Post-1914 play Educating Rita- To what extent do you agree that Educating Rita is a feminist play? The play ‘Educating Rita’ is set in Liverpool during the 1970s‚ with only two main characters: Rita White and Frank. Rita‚ a vibrant and bubbly twenty-six year old‚ uneducated‚ working class woman enrols at the Open University‚ her real name is Susan‚ but she changed it to Rita in honour of Rita Mae Brown‚ a junk novelist. Frank‚ however‚ is an educated‚ middle class man with a drinking problem
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their life and they need to take their place in society. I will be talking about the play educating Rita by Willy Russel and relating it to the movie pretty woman by Garry marshal. In educating Rita‚ Rita wants to change. She is being pressured by her husband Denny‚ to stay the same “he’s blind‚ he doesn’t want to see”. He’s happy living in the same old suburb watching the same old BBC programs‚ whereas Rita wants to discover herself. This discovery comes in the form of education. She wants to learn
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Today I recorded a video with Rita Ganong as she described her interactions with a healthcare provider and what proved to be challenging for her. She was referred by a friend to a Physician for a consultation for a procedure she was scheduled for in the near future. She set up her appointed and was advised to arrive 15 minutes early. Upon her arrival to the Physician’s office‚ she went to open the door and the door was locked. She rang the bell and waited 15 minutes. She realized after waiting
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Willy Russel’s 1985 play Educating Rita is a story of a women’s struggle escape her repetitive boring working class life and move into a wider‚ educated world. Russel uses characters‚ settings and many techniques to effectively explore this potentially difficult topic in an interesting and entertaining way. ‘Into the world’ is a potentially difficult topic in that it involves person‚ life-changing events that may become hard for the audience to relate to or understand. Russel avoids these problems
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When someone moves into the world there are many challenges they must overcome such as attitudes‚ individuals and beliefs. In the play ‘Educating Rita’ written by Willy Russel and ‘Gran Torino’ directed by Clint Eastwood‚ beliefs‚ attitudes and individuals are challenged. The protagonists have had to question their attitudes and beliefs before they could move ahead into the new world. The main ideas that are experienced are family‚ sacrifice and choice. Some of the techniques are symbolism‚ transition
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and her life during working at ‘Runway’. There is a change in Andrea’s clothing‚ attitude and perspective. She realises that she isn’t the person she use to be and that she has undergone a change to fulfil the needs of her new boss. LINK TO EDUCATING RITA: There are several links that ‘The Devil Wears Prada’ and
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an inherent part of moving ‘into the world’. Willy Russell’s play Educating Rita‚ shows us that attitude is important for change and growing ‘into the world’. The new experiences can be problematic but it’s up to the individual to prevail and conquer. It demonstrates to us that change involves taking risks leading to positive consequences of change. Opening the door provides new experiences for growth and change just like Rita opening the door to her lessons provides her the opportunity to absorb
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Willy Russell made the character of Rita comical? The play ‘Educating Rita’ was written by Willy Russell in the late 1970’s during a time of great social change. Willy Russell’s life was just like the character of Rita in the play making it autobiographical. He was born in Whiston which is just outside Liverpool. He was a hairdresser before he went back to college to pass his O level English Literature. ‘Educating Rita’ is a play about a 26 year old called Rita who goes back to university as a hairdresser
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looking at certain issues or points relating into the world. What we don’t realise in the 21st century is that year 12 students studying supplementary material in standard English may find it difficult to understand and come to terms with it. ‘Educating Rita’ was voted ‘Best Comedy of the year’ when performed by the Royal Shakespeare Company in 1980. By 1983 it had risen to be the fourth most popular play on the British stage. Perhaps Willy Russell’s attitude towards his work might partly explain
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