The Language of Drama Prepared by: Nicolle Anne F. Racadio Mary Anne C. Garcia Mary Joyce Angeline S. Driz Reynaida V. Calderon Lovely Mica B. Concepcion Powerpoint Templates Page 1 What is Drama? Form of literature that Brecht (1964:15) says that tells a story through the proper plays can only be understood when words and actions of performed. the characters. Stanislavski asserts that it is only on stage that It is also called a play‚ drama can be revealed in usually all its’ fullness and
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“Yeats poetry is driven by a tension between the real world in which he lives and an ideal world he imagines”. I certainly agree with this statement. Yeats raises the issue‚ a common one of reality verses the ideal. Yeats is an idealist‚ yet he is looking at the reality certainly in two cases ‘September 1913’ and ‘Easter 1916’. We see that Yeats is escaping the reality to his ideal world in ‘The lake Isle of Inisfree’ and ‘Sailing to Byzantium’. As we analyse ‘September 1913’‚ we discover that
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RADIO PLAY/DRAMA The English word ‘drama’ derives from the Greek word ‘dran’ meaning ‘to do’. Thus a drama is a story performed or ‘done’ by people on stage‚ radio‚ film‚ TV‚ on the street. A drama involves a chain of events and describes a web of relationships involving one or more persons. It could be fiction or non-fiction. The main Components/ELEMENTS of a RADIO drama: I. Plot_____________________________________________________ The chain of events or actions in which the characters
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Dramas are serious‚ plot-driven presentations‚ portraying realistic characters‚ settings‚ life situations‚ and stories involving intense character development and interaction. Usually‚ they are not focused on special-effects‚ comedy‚ or action‚ Dramatic films are probably the largest film genre‚ with many subsets. See also melodramas‚ epics (historical dramas)‚ or romantic genres. Dramaticbiographical films (or "biopics") are a major sub-genre‚ as are ’adult’ films (with mature subject content).
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The China Incident As a contemporary Australian Drama‚ The China Incident‚ directed by Daniel Evans and performed at The Cremorne Theatre on the 13th of February‚ 2013‚ replicates modern day realities in a humorous demeanour. The play‚ driven by success‚ fear and family‚ explores modern day issues in which it is told that success is deemed to be important in society‚ and a person is either successful with their family or in their career. The China Incident successfully communicates these themes
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look at modern drama from a thematic perspective. Part of what defines modern drama for me is an emphasis on experiences and predicaments that have applicability to as many people as possible. Modern drama speaks loudly and lucidly to multiple parties‚ and can articulate struggle and redemption in a manner that makes it understandable to all in the modern setting. Its relevancy is effective in real time. For example‚ a reason I consider Beckett’s Waiting for Godot modern drama because it speaks
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Drama is written for live visual performance; it is more intense and reflects everyday life tensions more than poetry. Drama is observed right in front of you; there is color‚ lights for the setting‚ clothing and the scenes change. Drama allows you to see the characters personality developed as the drama unfolds on stage. Drama has two forms tragedy and comedy. “Riders of the Sea” is a drama of tragedy. The plot of the drama is central and foreshadowing and flashbacks are techniques used to show
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original as much as possible so that the translation represents the goal and effort of the original author. Each translator aims at a maximal realistic authenticity‚ including both the inner (author’s and director’s notes) and outer language of the drama. “Translation‚ the surmounting of the obstacle‚ is made possible by an equivalence of thought which lies behind the different verbal expressions of a thought. No doubt this equivalence is traceable to the fact that men of all nations belong to
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August Strindberg’s play “The Ghost Sonata” represents an expressionistic approach to drama. Expressionist elements are obvious through Strindberg’s use of distortion of reality‚ “typing” of characters‚ and the use of musical pattern. In the lecture‚ we discussed that one of the elements of expressionistic drama was “extremism and distortion”‚ the lecture also mentioned how expressionistic drama can take the form of a dream to “capture inner feelings” of a character. Strindberg distorts external
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Chelsea J. Turner Assessment Unit Medieval‚ Renaissance and Elizabethan Theatre Lesson Plan Subject: Theatre Arts/Introduction to Theatre Grade Level:912 Topic/Title: Medieval Theatre Time Frame: 90 minutes Grade Level/Course Level Expectations: Historical and Cultural contexts 2: Develop and apply skills necessary to understand cultural diversity and heritage as they relate to theatre. Grades 912: Analyze and evaluate historical and cultural influences
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