found is an idealized love--created by people--which mimics the love of God but focuses on the satisfaction of the individual. Shakespeare’s “Sonnet 116” represents this secular vision of ideal love‚ but as Benedict XVI reveals in “God is Love‚” it is ultimately only a shadowy‚ reflected image of God’s passion that cannot be fully manifested amongst sinful people. When conjuring an image
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Shakespeare balances absence and presence in Sonnet 73 by using a metaphor inside a metaphor in each quatrain. In the first quatrain‚ he compares his age old age to the beginning of winter when there are barely any leaves left on the trees. He continues to compare the bare boughs from the first metaphor‚ with a choir loft in a church while the choir members are being compared to the “late birds” (1177). Additionally‚ he personifies the branches by saying the bare boughs are shaking from the cold
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In the poem Holy Sonnet 10‚ the speaker starts talking down on Death‚ whom he treats as a person. He tells Death not to be so proud‚ because he’s really not as scary or powerful as most people think. The speaker then starts talking in contradictions‚ saying that people don’t really die when they meet Death – and neither will the speaker. Then‚ he insults Death by comparing him to "rest and sleep‚" two things that aren’t scary at all. The speaker calls Death a "slave"‚ saying that death is just
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In “Sonnet 130: My mistress’ eyes are nothing like the sun‚” William Shakespeare uses the literary devices of imagery and figurative language to show that people should be judged based on who they are‚ not on their looks or what society says one should be like. To begin with‚ the text states‚ “If hairs be wires‚ black wires grow on her head.” (I.iv) The author uses figurative language to show how his mistress’ hair looks like. He compares her hair to wires which aren’t typically compared to hair
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The Strange Thing Called Love Despite the complexity of the sonnets that William Shakespeare and Sir Philip Sidney create‚ one is left with a feeling of total admiration for the rich language in each poem that forces its reader to pay very close attention to detail. The sonnets differ in the focus of metaphors for love and how this passion affects the poets; however‚ both of the poems intrigue their audience through their integration of ornate imagery in their portrayal of beauty and love. There
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of Shakespearean Sonnets Proposal It has been a widely controversial debate over the context of Shakespeare’s sonnets. Was part of the sonnets a dedicated to a gay lover‚ a rival poet‚ and a black woman? These questions remain up for academic debate due to Shakespeare’s sonnets having alterations that were made in the editing process of these sonnets—and more specifically‚ the lack of pronouns that leave the sonnets ambiguous. This paper will be observing the sonnets (sonnets: two‚ twenty‚ eight-six
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Two Tones of Love Shakespeare’s Sonnet 29‚ and Sonnet 130 are both poems written about love. Although they are both speaking of love‚ the tone and delivery are vastly different. In Sonnet 29‚ it is apparent that the Shakespeare is writing the speaker talking to his love with the lines “Haply I think on thee”… “For thy sweet love remembered….” Meanwhile in Sonnet 130‚ Shakespeare is writing the speaker talking about his love to another person with the lines‚ “My mistress‚ when she walks
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