"The Lover vs. the Non-Lover" In Plato’s Phaedrus‚ a dialogue between the main protagonist Socrates and his dear friend Phaedrus‚ the idea of love and philosophy join together and in one are the aspects of the other. Phaedrus has been spending the morning with Lysias‚ and decides to refresh himself by taking a walk along the Athenian countryside‚ when he is met by Socrates‚ who professes he will not leave him until he delivers the speech that Lysias has left with him. Phaedrus does not deny Socrates
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The Lover The Lover is an autobiographical novel taking place in Indochina during the 1930’s when Indochina was a French colony. Duras saw her life during this time as an existential rebel figure living in an absurd world. In order to find her purpose in life‚ she takes risks by breaking boundaries. She is forced to take risks because she is trapped in a world limiting her opportunities to experiences of life and culture. The young Duras was in an absurd world‚ living with a dysfunctional family
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20751 Mrs. Cooper AP English 10/06/10 Paul’s Psyche in Sons and Lovers Sons and Lovers‚ by D.H. Lawrence is a novel which follows the protagonist—Paul—as he matures. Through his actions‚ one can see that his psyche is altered in a way which makes it improbable for him to remain in a successful relationship; proving this alteration‚ Paul fails in his relationships with both Gertrude and Miriam. Paul cannot succeed in any relationship because his mother altered his Id‚ Superego‚ and Ego via
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“When a beautiful pearl is cast down on the road all the mighty and powerful contend for it” (The Tale of the Ungrateful Lover‚ in Chen‚ 15). Men in the Chinese society saw women as a symbol of beauty and nothing more. In ‘The Tale of the Ungrateful Lover’‚ a talented girl like Du Shiniang who was a brilliant dancer‚ musician and singer got no respect for her talents. Once Du Shiniang was outside the gay quarter‚ no one appreciated her
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The characters in "Sons and Lovers" ——Tragedy of Paul ’s Love 郁彩霞 Abstract: As the main character in this novel‚ Paul‚ shows the most struggle in his love: the love for hs mom‚ for Miriam and for Clara. My work is to analyze the complicated relationships among the women and the man. Due to the Oedipus complex of Paul‚ he always can ’t balance his love between his lovers and mother. A pure pilgrim of Miriam and a feminist of Clara‚ Paul finds himself in love with both of the two. However
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Robert Browning’s “Porphyria’s Lover” written in 1836 explores and undermines the complex gender stereotypes regarding power and authority present in the nineteenth century. The typical stable male figure is absent. Instead‚ the male narrator is extremely capricious and erratic in nature‚ making for an unusual story. Porphyria‚ the female in the poem‚ also undermines regular stereotypes. On a deeper level‚ Porphyria seems to be the one with the power even although physically she gets strangled. The
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Comparison “Crazy Courage” & ”Porphyria’s Lover” These two poems relate in seeing love in different ways. “Crazy Courage” is about a girl pushing her courage over her expectation. “Porphyria’s Lover” is about a boy who’s gay and gets driven into a girl’s heart. Through these poems‚ the comparison between the two will relate by different styles of love. “Crazy Courage” relates to a young standard of love which begins mostly through education circumstances. The young girl perceives to be in love
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D. H. Lawrence’s Sons and Lovers as a Psychological Novel – Sons and Lovers belongs to the category of psychological fiction. The remarkable development of psychological novel is a notable phenomenon of the twentieth century literary scene. The psychology of the characters and the typical problems‚ emanating from a particular psychological pattern form the staple of a psychological novel. This psychological novel has been ushered in by Virginia Woolf and James Joyce. The psycho-analytical novel
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Rear Window DIRECTOR: Alfred Hitchcock YEAR OF PRODUCTION: 1954 COUNTRY: USA LANGUAGE: English Week 1: Discuss the relationship between spectators and cinema in relation to the film style of Rear Window by Alfred Hitchcock. Stam‚ Robert and Roberta Pearson‚ “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism‚” in Deutelbaum and Poague‚ eds‚ A Hitchcock Reader‚ 2nd ed‚ Chichester‚ UK. & Malden‚ MA: Wiley-Blackwell‚ 2009. Alfred Hitchcock’s “Rear
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DANCE ELEMENTS RELATED WITH MYTHOLOGICAL STORIES INTRODUCTION OF KATHAK The word ‘Kathak’ comes from the root katha‚ which means story- telling. Literal meaning of the word kathak is related to katha‚ the art of story-telling‚ “Katha Kahe So Kathaka Kahave”‚ which means “one who tells a story is a story-teller”. According to M. Monier Williams‚ Katha denotes conversation‚ story‚ speech‚ tale or fable. Katha also means to ‘ sing in praise’‚ ‘to say or inform something’. Thus‚ kathakars were originally
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